Hosay Trinidad. Frank J. Korom
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Figure 7. A reverse mica painting (c. 1850–60) from the Banaras region depicting a standard bearer. By permission of the British Library. Add. Or. 412.
Some were Hindu women, probably unfortunate mothers, who thus paid respect to these effigies of the martyrs’ tombs, in the fond hope that Imam Husain would graciously extend his protection to their surviving children and grant them long life.… From time to time some persons, for the most part women with babies in their arms, approached the tazias, and made trifling offerings of flowers, sweetmeats, and money, which gifts were formally accepted by the attendants, and some trifling return, generally a garland of small flowers, given in exchange by way of acknowledgement to the pious and now happy oblationer, who, beaming with satisfaction and hope, would place it without delay about her infant’s neck.56
The following days are filled with prayer and mars̲i̅yah recitation both in private and in public gatherings. Once the ‘alams are posted in front of the imāmbāṛās, offerings of food are placed in their presence, censers for burning frankincense (lobān) are lit, and the fātiḥah is recited over them every night. After these evening prayers, the food placed in front of the banners is distributed to all in attendance. This special food, known as tabarruk, is considered to be a blessing and parallels the Hindu practice of distributing prasād. Hindus who observe muḥarram distribute mali̅dah, a cake made of pounded meal, butter, and sugar.57 These social acts of prayer and commensality are followed nightly by verbal reenactments of episodes from the tragedy corresponding to that particular day.58 They can take the form of poetry, song, lectures, and personal petitionary prayer (du’ā’). People from outside of the cities often visit the imāmbāṛās and ask Husayn, or the specific martyr being remembered on that given day, for favors and they frequently make vows (mannats). They may ask her or him to heal a sick kinsman, insure the wealth of the family, or to pray for the dead. In Banaras, devotees who have relatives living in the city will remain there until the tenth of Muharram, the climax of the observances. Others return to their respective villages feeling confident that Husayn will aid them in life as well as in death.
Figure 8. A Panjabi muḥarram ‘alam topped with a panjah being taken out in procession during the month of Muharram in 1973. Notice the various cloth offerings for vow fulfillment tied to the standard. Photograph by Richard Kurin. Courtesy of the Smithsonian Institution’s Folkways Archive.
Although muḥarram is intensely religious for the Shi‘ah, there is also a strong social dimension associated with it. Saiyid, for example, reports that residents of the Sunni-dominated town of Chanorba, Uttar Pradesh, who live and work elsewhere try to return home each year during the period to “celebrate” the holiday.59 Sharif adds that in south Gujarat, merriment and masquerade replace grief from the fourth until the tenth.60 Although marriages cannot be performed during the contiguous months of Muharram and Safar, this social occasion provides opportunities to make matches and arrange for future unions. The kind of celebratory atmosphere that the occasion encourages is an issue to which I will return below.
On the morning of the fifth, Shi‘i processions move throughout various sectors of the city.61 In Lucknow, the standard of Abbas is taken out for the first time in memory of his courageous action to bring water for camp members.62 This event marks the beginning of a series of processions that reach a peak on the tenth but continue sporadically until the eighth of Rabi al-Awwal. Each group begins its own procession at the neighborhood masjid or at the nearby imāmbāṛā. The ‘alams that mark the imāmbāṛās are disengaged from their places of rest to be carried in the procession. Hired low-caste Hindu drummers noted for their musical expertise playing tāsās (clay kettledrums), ḍhols (wooden cylinder drums), and often cymbals, sometimes coming from as far away as Calcutta, walk at the front of the crowd (see Figures 9 and 10).63 Drummers are also sometimes recruited from the Sunni community, and less frequently they may be Shi‘ah. The musicians pound out a rhythm to which all Shi‘i men respond by beating their chests with an open or closed fist. This first procession is done in verbal silence.
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