shaking his head over this new symptom of approaching senility, he happened to turn his eyes in the direction of the village, and descried a figure approaching rapidly from the turn in the road, which at once arrested his attention.
"Who can that be?" muttered he to himself, frowning to assist his vision. "None of the town boys, that's certain. Never saw such a figure but once before! If any thing, this is the better man of the two. By-the-way, what if it should be--! Humph! I believe it is, sure enough."
By this time the stranger, a very tall and broadly built young man, with a close brown beard, and quick, comprehensive eyes, had arrived opposite the house, and stood with one hand on the gate.
"Is this the parsonage?" demanded he, speaking with great rapidity of utterance, and turning his head half sideways as he spoke, without, however, removing his eyes from the professor's face.
The old gentleman nodded his head, "It is known by that name, sir!" said he.
With the almost impatient quickness which marked every thing he did--a quickness which did not seem in any way allied to slovenliness or inaccuracy, however--the young man pushed through the gate, which protested loudly against such rough usage, and walked hastily up to the porch-steps. He paused a moment ere ascending.
"Are you Professor Valeyon?" he asked.
Again the professor bowed his head in assent. "And are you--?" began he.
The young man sprang up the steps, and grasping the other's half-extended hand, gave it a brief, hard shake.
"I'm Bressant," said he.
CHAPTER III.
SOPHIE AND CORNELIA ENTER INTO A COVENANT.
When Cornelia left her father on the balcony, she danced up-stairs, and chassed on tiptoe up to the door of Sophie's room. There she stopped and knocked.
Somehow or other, nobody ever went into that room without knocking. It never entered any one's head to burst in unannounced. The door was an unimposing-looking piece of deal, grained by some village artist into the portraiture of an as yet undiscovered kind of wood, and considerably impaired in various ways by time. It could not have been the door, therefore. Nor was the bolt ever drawn, save at certain hours of the morning and night. Sophie was not an ogre, either. Cornelia, who was very trying at times, would have found it hard to recall an occasion when Sophie had answered or addressed her sharply or crossly. If she exerted any influence, or wielded any power, it was not of the kind which attends a violent or morose temper. But no vixen or shrew, how terrible soever she may be, can hope at all times or from all people to meet with respect or consideration; while to Sophie Valeyon the world always put on its best face and manner, secretly wondering at itself the while for being so well-behaved.
As to the affair of knocking, Sophie herself had never said a word about it, one way or another. She always took it as a matter of course; indeed, had she been loquacious on the subject, or insisted upon the observance, Cornelia for one would have been very likely to laugh to scorn and disregard her, therein acting upon a principle of her own, which prompted her to measure her strength against any thing which seemed to challenge her, and never to give up if she could help it. But she had never had a trial of strength with Sophie, and possibly was quite contented that it should be so. She would have shrunk from thwarting or crossing her sister as she would from committing a secret sin: there might be no material or visible ill-consequence, but the stings of conscience would be all the sharper.
So Cornelia knocked and entered, and the quiet, cool room in which her sister lay seemed to glow and become enlivened by the joyous reflection of her presence. Yet the effect of the room upon Cornelia was at least as marked. She hushed herself, as it were, and tried, half unconsciously, to adapt herself to the tone of her surroundings; for, although her physical nature was sound and healthy, almost to boisterousness, her perceptions remained very keen and delicate, and occasionally rallied her upon the redundancy of her animal well-being with something like reproof.
It was singular, with how few and how simple means was created the impression of purity and repose that this chamber produced! It brought to mind the pearly interior of a shell, and a fanciful person might have listened for the sea-music whispering through. The walls were papered with pale gray, relieved by a light pink tracery, and the white-muslin curtains were set off by a pink lining. A bunch of wild-flowers and grasses, which Cornelia had gathered that morning, and Sophie had arranged, stood on the mantel-piece. There were four or five pictures--one, a bass-relief of Endymion, deep asleep, yet conscious in his dream that the moon is peeping shyly over his polished shoulder, had been copied from a famous original by Sophie herself. She had painted it in a pale-brown mezzotint, which was like nothing in nature, but seemed suitable of all others for the embodiment of the classic fable. This picture hung over the mantel-piece. Opposite Sophie's bed was an illumination of the Lord's Prayer, with clear gold lettering, and capitals and border of celestial colors. The dressing-table was covered with a white cloth, on which reposed a comb and brush and a pink pin-cushion with a muslin cover, and over which hung a crayon of the cherub of the Sistine Madonna, who leans his chin upon his hand.
Within reach of Sophie's hand as she lay, were suspended a couple of hanging shelves, which held her books. There were not a great many of them, but they all bore signs of having been well read, and there was at the same time a certain neatness and spotlessness in their appearance which no merely new books could ever possess, but which was communicated solely by Sophie's pure finger-touches. On the opposite side of the bed stood a small table, on which ticked a watch; and beside the watch was a work-basket, full of those multifarious little articles that only a woman knows how to get together.
Looking around the room, and noting the delicate nicety and precision of its condition and arrangement, one would have supposed that Sophie's own hands must have been very lately at work upon it. But it was many weeks since she had even sat in the easy-chair that stood in the rosy-curtained window; and, although now far advanced in convalescence, she had taken no part in the care of her room since her illness. Why it had still continued to retain its immaculateness was one of many similar mysteries which must always surround a character like Sophie's. Every thing she accomplished seemed not so much to be done, as to take place, in accordance with her idea or resolve; and there were always, in her manifestations of whatever kind, more spiritual than material elements.
When Cornelia entered, Sophie laid down her sewing, and looked up-with a smile in her eyes, which were large and gray, and the only regularly beautiful part of her face. She had a way of confining a smile to them, when wishing merely to express good-will or pleasure, which was peculiar to herself, and very effective. Cornelia walked quite soberly up to the bedside, kissed her sister, and then stood silent for several moments.
Compared with her recent exhilaration, this was very extraordinary behavior. She had rushed up-stairs intent upon pouring into Sophie's ears the whole gorgeous tale of her hopes and anticipations for the coming summer. Yet no sooner was she within the door than her excitement seemed to die out, and her enthusiasm ebb away. Extraordinary as it appeared, it was by no means a rare occurrence. Cornelia alone could have told how common; if, indeed, she ever reflected upon the matter. She was very quick to feel a divergence of interests between her sister and herself, and always inferred that Sophie could not sympathize with any thing for which she had no personal taste. In the present instance, it had all at once occurred to her that her sister would not be likely to care half so much about the gayeties of fashionable watering-places and city-life as she did, and might therefore treat with indifference what was to her an affair of the greatest moment; and a snub being one of those things which Cornelia found it most difficult, even in the mildest form, to endure, she had resolved, on the spur of the moment, to approach the
