Queen Margot: A Play in Five Acts. Александр Дюма

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Queen Margot: A Play in Five Acts - Александр Дюма

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style="font-size:15px;">      Count?

      LA MÔLE

      Escort me to my room, I beg you. Awake me at midnight. I will be completely dressed and ready quickly.

      COCONNAS

      Fine! Same as me. I am going to make all my preparations. Master La Hurière, give me some blank paper and scissors so I can cut off my seal.

      LA HURIÈRE

      But, wretch, you have still sworn?

      (aloud)

      Gregory, this gentleman asks for some blank paper and some scissors to trim the envelope! Come, Mons. de La Môle, come.

      (He goes up the staircase, lighting La Môle.)

      COCONNAS

      (aside)

      Decidedly, something extraordinary is happening here.

      LA MÔLE

      (going up)

      Good evening, Monsieur de Coconnas. And good luck at the Louvre!

      (La Môle and La Hurière go out. Maureval is at the far door.)

      COCONNAS

      Ah,—what have I just done?

      MAUREVAL

      What have you done, sir? You almost revealed, just now, a secret on which depends the fate of the realm. That’s what you’ve done. From good fortune, God has willed that your mouth be closed in time by our worthy host. A word more and you would be dead. Now—we are alone, hear me.

      COCONNAS

      Just a moment, sir. Who are you, if you please, to speak to me with such a tone of command?

      MAUREVAL

      By chance, have you heard the name of the Sire Louviers de Maureval?

      COCONNAS

      The murderer of Captain de Mouy? Yes, doubtless.

      MAUREVAL

      Well, I am he.

      COCONNAS

      Oh! Oh!

      MAUREVAL

      Hear me carefully.

      COCONNAS

      By god, I believe I do! I am listening attentively.

      MAUREVAL

      Hush! Wait!

      (He indicates a noise above his head. At the same moment, the room on the first floor lights up. La Môle enters with La Hurière.)

      COCONNAS

      It’s nothing; it’s my companion who’s setting in.

      LA HURIÈRE

      (above)

      Here’s your room.

      LA MÔLE

      (above)

      Marvelous! Don’t forget to waken me at midnight.

      LA HURIÈRE

      Be easy!

      MAUREVAL

      Listen, the hour is striking—listen.

      (The clock strikes, they count.)

      COCONNAS

      Eleven o’clock.

      MAUREVAL

      Fine! La Hurière is shutting the door. He’s coming down. Come, master, come!

      LA HURIÈRE

      (returning)

      We are alone. Let’s have a seat.

      MAUREVAL

      Everything is carefully shut up?

      LA HURIÈRE

      Yes—and Gregory is standing guard outside. Are you there, Gregory?

      GREGORY

      (in the street)

      Yes, master.

      LA HURIÈRE

      (to Coconnas)

      Sir, are you a good Catholic?

      COCONNAS

      By God, since the day of my baptism, I have boasted so.

      MAUREVAL

      Sir, are you devoted to the King?

      COCONNAS

      Body and soul.

      MAUREVAL

      Then you are going to follow us.

      COCONNAS

      So be it! But, I warn you that at midnight, I have business at the Louvre.

      MAUREVAL

      That’s exactly where we are going.

      COCONNAS

      I have a meeting with the Duke de Guise.

      MAUREVAL

      We do, too.

      COCONNAS

      I have a password.

      MAUREVAL

      We do, too.

      COCONNAS

      A personal sign of recognition.

      MAUREVAL

      We do, too. And wait, this will spare you the trouble of making a cross on paper.

      (He pulls from his pocket three white crosses, giving one to La Hurière, the other to Coconnas and keeping the third for himself.)

      COCONNAS

      Oh, oh—this rendezvous, this word of the day—this rallying sign—is it for everybody?

      MAUREVAL

      Yes, sir—that is to say—for all

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