The Third R. Austin Freeman Megapack. R. Austin Freeman
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“And mind you,” he resumed, “when I speak of poverty, I wish to be taken literally. The estimated value of those pearls was fifty thousand pounds—if you can imagine anyone out of Bedlam giving such a sum for a parcel of trash like that; and when poor Mabel Bonney had paid it, she was left with the prospect of having to spread her butter mighty thin for the rest of her life. As a matter of fact, she has had to sell one after another of her little treasures to pay just her current expenses, and I’m hanged if I can see how she is going to carry on when she has sold the last of them. But there, I mustn’t take up your time with her private troubles. Let us return to our muttons.
“First, as to the pearls They were never traced, and it seems probable that they were never disposed of. For, you see, pearls are different from any other kind of gems. You can cut up a big diamond, but you can’t cut up a big pearl. And the great value of this necklace was due not only to the size, the perfect shape and ‘orient’ of the separate pearls, but to the fact that the whole set was perfectly matched. To break up the necklace was to destroy a good part of its value.
“And now as to our friend Uyenishi. He disappeared, as I have said; but he reappeared at Los Angeles, in custody of the police, charged with robbery and murder. He was taken red-handed and was duly convicted and sentenced to death; but for some reason—or more probably, for no reason, as we should think—the sentence was commuted to imprisonment for life. Under these circumstances, the English police naturally took no action, especially as they really had no evidence against him.
“Now Uyenishi was, by trade, a metal-worker; a maker of those pretty trifles that are so dear to the artistic Japanese, and when he was in prison he was allowed to set up a little workshop and practise his trade on a small scale. Among other things that he made was a little casket in the form of a seated figure, which he said he wanted to give to his brother as a keepsake. I don’t know whether any permission was granted for him to make this gift, but that is of no consequence; for Uyenishi got influenza and was carried off in a few days by pneumonia; and the prison authorities learned that his brother had been killed, a week or two previously, in a shooting affair at San Francisco. So the casket remained on their hands.
“About this time, Miss Bonney was invited to accompany an American lady on a visit to California, and accepted gratefully. While she was there she paid a visit to the prison to inquire whether Uyenishi had ever made any kind of statement concerning the missing pearls. Here she heard of Uyenishi’s recent death; and the governor of the prison, as he could not give her any information, handed over to her the casket as a sort of memento. This transaction came to the knowledge of the press, and—well, you know what the Californian press is like. There were ‘some comments,’ as they would say, and quite an assortment of Japanese, of shady antecedents, applied to the prison to have the casket ‘restored’ to them as Uyenishi’s heirs. Then Miss Bonney’s rooms at the hotel were raided by burglars—but the casket was in the hotel strong-room—and Miss Bonney and her hostess were shadowed by various undesirables in such a disturbing fashion that the two ladies became alarmed and secretly made their way to New York. But there another burglary occurred, with the same unsuccessful result, and the shadowing began again. Finally, Miss Bonney, feeling that her presence was a danger to her friend, decided to return to England, and managed to get on board the ship without letting her departure be known in advance.
“But even in England she has not been left in peace. She has had an uncomfortable feeling of being watched and attended, and has seemed to be constantly meeting Japanese men in the streets, especially in the vicinity of her house. Of course, all the fuss is about this infernal casket; and when she told me what was happening, I promptly popped the thing in my pocket and took it, to my office, where I stowed it in the strong-room. And there, of course, it ought to have remained, but it didn’t. One day Miss Bonney told me that she was sending some small things to a loan exhibition of oriental works of art at the South Kensington Museum, and she wished to include the casket. I urged her strongly to do nothing of the kind, but she persisted; and the end of it was that we went to the museum together, with her pottery and stuff in a handbag and the casket in my pocket.
“It was a most imprudent thing to do, for there the beastly casket was, for several months, exposed in a glass case for anyone to see, with her name on the label; and what was worse, full particulars of the origin of the thing. However, nothing happened while it was there—the museum is not an easy place to steal from—and all went well until it was time to remove the things after the close of the exhibition. Now, today was the appointed day, and, as on the previous occasion, she and I went to the museum together. But the unfortunate thing is that we didn’t come away together. Her other exhibits were all pottery, and these were dealt with first, so that she had her handbag packed and was ready to go before they had begun on the metal work cases. As we were not going the same way, it didn’t seem necessary for her to wait; so she went off with her bag and I stayed behind until the casket was released, when I put it in my pocket and went borne, where I locked the thing up again in the strong-room.
“It was about seven when I got borne. A little after eight I heard the telephone ring down in the office, and down I went, cursing the untimely ringer, who turned out to be a policeman at St. George’s Hospital. He said he had found Miss Bonney lying unconscious in the street and had taken her to the hospital, where she had been detained for a while, but she was now recovered and he was taking her home. She would like me, if possible, to go and see her at once. Well, of course, I set off forthwith and got to her house a few minutes after her arrival, and just after you had left.
“She was a good deal upset, so I didn’t worry her with many questions, but she gave me a short account of her misadventure, which amounted to this: She had started to walk home from the museum along the Brompton Road, and she was passing down a quiet street between that and Fulham Road when she heard soft footsteps behind her. The next moment, a scarf or shawl was thrown over her head and drawn tightly round her neck. At the same moment, the bag was snatched from her hand. That is all that she remembers, for she was half and so terrified that she fainted, and knew no more until she found herself in a cab with two policemen who were taking her to the hospital.
“Now it is obvious that her assailants were in search of that damned casket, for the bag had been broken open and searched, but nothing taken or damaged; which suggests the Japanese again, for a British thief would have smashed the crockery. I found your card there, and I put it to Miss Bonney that we had better ask you to help us—I told her all about you—and she agreed emphatically. So that is why I am here, drinking your port and robbing you of your night’s rest.”
“And what do you want me to do?” Thorndyke asked.
“Whatever you think best,” was the cheerful reply. “In the first place, this nuisance must be put a stop to—this shadowing and hanging about. But apart from that, you must see that there is something queer about this accursed casket. The beastly thing is of no intrinsic value. The museum man turned up his nose at it. But it evidently has some extrinsic value, and no small value either. If it is good enough for these devils to follow it all the way from the States, as they seem to have done, it is good enough for us to try to find out what its value is. That is where you come in. I propose to bring Miss Bonney to see you tomorrow, and I will bring the infernal casket, too. Then you will ask her a few questions, take a look at the casket—through the microscope, if necessary—and