his Passion and Resurrection
II.5.3 The Agapetos’ Altruistic Love implies his Eternal Love
II.5.4 Jesus Teaches them of Agapeic Prayer.
II.5.5 His Second Prophecy of his Passion and Resurrection
II.5.6 The Agapetos’ Eternal Agape is Childlike
II.5.7 His third Prophecy of his Death and Resurrection
II.5.8 The Disciples begin to Understand Agape as Eternal
II.5.9 Faith in Agape Grows through Prayer
II.6 Agape, the Greatest Commandment of All
II.6.1 Is further Explained in the 5th Major Section
II.6.2 Which begins with his Triumphal Entry into Jerusalem
II.6.3 An Agape that Curses Fig Trees to teach Forgiveness.
II.6.4 And that curses Money Changers in the Temple
II.6.5 These days of preparing them for Agape
II.6.6 Getting your Mind and Heart Right with Respect to Taxes
II.6.7 And Beginning to ponder the Resurrection of the Body
II.6.8 Agape with all our Heart, Soul, Mind and Strength
II.6.9 And Agape for our Neighbor as we have it for ourself.
III. And The Tamil Culture
III.4 How Krishna’s Bhakti can bring Persons to Jesus’ Agape
III.4.1 From a Self-Realization to an Other Realization Ethics
III.4.2 From a Universal to a Missionary Universal Love
III.4.3 From a Spiritual to a Fully Personal Eternal Love
III.4.4 From a Conditional Bhakti to an Unconditional Agape
III.4.5 From a Sophisticated Bhakti to a Childlike Agape
III.4.6 From Bhakti’s Stages of Purity to Agapeic Celibacy
III.4.7 From a Limited to an Unlimited Missionary Task
III.4.8 From the Purgatory of Rebirth to Agapeic Purgatory
III.4.9 From Loving God to an Agapeic Love of Neighbor too
III.5 The Dravidian Background of the Gita’s Bhakti
III.5.1 What made Possible the Gita’s Leap Forward with Bhakti?
III.5.2 The God Siva in Early Tamil Texts
III.5.3 The Sudden Appearance of Bhakti in Southern India
III.5.4 Bhakti in Three Early Tamil Texts
III.5.5 The Dravidian Siva in the Pattinappali
III.5.6 The Dravidian God, Siva, in the Tolkappiyam
III.5.7 Dravidian Love in the Tirukkural
III.5.8 Tamil Bhakti in the Kural
III.5.9 South India’s Ancient Bhakti cult
III.6 A Study of Bhakti and Philosophy with Singh
III.6.1 Seeing Bhakti in its Wider Context
III.6.2 The Term bhag the Root of Bhakti is in the Vedas
III.6.3 The Meaning of Bhaj and its Relation to Prema
III.6.4 The Root of Singh’s Disagreement with Dhavamony
III.6.5 Does the Bhakti of the Gita Arise from Secular Love?
III.6.6 Does Singh’s Argument Against Dhavamony Work?
III.6.7 The Singh-Dhavamony Debate
III.6.8 Makes us Think More Deeply into Agape and Bhakti
III.6.9 Raj Singh, the Sikh, and Guru Nanak
IV. And The Sacred’s Secrets
IV.4 Childlike Love and Bataillean Art
(From Bataille to Breton, Sartre and Marcel)
Beyond the Project of Self-Realization Ethics
The Vocation of Mark’s Jesus to his Disciples and the Women
The Gita and the Eight Steps of Patanjalis’ Yoga
IV.4.1 Sartre Does Not Appreciate Bataille’s Altruistic Ethics
IV.4.2 For Sartre makes a Project of Self-Realization Ethics
IV.4.3 And does not Appreciate Jesus’ Agapeic Ethics
IV.4.4 But sees Bataille Only as a Big-Time Sinner
IV.4.5 Marcel Misinterprets Bataille’s Refusal of Salvation
IV.4.6 And sees Him as Miserable without God.
IV.4.7 And as a Mad, Egomaniacal Nihilist
IV.4.8 Breton Sees Bataille as Preoccupied with the Obscene
IV.4.9 And Yet This is the Secret of Bataille’s Surrealism
IV.5 Unconditional Love and Bataillean Sovereignty
(From Bataille to Kristeva)
The Stabat Mater and Difference Feminism
Mark’s Persons in Process on Trial
The Gita’s move from Liberation Salvation
IV.5.1 Bataille and Kristeva’s Psychoanalytic Revolution
IV.5.2 Bataille and Kristeva’s Poetic Revolution
IV.5.3 Bataille and Kristeva’s Semiotic Revolution
IV.5.4 Bataille and Kristeva’s Sexual Revolution
IV.5.5 Bataille and Kristeva’s Women’s Revolution
IV.5.6 Bataille and Kristeva’s Philosophic Revolution
IV.5.7 Bataille and Kristeva’s Scientific Revolution
IV.5.8 Bataille and Kristeva’s Christian Revolution
IV.5.9 Bataille and Kristeva’s Political Revolution
IV.6 Celibate Love and Bataillean Transgression
(From Bataille to Foucault)
From Animal to Human Sexuality and its History
Mark’s
