Figure It Out. Stephen P. Anderson
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What if, when I write down a thought on my phone to remember it later, what I am actually doing is extending my mind, and thereby extending myself using the phone.
Today, we are all cyborgs. This is not to say that we implant ourselves with technology, but that we extend our biological capabilities using technology. We are shared beings; with parts of ourselves spread across and augmented by our everyday things.
Perhaps it is time to extend the boundaries of the self to include the technologies by which we extend our selves.
My iPhone is not like a safe (that I can be ordered to open) any more than my brain is like a safe.5
Our phones as extensions of ourselves? This may sound a bit far-fetched, but is it really? How quickly does the conversation change if our mobile devices move from our hands and wrists to permanent, updatable implants in the brain? We already see technology heading in this direction. If we view these devices as intimate extensions of ourselves and our mind, then the conversation shifts into radically different places. Do we want a society where corporations and city-states have legal rights to peer into our minds and access our most intimate thoughts?
Notice how simply shifting or substituting the underlying conceptual metaphor, from that of a tool to that of personal augmentation, allows our own thinking to change: we see things differently. That is the point of this short, dystopian journey: To understand how associations shape understanding, and how we can be intentional with our use—or avoidance—of such associations.
Associations Among Concepts Is Thinking
In truth, the message of this section is a simple one: Associations among concepts is thinking. That’s it. We could stop here, ending with some practical takeaways. However, this simple message manifests in so many different ways that it’s worthwhile to hold up example after example, until the profundity of this message sinks in. Indeed, it took me (Stephen) some years, bouncing between a number of communities—linguistics, advertising, behavioral economics, speechwriting, semiotics, storytelling, and more—before this simple truth became so clear. Associations among concepts is thinking. This is the universal common denominator that sits quietly behind so many of the conclusions reached by these different communities. As with the previous technology example, it’s how we frame something, yes. But it’s also everything else that might trigger a concept: a sight, a smell, sounds. Specific word choices. Invoking a familiar narrative. Using an aggressive shape. Using an illustrative picture. All these things trigger concepts, that in turn shape our understanding. Consider how (and for what purpose) the following professions try to shape our thoughts and beliefs:
• Politicians craft the words they use and the clothes they wear, to influence voters.
• Retailers spend billions on packaging and retail build-outs to increase sales.
• Marketers use product placement in movies and celebrity endorsements to alter how people think of products.
• Magicians lead us to believe the unbelievable (and delight us in the process) by exploiting our cognitive weaknesses.
• The hospitality industry influences our emotions through scents, lighting, space planning, decor, and delighters; a good hotel is more than just about a place to sleep.
• Photographers, through photo cropping, depth of field, blurs, composition, and other photographic details, shape our experience of their story.
• Graphic designers choose typefaces, shapes, and colors to create a desired feeling.
All of the conclusions we reach, the beliefs we form, the perceptions we believe to be reality, what someone comes to believe is truth, all of this is based on a whole constellation of sensory inputs.
To really understand what is going on here, and what is common to all of the diverse examples cited, we need to turn our attention to the brain; this is not to exalt a “brainbound” model of reasoning (we don’t take that stance), but to understand the role that the brain plays in understanding. We can go on saying things like “Associations among concepts is thinking” and even offer tips like “Be careful with the words you choose” or “Consider the frame you’re trying to evoke,” but understanding why this is the case—neurologically—is the foundation for all that follows.
The Brain as a Perceptual Organ
Essentially, the brain is an associative pattern-matching organ, whose job is to predict patterns like those we’ve previously encountered. These predictions—what we think of as thought—are based on existing concepts, each formed through prior associations. Throughout our lives, we become attuned to perceptual information in the ambient environment and the accompanying possibilities for action. This perceptual information comes to us through various sensations—smells, sights, sounds, increased blood flow, and so on—all of which are transformed into electrical and chemical signals in the brain, that match (or don’t match) with our existing concepts. We build concepts upon concepts, starting from the most basic ability to recognize faces within days of being born to the ability to exclaim “a virus wiped out my PC”—a phrase that would be meaningless to someone who didn’t grow up with the modern social constructs that make this phrase meaningful.
What we think at any given moment is a construction based on a lifetime of personal, social, bodily, and environmental experiences.
For an overly simplistic analogy of what all this looks like (but sufficient for our purposes), imagine a cardboard box full of tangled Christmas lights. Each of the tiny bulbs represents a single neuron. If you were to count them, your box might contain about 300 lights. (For reference, your brain has around 86 billion neurons!) Now, imagine that at any given moment, a number of these tiny lights, among the tangled mass of unlit lights, are flickering on and off. These are the neurons being activated, constructing a simulation based on various sensations. Whether you are looking “back” at a memory, making sense in the moment, or imagining future plans, your brain is activating these neurons—turning on a pattern of lights in your box—such that they collectively bring to mind prior concepts. When we mention a perceptual pattern, it’s not at all like retrieving a file from the file cabinet. Rather, it’s like activating this constellation of lights—your neurons—that fire together in that moment to create your present simulation.
Understanding cognition in this way helps you see how unrelated information—such as when magicians misdirect your attention or marketers anchor with higher prices—influences what your brain perceives; these sensations affect which lights get activated. Understanding thought in this way also helps you understand the malleability of memories; if you recognize that every time you “dig up” a memory, you are simply reactivating a bunch of these lights (activating neurons), you can see how memories would change with time. It’s easy to understand how some neurons may no longer activate while new ones have been added to and become part of the memory. This also helps to explain how multiple people can witness the same event yet walk away with different accounts—present circumstances (a triggering event) recall different concepts for different people.
When we talk about designing for understanding, and more specifically attending to every association (whether it’s a story, a drawing, or something else), we’re ultimately concerned with the concepts and prior associations that this activates for an individual. We just asked you to imagine a box of Christmas lights. We could have also included, in this book, an illustration of that box.