Лучшие романы Томаса Майна Рида / The Best of Thomas Mayne Reid. Майн Рид
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Birds, too, of beautiful forms and colours, enliven the landscape. The quail whirrs up from the path; the king vulture wheels in the ambient air; the wild turkey, of gigantic stature, suns his resplendent gorget by the side of the pecân copse, and the singular tailor-bird – known among the rude Rangers[71] as the “bird of paradise” – flouts his long scissors-like tail among the feathery fronds of the acacia.
Beautiful butterflies spread their wide wings in flapping flight; or, perched upon some gay corolla, look as if they formed part of the flower. Huge bees (Meliponae), clad in velvet liveries, buzz amid the blossoming bushes, disputing possession with hawkmoths and humming-birds not much larger than themselves.
They are not all innocent, the denizens of this lovely land. Here the rattlesnake attains to larger dimensions than in any other part of North America, and shares the covert with the more dangerous moccasin[72]. Here, too, the tarantula[73] inflicts its venomous sting; the scorpion poisons with its bite; and the centipede[74], by simply crawling over the skin, causes a fever that may prove fatal!
Along the wooded banks of the streams may be encountered the spotted ocelot, the puma, and their more powerful congener, the jaguar; the last of these felidae being here upon the northern limit of its geographical range.
Along the edges of the chapparal skulks the gaunt Texan wolf – solitarily and in silence; while a kindred and more cowardly species, the coyoté, may be observed, far out upon the open plain, hunting in packs.
Sharing the same range with these, the most truculent of quadrupeds, may be seen the noblest and most beautiful of animals – perhaps nobler and more beautiful than man – certainly the most distinguished of man’s companions – the horse!
Here – independent of man’s caprice, his jaw unchecked by bit or curb, his back unscathed by pack or saddle – he roams unrestrained; giving way to all the wildness of his nature.
But even in this, his favourite haunt, he is not always left alone. Man presumes to be his pursuer and tamer: for here was he sought, captured, and conquered, by Maurice the Mustanger.
On the banks of the Alamo[75] – one of the most sparkling streamlets that pay tribute to the Nueces – stood a dwelling, unpretentious as any to be found within the limits of Texas, and certainly as picturesque.
Its walls were composed of split trunk of the arborescent yucca, set stockade-fashion in the ground; while its roof was a thatch furnished by the long bayonet-shaped loaves of the same gigantic lily.
The interstices between the uprights, instead of being “chinked” with clay – as is common in the cabins of Western Texas – were covered by a sheeting of horse-skins; attached, not by iron tacks, but with the sharp spines that terminate the leaves of the pita plant.
On the bluffs, that on both sides overlooked the rivulet – and which were but the termination of the escarpment of the higher plain – grew in abundance the material out of which the hut had been constructed: tree yuccas and magueys, amidst other rugged types of sterile vegetation; whereas the fertile valley below was covered with a growth of heavy timber – consisting chiefly of red-mulberry, post-oak, and pecân, that formed a forest of several leagues in length. The timbered tract was, in fact, conterminous with the bottom lands; the tops of the trees scarce rising to a level with the escarpment of the cliff.
It was not continuous. Along the edge of the streamlet were breaks – forming little meads, or savannahs, covered with that most nutritious of grasses, known among Mexicans as grama.
In the concavity of one of these, of semicircular shape – which served as a natural lawn – stood the primitive dwelling above described; the streamlet representing the chord; while the curve was traced by the trunks of the trees, that resembled a series of columns supporting the roof of some sylvan coliseum.
The structure was in shadow, a little retired among the trees; as if the site had been chosen with a view to concealment. It could have been seen but by one passing along the bank of the stream; and then only with the observer directly in front of it. Its rude style of architecture, and russet hue, contributed still further to its inconspicuousness.
The house was a mere cabin – not larger than a marquee tent – with only a single aperture, the door – if we except the flue of a slender clay chimney, erected at one end against the upright posts. The doorway had a door, a light framework of wood, with a horse-skin stretched over it, and hung upon hinges cut from the same hide.
In the rear was an open shed, thatched with yucca leaves, and supported by half a dozen posts. Around this was a small enclosure, obtained by tying cross poles to the trunks of the adjacent trees.
A still more extensive enclosure, containing within its circumference more than an acre of the timbered tract, and fenced in a similar manner, extended rearward from the cabin, terminating against the bluff. Its turf tracked and torn by numerous hoof-prints – in some places trampled into a hard surface – told of its use: a “corral” for wild horses – mustangs.
This was made still more manifest by the presence of a dozen or more of these animals within the enclosure; whose glaring eyeballs, and excited actions, gave evidence of their recent capture, and how ill they brooked the imprisonment of that shadowy paddock.
The interior of the hut was not without some show of neatness and comfort. The sheeting of mustang-skins that covered the walls, with the hairy side turned inward, presented no mean appearance. The smooth shining coats of all colours – black, bay, snow-white, sorrel, and skewbald – offered to the eye a surface pleasantly variegated; and there had evidently been some taste displayed in their arrangement.
The furniture was of the scantiest kind. It consisted of a counterfeit camp bedstead, formed by stretching a horse-hide over a framework of trestles; a couple of stools – diminutive specimens on the same model; and a rude table, shaped out of hewn slabs of the yucca-tree. Something like a second sleeping place appeared in a remote corner – a “shakedown,” or “spread,” of the universal mustang-skin.
What was least to be expected in such a place, was a shelf containing about a score of books, with pens, ink, and papeterie[76]; also a newspaper lying upon the slab table.
Further proofs of civilisation, if not refinement, presented themselves in the shape of a large leathern portmanteau
71
Rangers – in the USA, soldiers, trained to make rapid attacks on the enemy territory; in Texas, Rangers were formed into regiments and used in federal service as law-enforcement forces
72
moccasin – a shoe of soft leather worn by North American Indians, hunters and traders; also a common name of
73
tarantula – a poisonous spider
74
centipede – a long, many-segmented insect; each segment has one pair of legs
75
the Alamo – one of the tributaries of the Nueces River;
76
papeterie – a set of writing materials (