the suggestion of some picture that I have seen somewhere. But upon an immense plain, suspended in mid-air, I seem to see three figures, two of them clasped close in an intense embrace, and one intolerably solitary. It is in black and white, my picture of that judgement, an etching, perhaps; only I cannot tell an etching from a photographic reproduction. And the immense plain is the hand of God, stretching out for miles and miles, with great spaces above it and below it. And they are in the sight of God, and it is Florence that is alone … And, do you know, at the thought of that intense solitude I feel an overwhelming desire to rush forward and comfort her. You cannot, you see, have acted as nurse to a person for twelve years without wishing to go on nursing them, even though you hate them with the hatred of the adder, and even in the palm of God. But, in the nights, with that vision of judgement before me, I know that I hold myself back. For I hate Florence. I hate Florence with such a hatred that I would not spare her an eternity of loneliness. She need not have done what she did. She was an American, a New Englander. She had not the hot passions of these Europeans. She cut out that poor imbecile of an Edward—and I pray God that he is really at peace, clasped close in the arms of that poor, poor girl! And, no doubt, Maisie Maidan will find her young husband again, and Leonora will burn, clear and serene, a northern light and one of the archangels of God. And me … Well, perhaps, they will find me an elevator to run … But Florence …
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