uncle John measured the loaves and if they were not just right they were tossed into a basket for the lower household. Those that passed his test he counted as they went in; standing by him, pretending to be his deputy, he learned to count. Into the great hall would go the meats and the cheeses, the sugared fruits and the spiced wafers, to the archbishop's table – he was not a cardinal then. When the scrapings and remnants came back they were divided up. First choice to the kitchen staff. Then to the almshouse and the hospital, the beggars at the gate. What wasn't fit for them would go down the line to the children and the pigs.
Each morning and evening the boys earned their keep by running up the back staircases with beer and bread to put in the cupboards for the young gentlemen who were the cardinal's pages. The pages were of good family. They would wait at table and so become intimate with great men. They would hear their talk and learn from it. When they were not at the table they were learning out of great volumes from their music masters and other masters, who passed up and down the house holding nosegays and pomanders, who spoke in Greek. One of the pages was pointed out to him: Master Thomas More, whom the archbishop himself says will be a great man, so deep his learning already and so pleasant his wit.
One day he brought a wheaten loaf and put it in the cupboard and lingered, and Master Thomas said, ‘Why do you linger?’ But he did not throw anything at him. ‘What is in that great book?’ he asked, and Master Thomas replied, smiling, ‘Words, words, just words.’
Master More is fourteen this year, someone says, and is to go to Oxford. He doesn't know where Oxford is, or whether he wants to go there or has just been sent. A boy can be sent; and Master Thomas is not yet a man.
Fourteen is twice seven. Am I seven? he asks. Don't just say yes. Tell me am I? His father says, for God's sake, Kat, make him up a birthday. Tell him anything, but keep him quiet.
When his father says, I'm sick of the sight of you, he leaves Putney and sets off to Lambeth. When Uncle John says, we have plenty of boys this week, and the devil finds work for idle hands, he sets off back to Putney. Sometimes he gets a present to take home. Sometimes it is a brace of pigeons with their feet tied together, and gaping bloody beaks. He walks along the riverbank whirling them about his head, and they look as if they are flying, till somebody shouts at him, stop that! He can't do anything without someone shouting. Is it any wonder, John says, when you are into any mischief going, prone to giving back answers and always reliably to be found where you shouldn't be?
In a small cold room off the kitchen passages there is a woman called Isabella, who makes marzipan figures, for the archbishop and his friends to make plays with after supper. Some of the figures are heroes, such as Prince Alexander, Prince Caesar. Some are saints; today I am making St Thomas, she says. One day she makes marzipan beasts and gives him a lion. You can eat it, she says; he would rather keep it, but Isabella says it will soon fall to pieces. She says, ‘Haven't you got a mother?’
He learns to read from the scribbled orders for wheat flour or dried beans, for barley and for ducks' eggs, that come out of the stewards' pantries. For Walter, the point of being able to read is to take advantage of people who can't; for the same purpose one must learn to write. So his father sends him to the priest. But again he is always in the wrong, for priests have such strange rules; he should come to the lesson specially, not on his way from whatever else he is doing, not carrying a toad in a bag, or knives that want sharpening, and not cut and bruised either, from one of those doors (doors called Walter) that he is always walking into. The priest shouts, and forgets to feed him, so he takes off to Lambeth again.
On the days when he turns up in Putney, his father says, where by the sweet saints have you been: unless he's busy inside, on top of a stepmother. Some of the stepmothers last such a short time that his father's done with them and kicked them out by the time he gets home, but Kat and Bet tell him about them, screeching with laughter. Once when he comes in, dirty and wet, that day's stepmother says, ‘Who does this boy belong to?’ and tries to kick him out into the yard.
One day when he is nearly home he finds the first Bella lying in the street, and he sees that nobody wants her. She is no longer than a small-sized rat and so shocked and cold that she doesn't even cry. He carries her home in one hand, and in the other a small cheese wrapped in sage leaves.
The dog dies. His sister Bet says, you can get another. He looks in the street but never finds one. There are dogs, but they belong to somebody.
It can take a long time to get to Putney from Lambeth and sometimes he eats the present, if it's not raw. But if he only gets a cabbage, he kicks it and rolls it and thrashes it till it is utterly, utterly destroyed.
At Lambeth he follows the stewards around and when they say a number he remembers it; so people say, if you haven't time to write it down, just tell John's nephew. He will cast an eye on a sack of whatever's been ordered in, then warn his uncle to check if it's short weight.
At night at Lambeth, when it's still light and all the pots have been scoured, the boys go outside on to the cobbles and play at football. Their shouts rise into the air. They curse and barge into each other, and till somebody yells to stop, they fight with their fists and sometimes bite each other. From the open window above, the young gentlemen sing a part-song in the high careful voices they learn.
Sometimes the face of Master Thomas More appears. He waves to him, but Master Thomas looks down without recognition at the children below. He smiles impartially; his white scholar's hand draws close the shutter. The moon rises. The pages go to their truckle-beds. The kitchen children wrap themselves in sacking and sleep by the hearth.
He remembers one night in summer when the footballers had stood silent, looking up. It was dusk. The note from a single recorder wavered in the air, thin and piercing. A blackbird picked up the note, and sang from a bush by the water gate. A boatman whistled back from the river.
1527: when the cardinal comes back from France, he immediately begins ordering up banquets. French ambassadors are expected, to set the seal on his concordat. Nothing, he says, nothing, will be too good for these gentlemen.
The court leaves Beaulieu on 27 August. Soon afterwards, Henry meets the returned cardinal, face-to-face for the first time since early June. ‘You will hear that the king's reception of me was cold,’ Wolsey says, ‘but I can tell you it was not. She – Lady Anne – was present … this is true.’
On the face of it, a large part of his mission has been a failure. The cardinals would not meet him at Avignon: made the excuse that they didn't want to go south in the heat. ‘But now,’ he says, ‘I have a better plan. I will ask the Pope to send me a co-legate, and I will try the king's matter in England.’
While you were in France, he says, my wife Elizabeth died.
The cardinal looks up. His hands fly to his heart. His right hand creeps down to the crucifix he wears. He asks how it occurred. He listens. His thumb runs over the tortured body of God: over and over, as if it were any lump of metal. He bows his head. He murmurs, ‘Whom the Lord loveth …’ They sit in silence. To break the silence, he begins to ask the cardinal unnecessary questions.
He scarcely needs an account of the tactics of the summer just past. The cardinal has promised to help finance a French army which will go into Italy and try to expel the Emperor. While this is happening, the Pope, who has lost not just the Vatican but the papal states, and seen Florence throw out his Medici relatives, will be grateful and obliged to King Henry. But as for any longterm rapprochement with the French – he, Cromwell, shares the scepticism of his friends in the city. If you have been in the street in Paris or Rouen, and seen a mother pull her child by the hand, and say, ‘Stop that squalling, or I'll fetch an Englishman,’ you are inclined to believe that any accord between the countries is formal and transient. The English will never be forgiven for the talent for destruction
