all you know,’ Henry proposed, a little fearfully. He arranged to collect Rafe on his way back from business in his part of the country, but he picked a bad day for it: mud and drenching rain, clouds chasing in from the coast. It was not much after two when he splashed up to the door, but the light was already failing; Henry Sadler said, can't you stay, you won't make it to London before they close the gates. I ought to try to get home tonight, he said. I have to be in court, and then there'll be my Lady Dorset's debt collectors to see off, and you know how that is … Mistress Sadler glanced fearfully outside, and down at her child: from whom she must now part, trusting him, at the age of seven, to the weather and the roads.
This is not harsh, this is usual. But Rafe was so small that he almost thought it harsh. His baby curls had been cropped and his ginger hair stood up at the crown. His mother and father knelt down and patted him. Then they swaddled and pulled and knotted him into multiple layers of over-wrapped padding, so that his slight frame swelled into the likeness of a small barrel. He looked down at the child and out at the rain and thought, sometimes I should be warm and dry like other men; how do they contrive it while I never can? Mistress Sadler knelt and took her son's face in her hands. ‘Remember everything we have told you,’ she whispered. ‘Say your prayers. Master Cromwell, please see he says his prayers.’
When she looked up he saw that her eyes were blurred with tears and he saw that the child could not bear it, and was shaking inside his vast wrappings and about to howl. He threw his cloak around himself. A scatter of raindrops flew from it, baptised the scene. ‘Well, Rafe, what do you think? If you're man enough …’ He held out his gauntleted hand. The child's hand slotted into it. ‘Shall we see how far we get?’
We'll do this fast so you don't look back, he thought. The wind and rain drove the parents back from the open door. He threw Rafe into the saddle. The rain came at them horizontally. On the outskirts of London the wind dropped. He lived at Fenchurch Street then. At the door a servant held out his arms in an offer to take Rafe, but he said, ‘We drowned men will stick together.’
The child had become a dead weight in his arms, shrinking flesh inside seven sodden layers of interwrapped wool. He stood Rafe before the fire; vapours rose from him. Roused by the warmth, he put up small frozen fingers and tentatively began to unpick, to unravel himself. What place is this, he said, in a distinct, polite tone.
‘London,’ he said. ‘Fenchurch Street. Home.’
He took a linen towel and gently blotted from his face the journey just passed. He rubbed his head. Rafe's hair stood up in spikes. Liz came in. ‘Heaven direct me: boy or hedgehog?’ Rafe turned his face to her. He smiled. He slept on his feet.
When the sweat comes back this summer, 1528, people say, as they did last year, that you won't get it if you don't think about it. But how can you not? He sends the girls out of London; first to the Stepney house, and then beyond. This time the court is infected. Henry tries to outride the plague, moving from one hunting lodge to the next. Anne is sent to Hever. The fever breaks out there among the Boleyn family and the lady's father goes down first. He lives; her sister Mary's husband dies. Anne falls ill but within twenty-four hours she is reported back on her feet. Still, it can wreck a woman's looks. You don't know what outcome to pray for, he says to the cardinal.
The cardinal says, ‘I am praying for Queen Katherine … and also for the dear Lady Anne. I am praying for King François's armies in Italy, that they may meet with success, and yet not so much success that they forget how they need their friend and ally King Henry. I am praying for the king's Majesty and all his councillors, and for the beasts in the field, and for the Holy Father and the Curia, may their decisions be guided from above. I am praying for Martin Luther, and for all those infected with his heresy, and for all who combat him, most especially the Chancellor of the Duchy of Lancaster, our dear friend Thomas More. Against all common sense and observation, I am praying for a good harvest, and for the rain to stop. I am praying for everybody. I am praying for everything. That is what it is, to be a cardinal. Only when I say to the Lord, “Now, about Thomas Cromwell –” does God say to me, “Wolsey, what have I told you? Don't you know when to give up?”’
When the infection reaches Hampton Court, the cardinal seals himself off from the world. Only four servants are allowed to approach him. When he re-emerges, he does look as if he has been praying.
At the end of the summer, when the girls come back to London, they have grown and Grace's hair has been bleached by the sun. She is shy of him and he wonders if now she can only associate him with that night when he carried her to bed, after she had been told her mother was dead. Anne says, next summer, whatever happens, I prefer to stay with you. The sickness has left the city, but the cardinal's prayers have met with variable success. The harvest is poor; the French are losing badly in Italy and their commander has died of plague.
Autumn comes. Gregory goes back to his tutor; his reluctance is clear enough, though little about Gregory is clear to him. ‘What is it,’ he asks him, ‘what's wrong?’ The boy won't say. With other people, he is sunny and lively, but with his father guarded and polite, as if to keep a formal distance between them. He says to Johane, ‘Is Gregory frightened of me?’
Quick as a needle into canvas, she darts at him. ‘He's not a monk; has he cause?’ Then she softens. ‘Thomas, why should he be? You're a kind father; in fact, I think too much so.’
‘If he doesn't want to go back to his tutor, I could send him to Antwerp to my friend Stephen Vaughan.’
‘Gregory will never make a man of business.’
‘No.’ You can't see him beating out a deal on interest rates with one of the Fuggers' agents or some sniggering de Medici clerk. ‘So what will I do with him?’
‘I'll tell you what to do – when he is ready, marry him well. Gregory is a gentleman. Anyone can see that.’
Anne is eager to make a start with Greek. He is thinking who best to teach her, asking around. He wants someone congenial, whom he can talk to over supper, a young scholar who will live in the house. He regrets the choice of tutor he's made for his son and nephews, but he won't take them away at this point. The man is quarrelsome, and to be sure there was a sad episode when one of the boys set fire to his room, because he'd been reading in bed with a candle. ‘It wouldn't be Gregory, would it?’ he'd said, always hopeful; the master seemed to think he was treating it as a joke. And he's always sending him bills that he believes he's paid; I need a household accountant, he thinks.
He sits at his desk, piled high with drawings and plans from Ipswich and Cardinal College, with craftsmen's estimates and bills for Wolsey's planting schemes. He examines a scar in the palm of his hand; it is an old burn-mark, and it looks like a twist of rope. He thinks about Putney. He thinks about Walter. He thinks about the jittery sidestep of a skittish horse, the smell of the brewery. He thinks about the kitchen at Lambeth, and about the tow-headed boy who used to bring the eels. He remembers taking the eel-boy by the hair and dipping his head in a tub of water, and holding it under. He thinks, did I really do that? I wonder why. The cardinal's probably right, I am beyond redemption. The scar sometimes itches; it is as hard as a spur of bone. He thinks, I need an accountant. I need a Greek tutor. I need Johane, but who says I can have what I need?
He opens a letter. It is from a priest called Thomas Byrd. He is in want of money, and it seems the cardinal owes him some. He makes a note, to have it checked out and paid, then picks up the letter again. It mentions two men, two scholars, Clerke and Sumner. He knows the names. They are two of the six college men, the Oxford men who had the Lutheran books. Lock them up and reason with them, the cardinal had said. He holds the letter and glances away from it. He knows something bad is coming; its shadow moves on the wall.
He reads. Clerke and Sumner are dead. The cardinal should be told, the writer says. Having
