was a pity that for now at least he could not draw a similar red line though Giselle Freeman’s involvement in the project.
Everyone else might be celebrating the fact that the new owner of the Kovoca Island had given the go-ahead to the previous owner’s project and was keeping them on as its architects, and were keen to show their commitment by working late into the evening, but Giselle had another client to deal with—which was why right now she was on her way to the car park to collect her car. She would drive over to the shabby offices of the small charity which, having been left a plot of land, was now keen to develop it into a community centre and accommodation for homeless people. The charity had appealed for architectural help with the project and Giselle had taken it on as a non-fee-paying commission, in her own free time, with the agreement of her employers that she could use their facilities.
It was important not only that the new building blended in with its surroundings and provided the facilities the charity wanted, but also that it would be affordable to build and to run, and Giselle had spent a great deal of her spare time looking into various ways of meeting all three of those targets.
Then tonight when she got home she would have to e-mail the matron of the retirement home in which her great-aunt lived to see if her aunt had recovered from her cold yet.
Meadowside was an excellent facility, and its elderly residents were really well cared for, but it was also extremely expensive. The invested money from the sale of Great-Aunt Maude’s house paid half the monthly fees and Giselle paid the other half. It was the least she could do, given what her great aunt had done for her—taking her in, looking after her and loving her despite everything that had happened.
Giselle felt her stomach muscles starting to tense. It was always like this whenever she was forced to think about the past. She knew that she would never be able to forget what had happened. Even now if the squeal of car tyres caught her unawares the sound had the power to make her freeze into immobile panic. The memories, the images were always there—the wet road, the darkness, her mother telling her to hold on to the pram containing her baby brother as they turned to cross the road. But she hadn’t held on to the pram. She had let go. She was starting to breathe too shallowly and too fast, her heart pounding sickly. The sounds—screams, screeching tyres, breaking glass—the spin of the pram’s wheels as it lay there in the road, the smells—petrol, rain, blood.
No!
As always, the denial inside her was silent, as she had been silent, digging her nails into the palm of her hand. The hand that should have been gripping the pram handle—the hand which she had pulled away, defying her mother’s screamed demand that she stayed where she was, holding onto the pram.
Giselle could see her mother’s face now, and hear her screamed command; she could see her fear, and could see too the sleeping face of her baby brother where he’d lain in the pram just before it had left the pavement, straight in the path of an oncoming lorry.
It was over…over…There was no bringing back the dead. But it could never really be over—not for her. But at least no one else apart from her great-aunt knew what she knew.
Initially after the deaths of her mother and baby brother Giselle had continued to live with her father, an overworked GP, with a kind neighbour taking and collecting her from school along with her own children. That time had been the darkest of Giselle’s life. Her father, overwhelmed by his own grief, had shut her out, excluding her, not wanting her around—as she had always felt—because she’d reminded him of what he had lost. His emotional distance from her had increased her guilt and her own misery.
And then her great-aunt had come to visit, and it had been arranged that when she returned home Giselle would go with her. She had longed for her father to insist that he wanted her to stay, just as she had longed for him to hold her and tell her that he loved her, that he didn’t blame her. But he hadn’t. She could see his face now—the last time she had seen it—as he’d nodded his head in agreement with her great-aunt’s suggestions, gaunt and drawn, his gaze avoiding her. He had died less than six months afterwards from a fatal heart attack.
As a child Giselle had felt that he had chosen to die to be with her mother and brother rather than live and be with her. Even now sometimes, in her darkest and most despairing moments, she still thought that. If he’d loved her, he’d have kept her with him…But he hadn’t.
Not that she’d been unhappy with her great-aunt. She hadn’t. Her great-aunt had loved and cared for her, building a new life for her. Of course it had helped that her great-aunt had lived nearly a hundred miles away from the home Giselle had shared with her parents and her baby brother.
Giselle started to walk faster, as though to escape from her own painful memories. Even now, after nearly twenty years, she couldn’t bear to think about what had happened. Her great-aunt had been wonderfully kind and generous in taking her in, and Giselle wanted to do everything she could to make sure the now very elderly lady was well looked after. Without her job it would of course be impossible for her to find the money needed to keep her aunt in her excellent retirement home. And that meant that, no matter how much she might personally resent Saul Parenti and his attitude towards her, she had to be grateful for the fact that he was continuing with the project and keeping the firm on. These were hard times, and to lose such a valuable source of income would have meant redundancies.
Giselle had never imagined when she had been studying and working so hard for her qualifications that there would be such a deep downturn in the economy—one that would affect the construction industry so badly. She had chosen architecture as her career in part because she had believed that she would always be able to find work. Work—and getting paid for it—were vitally important to a woman who had already made up her mind that she would have to provide for herself financially all her life, because she was determined never to share her life with a partner. And in part she had chosen it because she had fallen in love with buildings—great houses and other buildings owned by the National Trust which her great-aunt had taken her to visit so often whilst she had been growing up.
Engaged in her own thoughts, Giselle headed automatically for her parked car, but as she approached the bay instead of seeing her own car all she could see was the highly polished bonnet of a much larger vehicle in the space where hers should have been. Automatically her walking pace slowed, and then she stopped as she looked round, wondering if she had been mistaken about where she had parked. The click of a car door opening caught her attention. She turned in the direction of the sound, her heart plummeting as she saw Saul Parenti getting out of the car with the long bonnet, the one that was parked where she’d expected to see her own car, and coming towards her.
Her reaction was immediate—a gut-deep instinct that went beyond logic or reason, making her confront him and demand, before she could think about the recklessness of doing so, ‘Where is my car? What have you done with it?’
For sheer blind arrogance he doubted she had any equal, Saul decided, listening to her and witnessing her immediate hostility.
Her response confirmed every judgement he had already made about her, and reinforced his growing determination to put her in her place.
‘I had it removed from my parking space,’ he told her meaningfully.
‘Removed?’ Giselle felt the file she was holding slip from her grasp as the shock hit her, disgorging papers as it fell. ‘Removed?’ she repeated ‘How? Where to?’
She knew her voice was trembling under the weight of her shocked emotions, but as she dropped to her haunches to pick up the contents of her file she was helpless to control it. She hated the effect this man seemed to have on her. She had hated it from their first confrontation and she hated it even more now. It made
