suspect, Rob’s real reason for coming along. We succeeded; we came away with the fish and having recorded the edge of the Roman Empire.
My career since then has been almost completely focused on thematic maps – those which display a particular theme, topic or subject of discourse, rather than road maps, with which we are all familiar. Over the course of my life, I have accrued over 50 years of map creation and during these decades cartography has seen the most profound changes, the greatest of which has been technology: the move from physical craftsmanship to the use of computers. Trading the pen, scalpel and scribing tool for software and the mouse marked a significant evolution in the craft of mapmaking.
It seems like a lifetime ago that I received my first fee-paying commission while working for Rolls-Royce Limited. In those far-off days, we cranked up an ancient machine that rejoiced in the name of the ‘Illustromat’. It was originally intended as an aid to technical illustration, used to convert a 2D plan into a 3D angled-view ‘isometric’ illustration. We had discovered that, from a conventional 2D map, we could create a 3D angled view of any chosen part of the earth’s surface.
I was required to create a map of the empire of Alexander the Great, to be featured in a new publication on the famous empire-builder. We taped three maps covering the area of Alexander’s empire carefully together and placed them on the flat bed of the Illustromat. The operator switched on the machine, we selected the angle of the view required, lights flashed and the operator began to trace the coastlines, rivers and details of the area of the empire. As he manipulated the complex settings, veins stood out on his forehead. He began to sweat profusely and I fled the room to return with hot, sweet tea after the initial drawing was completed. Over this drawing were placed several translucent overlays, and on each overlay a different layer of information was created – coastlines, rivers, lakes, type, arrows and symbols. Slowly, a total image of the map was formed. In this particular case, an airbrush base was created showing the land form, mountains, rolling hills and sweeping deserts.
Map 1. My first cartographic adventure was to measure a turret on Hadrian’s Wall, a tiny piece of this huge structure. I didn’t know it then, but I would revisit this subject many times.
Not long after my first commission, a huge, life-changing project arrived – a request to produce The Times Atlas of World History, as its first edition was then known. Part of the delivery from the customer was a set of maps produced by a cartographer called Erwin Raisz. Raisz, born and raised in the Austro-Hungarian Empire, was a civil engineer and architect, who entered the world of cartography after migrating to the United States. Having studied cartography, he went to work for Harvard University, where he was curator of maps for 20 years, during which time he created a significant body of work using a hand-drawn pen-and-ink technique. These maps had a particularly distinctive look – he called them ‘physio-graphic’ maps – and, because they were hand-drawn, the style was unique to him; a style I found enthralling and inspiring. I also found his tendency to look at a region or country from any direction (by which I mean not always putting ‘north’ at the top) utterly liberating. He had somehow systematically recreated an updated version of the medieval cartographer’s or illustrator’s attempts to portray the surface of the planet, sharing their willingness to look at the globe from unconventional directions. Over the last 50 years I have employed some of that methodology to create solutions when explaining thematic historical events.
In How to Draw a Map, I aim to introduce you to the craft that has been my life’s work. The early part of the book is based on a selection of maps that demonstrate how the world was first explained cartographically. They have been selected from thousands of potential examples and I hope my choice can, in some way, explain this story. Then we move on to maps that are concerned with filling the void – once we know what shape the world is, we will set about peopling the globe and explaining the growth of civilisations and their changing forms.
And finally, this work is dedicated to the contemporary future of mapping and the potential use of artificial intelligence in the permanent updating of cartographic and thematic data.
I am now responsible for, and sometimes guilty of, producing around 100 thematic histories and the largest body of thematic maps ever produced. All this work has been completed with the cooperation of many individuals whose input has been of immense value, and just some of their stories are included in this book.
The instinct to understand the immediate world around us is not exclusive to humans. Animals create food stores and mark with scent; the honey bee directs its buzzing colleagues to a good supply of nectar, carrying a mental map of their home location. It is, however, the human species who became mapmakers.
Early humans developed a process that psychologists call ‘cognitive mapping’; the ability to process spatial data from the world around us is part of all of us – well, most of us; there are those who still get lost. Getting lost 40,000 years ago was extremely dangerous. A family or clan well understood the nature of their ‘territory’ and that of their neighbours, but beyond that was the vast unknown – and entering the unknown 40 millennia ago was for the brave, desperate or foolhardy.
Despite all the problems of making a journey through an unknown world, modern humans, Homo sapiens, demonstrated their adaptive capabilities and began to spread from Africa 125,000 years ago. Around 40,000 years ago, they began to leave visual descriptions of their experience on rock walls or clay, which represented hills, rivers, animals, dwellings and, of course, themselves. Now, if you were in their shoes, or perhaps moccasins, how would you illustrate your surroundings? Imagine their world and make your marks – what sort of image would you come up with and could it be understood by others? Early man had the same intelligence as today’s, though with an utterly different ‘world’ view. These were the humans who, over thousands of years, migrated and peopled our world. That movement required adaptation to meet the challenges presented by new environments, and there must have been losses because of this movement. Meeting a clan who needed the same resources as your own could, and did, result in warfare, in which losses could be total. Under merciful conditions, the young, fit and healthy survivors might be incorporated into the victors’ clan, perhaps with a reduced social status. We are the descendants of these victors and of the survivors.
Map 2. Homo sapiens, modern humans, began leaving Africa 125,000 years ago. Further waves of migration followed 75,000 and 10,000 years ago.
After first understanding their immediate surroundings, our ancestors also understood the changing seasons and so developed a concept of time, the passing days and, perhaps more importantly, the predictable movements in the night sky. If, in our modern age, you can find a place not polluted by the lights of our civilisation, you might well be overwhelmed by the vastness of your field of vision. The ancients, by experience, will have worked out by the movements of the sun, moon and stars the connection between their position in the sky and the changing of the seasons. And yet, important as it was for the hunter-gatherers to be able to predict the migration of animals and the ripening of various fruits, the emergence of a settled farming lifestyle was perhaps even more critical.
In 1881, working west of Baghdad, then part of the Ottoman Empire, archaeologist Hormuzd Rassam discovered a fragment of a cuneiform clay tablet estimated to be some 4,500 years old. The tablet was uncovered in what was the ancient city of Sippar, now known as Tell Abu Habbah, in what is
