After Law. Laurent de Sutter

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Sade’, brings up the rear with his anal-sadistic location shot for the juridical disposition. There’s more to this line-up because the cartography of the legal impingement on our lives – intimate, body-bound and insidious – is as complicated as it is prevalent. In the wake of Kafka’s grammar of hypothetical speculation, it has become impossible, argues Lyotard, to prove one’s innocence. Kafka was already driving while Black, steering a minority’s literature of legal despair.

      Note

       1 NB. For the way in which ‘Law’ and ‘Right’ are used through this text, see the Translator’s Note.

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