Art and Objects. Graham Harman

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Art and Objects - Graham Harman

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OOO, dating to the early 1990s. The next one, coming a half-decade later, concerns a point on which there would be no hope at all of convincing Heidegger.13 For if it is true that no human theoretical, perceptual, or practical encounter with objects can ever exhaust the surplus reality of things, the same is true even of non-human objects in their relations with each other. Ultimately, the rift between things and our encounter with them is not the contingent product of a human, alien, or animal “mind,” but occurs automatically in any relation at all. When a stone strikes the surface of a pond, the stone is real, and so too is the pond. Through their interaction, they have either one-way or two-way effects on each other. But clearly the stone does not exhaust the reality of the pond, and neither does the pond encounter the full reality of the stone. In other words, it is not just humans that are finite, but objects more generally. The stone encounters the pond in a “stony” way even if it has no trace of anything like consciousness, and likewise, the pond encounters the stone in a “pondy” way. The same is true of any relation. Critics of OOO are often bothered by this point in particular, because this is where we break with the Kantian framework of modern philosophy, and also where our critics – wrongly – think that we stray into a form of disreputable panpsychism. For on this level we are speaking merely of the finitude of all relations, not claiming that this requires anything worthy of being called mental life.

      Nonetheless, OOO does have a certain moral authority stemming from a largely forgotten aspect of the post-Kantian landscape. German Idealism continues to receive lavish praise for demolishing the thing-in-itself, yet it is rarely noted that the noumenon is not Kant’s only major principle, and hence not the only one that might have been reversed. The other, more claustrophobic element of Kant’s thought is the assumption that the only relations we can talk about must involve a human being. That is to say, for Kant as for his successors there is no way to speak of the relation between fire and cotton, but only of the human cognition of both as the first burns the second. This is the Kantian prejudice that German Idealism unknowingly preserves, despite its self-congratulatory murder of the noumenon. OOO holds, by contrast, that the German Idealist radicalization of Kant was not just contingent, but wrong. What should have happened instead, from the 1790s onward, is that Kant’s notions of finitude and the thing-in-itself should have been retained, while simply removing their restriction to cases involving human beings. For in fact, the entire cosmos is a dramatic strife between objects and their relations. The first principle of OOO is now on the table, the only one that most critics bother to take into account: the withdrawal of real objects from all relation. To discover the second, we must leave Heidegger and return to Husserl, doing more justice this time to his misunderstood legacy.

      But there is even more going on than this, because Husserl actually discovered that the intentional object has two kinds of qualities. Along with those that pass quickly from one moment to the next, there are also the essential qualities that the horse needs in order for us to keep considering it this horse, rather than deciding it is really something else. In fact, this is the major task of phenomenology according to Husserl: by varying our thoughts and perceptions, we should ultimately come to realize which of the horse’s features are essential rather than accidental. Unfortunately, he also holds that the intellect grasps the essential qualities of an object while the senses grasp the accidental ones: though Heidegger later shows that the difference between the intellect and the senses is simply not that important, given that both reduce entities to presence before the mind. Yet we should not understate the complexity of what Husserl discovers. Although we must reject Husserl’s limitation of objects to the sphere of consciousness as being too idealist to account for the thing-in-itself, there is more going on here than mere idealism. What arises in Husserl is a double tension in which the intentional object – such as the horse I perceive in the meadow – has accidental qualities, despite being different from them, and also has essential qualities despite being different from them, given that an object is a unit over and above its essential features no less than above its accidental ones.

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