Digital Media Ethics. Charles Ess

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even a blog, in response to a newspaper story, now reproduced online; voting for a favorite in a TV-broadcast contest by way of SMS messaging; organizing “smart mobs” via the internet and smartphones to protest against – and, in some cases, successfully depose – corrupt politicians, etc.

      Secondly, the diffusion of internet and Web-based connectivity by way of smartphones and other digital devices (e.g., the sensor devices a jogger wears to track and record a run in exquisite detail, including precise location, time, speed, etc.) makes increasingly real for us the ubiquity of digital media. We are increasingly surrounded by an envelope of interacting digital devices – meaning first of all that we are “always on,” always connected (unless we take steps to go offline – steps that are increasingly difficult to accomplish but also increasingly recognized as important to our health and well-being in a post-digital era, e.g. Roose 2019). The ubiquity of our interactive devices means that we are increasingly both the subjects and the objects of what Anders Albrechtslund (2008) early on identified as “voluntary surveillance.” To be sure, such voluntary or lateral surveillance can certainly be enjoyable, even life-saving – e.g., as we keep up with distant friends and family through a posting on a social networking site such as Facebook. At the same time, however, the mobile or smartphones we carry with us into more or less every corner of our lives – including the (once) most intimate spaces of the bathroom and the bedroom – open up our lives in those spaces to new possibilities of tracking and recording in exquisite detail.

      Thirdly, fluid and interactive digital media enjoy a global scope, which leads to still more urgent ethical issues. Our communications can quickly and easily reach very large numbers of people around the globe: like it or not, our use of digital technologies thus makes us cosmopolitans (citizens of the world) in striking new ways. We are forced to take into account the various and often very diverse cultural perspectives on the ethical issues that emerge in our use of digital media. So I will stress throughout this book how the assumptions and ethical norms of different cultures shape specific ways of reflecting on such matters as privacy (chapter 2), copyright (chapter 3), pornography, sexbots, and violence (chapter 5).

      It is a commonplace in philosophy that our sense of human nature and selfhood drives our primary ethical assumptions and frameworks. In particular, we will begin exploring more fully below how questions of identity immediately interact with our most basic assumptions regarding ethical agency and responsibility. We will further see in our ethical toolkit (chapter 6) that our emphases on either more individual or more relational aspects of selfhood and identity are definitive for (more individually oriented) utilitarian and deontological ethics, in contrast with (more relationally oriented) virtue and feminist ethics and the ethics shaped by Buddhist, Confucian, and African traditions, for example. Like it or not, while questions of identity are, again, among the most difficult we can raise and seek to resolve, our responses to those questions are crucial if we are to make coherent choices regarding the ethical frameworks we think best suited to help us analyze and resolve the ethical challenges evoked by digital media.

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