Inseminations. Juhani Pallasmaa
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53 53 Ibid., 2.
54 54 JH van den Berg as quoted in Bachelard, op. cit., xxiv.
55 55 Ivi, xxi, 107.
56 56 Jonah Lehrer, Proust Was a Neuroscientist, New York: Houghton Mifflin, 2008.
57 57 Harry Francis Mallgrave, The Architect's Brain: Neuroscience, Creativity, and Architecture, Chichester:Wiley‐Blackwell, 2010, and Id., Architecture and Embodiment: The Implications of the New Sciencesand Humanities for Design, Abingdon, UK: Routledge, 2013.
58 58 Zeki, op. cit., 1.
59 59 Joseph Brodsky, ‘An Immodest Proposal’, in Id., On Grief and Reason, New York: Farrar,Straus and Giroux, 1997, 208.
60 60 See Juhani Pallasmaa, editor, Eläinten arkkitehtuuri – Animal Architecture, Helsinki: Museum of FinnishArchitecture, 1995.
61 61 Wilson, op. cit., 37.
62 62 Zeki, op. cit., 1.
63 63 Richard Dawkins, The Extended Phenotype, Oxford: Oxford University Press, 1982.
64 64 Peter Zumthor, Atmospheres: Architectural Environments – Surrounding Objects, Boston, Berlin, Basel: Birkhäuser, 2006, 13.
65 65 John Dewey, Art as Experience, New York: Perigee Trade, 2005, 145.
66 66 Tony Hiss, The Experience of Place: A New Way of Looking at and Dealing with Our Radically Changing Cities and Countryside, New York: Random House, Inc., 1991.
67 67 Maurice Merleau‐Ponty, ‘The Film and the New Psychology’, in Id., Sense and Non‐Sense, Evanston, IL: Northwestern University Press, 1964, 48.
68 68 Dewey, Art as Experience, op. cit., 37.
69 69 John Dewey, ‘Qualitative Thought’, in Larry A. Hickman, Thomas M. Alexander, editors, The Essential Dewey, Volume 1: Pragmatism, Education, Democracy, Bloomington, IN: Indiana University Press, 1998, 197.
70 70 Martin Heidegger, ‘Building, Dwelling, Thinking’, in Id., Basic Writings, New York: Harper & Row, 1997, 334.
71 71 Robert Pogue Harrison, Gardens: An Essay on the Human Condition, Chicago and London: The University of Chicago Press, 2008, 130.
72 72 Dewey, ‘Qualitative Thought’, op. cit., 198.
73 73 Zumthor, op. cit., 13.
74 74 See, for instance, Grant Hildebrand, Origins of Architectural Pleasure, Berkeley, Los Angeles, London: University of California Press, 1999, and Id., The Wright Space: Pattern & Meaning in Frank Lloyd Wright's Houses, Seattle: University of Washington Press, 1992.
75 75 See Hildebrand, Origins of Architectural Pleasure, op. cit., Id., The Wright Space, op. cit., and Edward O Wilson, ‘The Right Place’, in Id., Biophilia, op. cit., 103–118.
76 76 Gernot Böhme, Atmosphäre: Essays zur neuen Ästhetik, Frankfurt am Main: Suhrkamp Verlag, 1995, Id., Architektur und Atmosphäre, München: Wilhelm Fink GmbH & Co. Verlags‐KG, 2006, and Hermann Schmitz, System der Philosophie. Studienausgabe: System der Philosophie 3/1. Der leibliche Raum: BD III/1, Bouvier, BonnBonn: Bouvier, 2005.
77 77 Mark Johnson, The Meaning of the Body: Aesthetics of Human Understanding, Chicago and London: The University of Chicago Press, 2007.
78 78 Iain McGilchrist, The Master and His Emissary: The Divided Brain and the Making of the Western World, New Haven and London: Yale University Press, 2009, 184.
79 79 Ibid., 47.
80 80 Ilpo Kojo, ‘Mielikuvat ovat todellisia aivoille (Images are real for the brain)’, in Helsingin Sanomat, Helsinki 16.3.1996. The article refers to the research at Harvard University in the mid‐1990s by a group of researchers under the supervision of Stephen Kosslyn.
81 81 Albert Soesman, Our Twelve Senses: Wellsprings of the Soul, Stroud, Glos.: Hawthorne, 1998.
82 82 David Howes, editor, The Sixth Sense Reader, Oxford: Berg Pub Ltd, 2009.
83 83 Maurice Merleau‐Ponty, ‘The Film and the Psychology’, in Id., Sense and Non‐Sense, op. cit., 48.
84 84 Howard Gardner, Intelligence Reframed: Multiple Intelligences for the 21st Century, New York: Basic Books, 1999, 41–43.
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