Art in Theory. Группа авторов
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Part IV: Modernity and Empire
IVA Enduring Fictions and Transformed Spaces
IVA1 Théophile Gautier (1811–72) from ‘Art in 1848’
IVA2 Théophile Gautier (1811–72) On Gérôme and artistic Orientalism
IVA3 Théophile Thoré, writing as William Bürger (1807–69), from ‘New Tendencies in Art’
IVA4 Edmond and Jules de Goncourt (1822–96 and 1830–70 respectively) on Japanese art
IVA5 Various authors on Japanese art and the ‘painting of modern life’
IVA5(i) Charles Baudelaire (1821–67) from a letter to Arsène Houssaye, 1861
IVA5(ii) Émile Zola (1840–1902) On Manet
IVA5(iii) Edmond Duranty (1833–80) On ‘the new painting’
IVA5(iv) Stéphane Mallarmé (1842–98) from ‘The Impressionists and Edouard Manet’
IVA5(v) Théodore Duret (1838–1927) On Japan
IVA5(vi) Félix Fénéon (1861–1944) from ‘The Impressionists in 1886’
IVA5(vii) Vincent Van Gogh On Japan
IVA6 Philippe Burty (1830–90) ‘Ancient Japan and Modern Japan’
IVA7 Joris‐Karl Huysmans (1848–1907) from A Rebours
IVA8 Pierre Loti (1850–1923) from The Marriage of Loti
IVA9 A cluster of texts on Gauguin and Oceania
IVA9(i) Paul Gauguin (1848–1903) from three letters written before leaving for Polynesia
IVA9(ii) Paul Gauguin from Noa Noa
IVA9(iii) Auguste Strindberg (1849–1912) and Paul Gauguin from an exchange of letters 1895
IVA9(iv) Paul Gauguin from Avant et après, Atuona, Hiva‐Oa
IVA10 Hermann Bahr (1863–1934) Review of the Japanese exhibition at the sixth exhibition of the Vienna Secession