Art in Theory. Группа авторов
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Part VI: In a World of Colonies
VIA Modern, Primitive, Universal
VIA1 Guillaume Apollinaire (1880–1918) ‘On the Art of the Blacks’
VIA2 Guillaume Apollinaire (1880–1918) On African and Oceanic sculptures
VIA3 Roger Fry (1866–1934) ‘Negro Sculpture’
VIA4 Florent Fels (1891–1977) et al. ‘Opinions on Negro Art’
VIA5 Herbert Read (1893–1968) from Art Now
VIA6 James Johnson Sweeney (1900–86) ‘The Art of Negro Africa’
VIA7 Alain Locke (1886–1954) ‘African Art: Classic Style’
VIA8 Robert Goldwater (1907–73) ‘A Definition of Primitivism’
VIA9 Margaret Preston (1875–1963) ‘Paintings in Arnhem Land’
VIA10 Henry Moore (1898–1986) ‘Primitive Art’
VIA11 A cluster of short texts by American painters of the 1940s on primitive art and myth
VIA11(i) Adolph Gottlieb (1903–74) and Mark Rothko (1903–70) Statement
VIA11(ii) Adolph Gottlieb (1903–74) and Mark Rothko (1903–70) from ‘The Portrait and the Modern Artist’
VIA11(iii) Jackson Pollock (1912–56) Answers to a questionnaire
VIA11(iv) Barnett Newman (1905–70) ‘Pre‐Columbian Stone Sculpture’
VIA11(v) Barnett Newman (1905–70) ‘Art of the South Seas’
VIA11(vi) Barnett Newman (1905–70) ‘Northwest Coast Indian Painting’
VIA11(vii) Jackson Pollock (1912–56) Statement
VIA11(viii) Mark Rothko (1903–70) from ‘The Romantics were prompted …’
VIB Western CivilizationFor and Against
VIB1 Rosa Luxemburg (1871–1919) from The Accumulation of Capital – an Anti‐Critique
VIB2 Hermann Hesse (1877–1962) ‘The European’
VIB3 Ezra Pound (1885–1972) from Hugh Selwyn Mauberley
VIB4 Oswald Spengler (1880–1936) from The Decline of the West
VIB5 Rabindranath Tagore (1861–1941) from Creative Unity
VIB6 The Third International, ‘The Black Question’
VIB7 W. E. B. Du Bois (1868–1963) ‘Criteria of Negro Art’
VIB8 Franz Boas (1858–1942) from Primitive Art
VIB9 Alain Locke (1886–1954) ‘Art or Propaganda’
VIB10 Sigmund Freud (1856–1939) from Civilization and Its Discontents
VIB11 Alfred Rosenberg (1893–1946) from The Myth of the Twentieth Century
VIB12 Leo Frobenius (1873–1938), ‘Reflections on African Art’
VIB13 Walter Benjamin (1892–1940) ‘Experience and Poverty’
VIB14 Narranyeri (attributed to David Unaipon 1875–1967) ‘A Blackfellow’s Appeal to White Australia’
VIB15 Edmund Husserl (1859–1938) from ‘The Vienna Lecture’
VIB16 Julius Lips (1895–1950) from The Savage Hits Back
VIB17 Fernando Ortiz (1881–1969) ‘The Social Phenomenon of “Transculturation”’
VIB18 Eric Williams (1911–81) from Capitalism and Slavery
VIC The Challenge of theAvant‐Garde
VIC1 Voldemārs Matvejas/‘Vladimir Markov’ (1877–1914) ‘Negro Art’
VIC2 Carl Einstein (1885–1940) from Negerplastik
VIC3 Tristan Tzara (1896–1963) ‘Chanson du serpent’/‘Song of the Snake’
VIC4 Oswald de Andrade (1890–1954) ‘Cannibalist Manifesto’
VIC5 Sergei Eisenstein (1898–1948) ‘The Cinematographic Principle and the Ideogram’
VIC6 Len Lye (1901–80) Two letters
VIC7 The Surrealist group in Paris ‘Don’t Visit the Colonial Exhibition’
VIC8 The Surrealist group at the Sorbonne from Legitimate Defence
VIC9 The Surrealist group in Paris ‘Murderous Humanitarianism’
VIC10 Michel Leiris (1901–90) from L’Afrique fantôme/Phantom Africa
VIC11 Antonin Artaud (1896–1948) ‘What I