Engineering Acoustics. Malcolm J. Crocker

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both examples of stationary deterministic signals.

      Stationary random signals cannot be described by explicit mathematical functions but instead they must be described by their statistical properties (mean value, variance, standard deviation, crest factor, kurtosis, amplitude probability, etc.). In contrast to stationary deterministic signals, they have a continuous distribution of spectral content. If the random signal has constant statistical values which do not change with time, we refer to the random signal as stationary. The sound produced by rain or a waterfall, the noise produced by turbulent air coming out of a ventilation system, the noise produced by a passing vehicle, and the airborne noise of a circular saw during idle are examples of random signals. A random signal which has a flat (constant) spectral content over a wide frequency range is called white noise.

      1.2.2 Nonstationary Signals

      Nonstationary signals are divided into transient and continuous signals. Transient signals are signals which start and end at zero level and last a finite and relatively short amount of time. They are characterized by a certain amount of “energy” they contain in the same way that continuous signals are characterized by a “power” value. Examples of transient signals are the sound of a car door closing, a shock wave generated by an impact, the noise produced by a sheet metal stamping press, and the noise of an electric spark.

      In noise and vibration control, signal analysis means determining from a measurement or a set of measurements certain descriptive characteristics of the environment that will help in identifying the sources of the noise and vibration. Frequency analysis is probably the most widely used method for studying noise and vibration problems. The frequency content of a noise or vibration signal is usually related to a specific component of a given system, such as a machine, so that frequency analysis is often the key to obtain a better understanding of the causes or sources of the noise and vibration.

      1.3.1 Fourier Series

      More often, sound signals are encountered which are periodic, but not simple harmonic. These are known as complex tones. Such sound signals are produced by most musical instruments (both wind and string). They can also be produced mechanically or electronically (a square wave is an example of a periodic signal or complex tone). The broken line plotted in Figure 1.2b is an example of a complex tone which is made up by the superposition (addition) of two simple harmonic signals, x(t) = A sin (2πf1 t) + B sin (2πf3 t). Note in this case we have chosen f3 = 3f1. The signal A sin (2πf1 t) is known as the fundamental (or first harmonic) and B sin (2πf3 t) is the third harmonic. In this particular case the second harmonic and the fourth and higher harmonics are completely absent from the complex tone x(t). The frequency domain representation of the complex tone is also given in Figure 1.2b.

      In fact, Fourier [11] showed in 1822 that any periodic signal may be analyzed as a combination of sinusoids:

      or in complex notation:

      where ω = 2πf; f is the fundamental frequency; T = 1/f = 2π/ω, is the period of the signal; j = images, and An and Bn are the Fourier coefficients calculated from [4, 6, 8]

      and its square, images, is sometimes called energy of the nth harmonic. Thus, the graph of the sequence images is called the energy spectrum of x(t) and shows the amplitudes of the harmonics.

      Example 1.1

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