Problem Spaces. Celia Lury

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      How and Why Methodology Matters

      Celia Lury

      polity

      Copyright © Celia Lury 2021

      The right of Celia Lury to be identified as Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

      First published in 2021 by Polity Press

      Polity Press

      65 Bridge Street

      Cambridge CB2 1UR, UK

      Polity Press

      101 Station Landing

      Suite 300

      Medford, MA 02155, USA

      All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.

      ISBN-13: 978-1-5095-0793-1 (hardback)

      ISBN-13: 978-1-5095-0794-8 (paperback)

      A catalogue record for this book is available from the British Library.

      Typeset in 11 on 13pt Sabon

      by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NL

      Printed and bound in Great Britain by TJ International Limited

      The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.

      Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition.

      For further information on Polity, visit our website: politybooks.com

      I would like to thank colleagues, friends and family near and far, including: Nerea Calvillo, Sophie Day, Michael Dieter, Sarah Doughty, Elena Esposito, Carolin Gerlitz, Christina Hughes, Eva Lash, Adam Lury, Giles Lury, Karen Lury, Henry Mainsah, Noortje Marres, Greg McInerny, Mike Michael, João Porto de Albuquerque, Maria Puig de la Bellacasa, Shirin Rai, Matt Spencer, David Stark, Martín Tironi, Nigel Thrift, Philipp Ulbrich, Matías Valderrama, Sylvia Walby, Naomi Waltham-Smith and Scott Wark. Special thanks go to Michael Castelle, who first introduced me to the idea of problem spaces; to Emma Uprichard, who kept me going; to Nate Tkacz and the three anonymous reviewers who read and commented on a draft of the book; and to Ana Gross, the co-author of Chapter 3. I would also like to thank Karina Jákupsdóttir and Jonathan Skerrett at Polity for their patience and support.

      Power is the compulsion of composition … The essence of power is the drive towards aesthetic worth for its own sake. All power is a derivative from this fact of composition attaining worth for itself. There is no other fact. Power and importance are aspects of this fact. It constitutes the drive of the universe. It is efficient cause, maintaining its power of survival. It is final cause, maintaining in the creature its appetition for creation.

      Alfred North Whitehead (1968: 119)

      Ann Kelly and Lynsey McGoey (2018) suggest that we are witnessing the emergence of ‘a new empire of truth’. Describing the significance of profound transformations in the ‘scaling, pace and symbolic power of fact-making’ for ‘the shifting relationships between knowledge, ignorance and power today’, they ask:

      This book develops the thesis that to understand this new empire of truth and answer the questions Kelly and McGoey pose, a new concept of a problem space is needed.

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