Problem Spaces. Celia Lury

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      To return to the vocabulary introduced in the discussion of Rockburne, this model involves the action of folding the external limit of the classification system into the problem. That is, the method of folding changes the problem even as it persists, creating new methodological potential in the process of transformation. In other words, it is not just a problem that is defined in transformation, but the problem and the problem space, as they are compulsively composed together.

      Figure 4 Model III: Classification trajectory

      Source: Geoff Bowker and Susan Leigh Star (2000)

      What the discussion above implies, and the example from Bowker and Star illustrates, is that compositional methodology does not employ a container understanding of problem space but is, rather, concerned with the becoming topological of problem spaces (Lury, Parisi and Terranova 2012). What might this mean?

      While some other discussions of methodology employ the vocabulary of topology, the usefulness of the vocabulary of topology for the analysis of social and cultural life has been much debated (Law and Mol 1994, 2002; Thrift 2008; Lury, Parisi and Terranova 2012; Shields 2013; https://culanth.org/fieldsights/series/topology-as-method), with some advising caution on the grounds that topology as an approach has been significantly developed in – and should be confined to – mathematics (Phillips 2013). In developing his geographical analysis of topologies of power, John Allen (2016) disagrees. To do so, he draws on Ian Hacking’s interpretation of the transposition of mathematical terms to other domains. In a discussion which acknowledges the complexities of borrowings between disciplines as well as the variety of uses to which knowledge is put, Hacking says:

      It is not so clear whether we are discovering that the second domain has the same structure as the first domain, or whether we are sculpting the second domain so that it comes out shaped like the first. Probably both sorts of things happen. (Hacking 2014: 175 in Allen 2016: 5)

      The term ‘epistemic’ is used to signal that what is at issue in this new empire of truth is the nature of understanding, interpretation, explanation, justification and belief rather than knowledge as such.6 As Karin Knorr Cetina puts it:

      Epistemic cultures are cultures of creating and warranting knowledge. This is what the choice of the term ‘epistemic’ rather than simply ‘knowledge’ suggests’ … [i]t brings into focus the content of the different knowledge-oriented lifeworlds, the different meanings of the empirical, specific constructions of the referent (the objects of knowledge), particular ontologies of instruments, specific models of epistemic subjects. (2007: 363–4)

      An aspect of concern for a compositional methodology in this regard is the material-semiotic capacities of such supports. In short, the use of the term composition in this exploration of compositional methodology is also designed to draw attention to the heterogeneous composition – the mixing, the composting, the mess (Law 2004) – of the material-semiotic processes and entities involved in the making of problem spaces. And while the term ‘infrastructure’ might seem to imply that the supports of methodological practices are fixed, static and easy to identify, this is not the understanding proposed here. Instead there is an emphasis on what Haraway calls the ‘extraordinary range of contexts’ (1991: 197) of knowledge production, what Bowker and Star describe as boundary infrastructures (2000) and what Mackenzie calls ‘the unfurling, unstable opacity of contemporary infrastructures’ (2016: 380; see also Harvey et al. 2016).7

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