Autumn Glory; Or, The Toilers of the Field. Bazin René

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Autumn Glory; Or, The Toilers of the Field - Bazin René

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she returned, "you ought not. … I assure you."

       The young man was carrying a gun slung across his shoulder; over his brown coat he wore a short blouse scarcely reaching to his waist-belt. He was slim, about the same height as Rousille, dark, sinewy, pale, with regular features, and a small moustache, slightly curled at the corners of the mouth. The complexion alone served to show that he was not a native of the Marais, where the mists soften and tint the skin, but of a district where the soil is poor and chalky, and where small holdings and penury abound. Withal, from his lean, self-possessed countenance, straight-pencilled eyebrows, the fire and vivacity of the eyes, one could discern a fund of indomitable energy, a tenacity of purpose that would yield to no opposition.

      Not for an instant did Rousille's fears move him. A little for love of her, but far more for the pleasure of sport and of nocturnal marauding so dear to the heart of primitive man, he had made up his mind to go shooting that night on the Marais. That being the case, nothing would have made him desist, not even the thought of displeasing Marie-Rose.

      She looked but a child. Her girlish figure, her fresh young complexion, the full oval of her face, the pure brow with its bands of hair smoothly parted on either side, straight lips, which one never knew were they about to part in a smile or to droop for tears, gave her the appearance of a virgin in some sacred procession wearing a broad band across the shoulders. Her eyes alone were those of a woman, dark chestnut eyes the colour of the hair, wherein lay and shone a tenderness youthful yet grave, noble and enduring.

      Without having known it, she had been loved for a long time by her father's farm-servant. For a year now they had been secretly engaged. On Sundays, as she returned from Mass, wearing the flowered muslin coif in the form of a pyramid, the coif of Sallertaine, many a farmer's, or horse and cattle breeder's son, tried to attract her gaze. But she paid no attention to them; had she not betrothed herself to Jean Nesmy, the taciturn stranger, poor and friendless, who had no place, no authority, no friendship save in her young heart? Already she obeyed him. In her home they never spoke to each other. Out-of-doors when they could meet their talk was always hurried on account of her brothers' watchfulness, that of Mathurin especially, the cripple, who was ever jealously prowling about. This time, too, they must avoid being surprised.

      Jean Nesmy, therefore, without stopping to consider Rousille's cause for uneasiness, asked abruptly:

      "Have you brought everything?"

      Without further insistence she gave in.

      "Yes," she answered; and producing from her pocket a bottle of wine and slice of coarse bread, she held them out to him with a smile that irradiated her whole face, despite the darkness. "Here, my Jean," she said, "it was not easy; Lionore is always on the watch, and Mathurin follows me about everywhere;" there was melody in her voice, as though she was saying, "I love you."

      "When will you be back?" she added.

      "At dawn. I shall come by the dwarf orchard."

      As he spoke, the youth raising his blouse had opened a linen ration bag, brought back from his military service, and which he wore hung round his neck. In it he stored the wine and bread.

      Absorbed in the action, intent on the thing of the moment, he did not notice that Rousille was bending forward listening to a sound from the farm. When he had finished fastening the two buttons of the ration bag, the girl was still listening.

      "What am I to answer," she gravely said, "if father asks for you presently? He is now shutting the door of the barn."

      With a smile that displayed two rows of teeth white as milk, Jean Nesmy, touching his hat, unadorned and wider than those worn in the Marais, said:

      "Good night, Rousille. Tell your father that I am going to be out all night, and hope to bring back some plovers for my little sweetheart!"

      He turned, sprang up the slope, jumped down into the neighbouring field, and the next second the barrel of his gun caught the light as it disappeared among the branches.

      Rousille still stood before the break in the hedge, her heart had gone forth with the wanderer. Then, for the second time, a noise broke the stillness of evening. Now it was the sound of frightened fowls, the flapping of wings, the noise of a key turning in the lock—the sign that Eléonore, as always before supper, was locking the door of the fowl-house; Marie-Rose would be late. Hurriedly she caught up her load of leaves, cleared the fence, and hastened back to the farm. Soon she had reached the uneven grassy path, which, coming from the high lands, makes a bend ere, a little further on, it reaches the edge of the Marais. Crossing it, she pushed open the side entrance of a large gate, followed a half-fallen wall covered with creepers, and passing through a ruined archway, whose gaping interstices had once formed the imposing centre of the ancient walls, she entered a courtyard, surrounded with farm buildings. The barn wherein was piled the green forage stood to the left beside the stables. The girl threw in the bundle of leaves she had brought, and shaking her damp dress, went towards the long, low, tiled dwelling-house forming the end of the courtyard. Arrived at the last door on the right, where light shone through chinks and keyhole, she paused a little. A feeling of dread, often experienced, had come over her. From inside could be heard the sound of spoons clinking against the sides of plates; men's voices, a dragging step along the floor. Softly as she could she opened the door and slipped in.

       Table of Contents

       Table of Contents

      The family was assembled in the large living-room, or "house-place" of the farm. As the girl entered all eyes were turned upon her, but not a word was spoken. Feeling isolated, she crept along beside the wall, trying by lessening the noise of her sabots the sooner to escape observation, and having reached the chimney-corner, stooped down and held out her hands to the fire, as if she were cold.

      Her sister Eléonore, a tall young woman with horse-like profile, lifeless blue eyes, and heavy apathetic face, drew back either to make way for her or to mark the ill-feeling existing between them, and continued to eat her slice of bread and few scraps of meat standing, the time-honoured custom among the women of La Vendée. The chimney-corner, blackened with smoke, hid them from the rest of the family as they stood one on either side; the dancing flames between them lit up, from time to time, the inmates and contents of the big house-place, built at a period when wood was plentiful, and houses and furniture were intended to last; while overhead numberless rafters discoloured with smoke and dust, joined the huge centre beam. The fitful flames anon rested on the woodwork of two four-post beds that stood against the wall, each with a walnut wood chest beside it, by aid of which the occupants mounted to the heavy structures, two wardrobes, some photographs, and a rosary hung round a copper crucifix over the nearest bed.

      The three men at the table in the centre of the room were seated on the same bench in order of precedence; first, at the farthest end from the door, the father, then Mathurin, then François. A small petroleum lamp shed its light upon their bent heads, upon the soup-tureen, a dish of cold bacon, and another of uncooked apples. They were not eating from the tureen as do many peasant farmers, but each had his plate, and beside it his metal spoon, fork, and knife, not a pocket-knife but a proper table one, a luxury introduced by François on his return from military service; from which the old farmer had drawn his conclusion that the outside world was full of changes.

      Toussaint

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