Autumn Glory; Or, The Toilers of the Field. Bazin René

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Autumn Glory; Or, The Toilers of the Field - Bazin René

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predominant influence over the father.

      "Father, they are lovers!" As a whispered breath the words came to the father's ear.

      Rage at the happiness of others had distorted the younger man's features. Toussaint Lumineau looked down at the face raised to his, so white in the moonlight, and was struck by the air of suffering it wore.

      "If you watched them as I do," continued his son, "you would see that though they never speak to each other indoors, outside they always contrive to meet. I have often caught them talking and laughing together like acknowledged lovers. You do not know that Jean Nesmy; he is audacity itself. He lets you think that he likes shooting, and I do not say but what he may, but he does not carry his love for it to that extent, I'll be bound. Is it only for his own pleasure that he is off to the far end of the Marais to shoot plovers; only for his own pleasure that he risks malarial fever fishing for eels; that he spends whole nights out after being hard at work all day? No, I tell you, it is for Rousille, for Rousille, for Rousille!" His voice had risen, it could be heard from within the house.

      "I will be on the watch, my boy," returned his father soothingly, "do not you worry yourself."

      "Ah, if I were you, I would go at dawn to-morrow along the road to the Marais, and if I caught them together. … "

      "Enough!" exclaimed his father, "you do yourself no good by so much talking, Mathurin. Here is Eléonore coming to help you in."

      Eléonore had come, as usual, to help Mathurin up the steps, and unlace his boots. No sooner did she touch his arm than turning, he went in with her. The sound of crutches and of footsteps died away; the father was alone again.

      "Come," he thought aloud, "if this be true, I will not suffer the laugh to last long against me in the Marais!" He drew in a deep breath of pure air, as though it were a bumper of wine, then to make sure that Rousille had not gone out again, he entered the house by the door in the middle, which was that of his daughter's bedchamber. All was dark within; a ray of moonlight fell across the well-waxed wardrobes furnishing the sides of the room—wardrobes always kept in perfect order by Eléonore and Rousille. The farmer felt his way round the huge walnut wood one which had formed his mother's dowry, had crossed the room, and was making his way out into the kitchen communicating with the large living-room where he and Mathurin slept, when behind him, in the angle of a bed, a shadowy form arose:

      "Father!"

      He stopped.

      "Is it you, Rousille? Are you not in bed?"

      "No, I was waiting for you. I wanted to say something to you." They were separated by the length of the room; the darkness was too great for them to see each other. "As François cannot give you his money, I have been thinking that I will give you mine."

      "You are not afraid then that I shall not repay you?" the farmer asked harshly.

      The girlish voice, as if discouraged by this reception, and checked in its enthusiasm, replied timidly:

      "I will go to-morrow to fetch it … the Michelonne's nephew has it. … I will, indeed, and you shall have it the day after to-morrow."

      If a tear rolled down his cheeks, the farmer was unaware of it; he passed on into his own room.

      Some minutes later, when Eléonore came into the room, a lighted candle in her hand, Marie-Rose was no longer beside her bed, but was standing before the open windows looking out on to the courtyard.

       The farmhouse stood upon an eminence, and from this window there was a view over the low wall, and through the arched gateway to the slopes beyond, and even across the sedge-covered Marais.

      The sisters often undressed without exchanging a word. Rousille was gazing straight before her into the clear moonlight; her accustomed eye could distinguish objects by it almost as accurately as by the light of day. Immediately beyond the wall came a group of elms, under shelter of which stood carts and ploughs, then a stretch of land lying fallow, and beyond that again the broad flat expanse of marshland, across which on most nights would come now faintly, now loudly, the sound of the roll of the ocean, as of some far-off chariot that never stopped. The immense grassy plain looked blue in the darkness; here and there the water of a dyke shone in the moonlight. A few distant lights, a window lit up, pierced the veil of mist that spread over the meadows. Unerringly Rousille could name each farmstead to herself by its beacon light, similar to that on the mast-head of a ship riding at anchor; La Pinçonnière, La Parée du Mont, both near; further away, Les Levrelles; then so distant that their lights were only visible at intervals, like tiny stars, La Terre-Aymont, La Seulière, Malabrit, and the flour-mill of Moque-Souris. By a group of starry points on the right, she could discern the town of Sallertaine standing out on an invisible mound in the middle of the Marais. Somewhere about there Jean Nesmy was wading among the reeds, for love of Rousille. So she continued to think of him; she seemed to see him so far, so very far away, amid the dreamy shadows, and her lips pressed together, then parted in a long, silent kiss.

      There was a sudden swish of wings over the tiles of La Fromentière.

      "Do shut the window, Rousille," said Eléonore, waking up. "It is the turn of the night, and blows in cold."

      The sky was clear, the clouds had dispersed. The lights of Moque-Souris were extinguished; those of Sallertaine had gradually diminished like a bunch of currants pecked by birds.

      "Until to-morrow, my Jean, in the dwarf orchard," murmured Rousille. And slowly, musingly, the girl began unfastening her dress by the light reflected from her white sheet, her young heart filled with dreams of youth.

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