The Poetical Works of Oliver Wendell Holmes — Complete. Oliver Wendell Holmes
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The sunny street that holds the sifted few.
It can't be helped, though, if we're taken young,
We gain some freedom of the lips and tongue;
But school and college often try in vain
To break the padlock of our boyhood's chain
One stubborn word will prove this axiom true—
No quondam rustic can enunciate view.
A few brief stanzas may be well employed
To speak of errors we can all avoid.
Learning condemns beyond the reach of hope
The careless lips that speak of so'ap for soap;
Her edict exiles from her fair abode
The clownish voice that utters ro'ad for road
Less stern to him who calls his coat a co'at,
And steers his boat, believing it a bo'at,
She pardoned one, our classic city's boast,
Who said at Cambridge mo'st instead of most,
But knit her brows and stamped her angry foot
To hear a Teacher call a root a ro'ot.
Once more: speak clearly, if you speak at all;
Carve every word before you let it fall;
Don't, like a lecturer or dramatic star,
Try over-hard to roll the British R;
Do put your accents in the proper spot;
Don't—let me beg you—don't say "How?" for "What?"
And when you stick on conversation's burs,
Don't strew your pathway with those dreadful urs.
From little matters let us pass to less,
And lightly touch the mysteries of DRESS;
The outward forms the inner man reveal—
We guess the pulp before we cut the peel.
I leave the broadcloth—coats and all the rest—
The dangerous waistcoat, called by cockneys "vest,"
The things named "pants" in certain documents,
A word not made for gentlemen, but "gents;"
One single precept might the whole condense
Be sure your tailor is a man of sense;
But add a little care, a decent pride,
And always err upon the sober side.
Three pairs of boots one pair of feet demands,
If polished daily by the owner's hands;
If the dark menial's visit save from this,
Have twice the number—for he 'll sometimes miss.
One pair for critics of the nicer sex,
Close in the instep's clinging circumflex,
Long, narrow, light; the Gallic boot of love,
A kind of cross between a boot and glove.
Compact, but easy, strong, substantial, square,
Let native art compile the medium pair.
The third remains, and let your tasteful skill
Here show some relics of affection still;
Let no stiff cowhide, reeking from the tan,
No rough caoutchoue, no deformed brogan,
Disgrace the tapering outline of your feet,
Though yellow torrents gurgle through the street.
Wear seemly gloves; not black, nor yet too light,
And least of all the pair that once was white;
Let the dead party where you told your loves
Bury in peace its dead bouquets and gloves;
Shave like the goat, if so your fancy bids,
But be a parent—don't neglect your kids.
Have a good hat; the secret of your looks
Lives with the beaver in Canadian brooks;
Virtue may flourish in an old cravat,
But man and nature scorn the shocking hat.
Does beauty slight you from her gay abodes?
Like bright Apollo, you must take to Rhoades—
Mount the new castor—ice itself will melt;
Boots, gloves, may fail; the hat is always felt.
Be shy of breastpins; plain, well-ironed white,
With small pearl buttons—two of them in sight—
Is always genuine, while your gems may pass,
Though real diamonds, for ignoble glass.
But spurn those paltry Cisatlantic lies
That round his breast the shabby rustic ties;
Breathe not the name profaned to hallow things
The indignant laundress blushes when she brings!
Our freeborn race, averse to every check,
Has tossed the yoke of Europe from its neck; From the green prairie to the sea-girt town, The whole wide nation turns its collars down. The stately neck is manhood's manliest part; It takes the life-blood freshest from the heart. With short, curled ringlets close around it spread, How light and strong it lifts the Grecian head! Thine, fair Erechtheus of Minerva's wall; Or thine, young athlete of the Louvre's hall, Smooth as the pillar flashing in the sun That filled the arena where thy wreaths were won, Firm as the band that clasps the antlered spoil Strained in the winding anaconda's coil I spare the contrast; it were only kind To be a little, nay, intensely blind. Choose for yourself: I know it cuts your ear; I know the points will sometimes interfere; I know that often, like the filial John, Whom sleep surprised with half his drapery on, You show your features to the astonished town With one side standing and the other down;— But, O, my friend! my favorite fellow-man! If Nature made you on her modern plan, Sooner than wander with your windpipe