The Girl of the Period, and Other Social Essays (Vol. 1&2). E. Lynn Linton

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The Girl of the Period, and Other Social Essays (Vol. 1&2) - E. Lynn Linton

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or the most thoroughbred horse within his sphere; and if the degree of pride in his possession be different, the kind is the same. And so in minor proportions—from the most beautiful woman of all, to simply beauty as a sine quâ non, whatever else may be wanting. One other thing only is as absolute as this beauty, and that is its undivided possession.

      Another man's ideal is a good housekeeper and a careful mother; and he does not care a rush whether his wife, if she is these, be pretty or ugly. Provided she is active and industrious, minds the house well, brings up the children as they ought to be brought up, has good principles, is trustworthy and even-tempered, he is not particular as to colour or form, and can even be brought to tolerate a limp or a squint. Given the broad foundations of an honourable home, and he will forego the lath and plaster of personal appearance which will not bear the wear and tear of years and their troubles. The solid virtues stand. His balance at the banker's is a fact; his good name and credit with the tradespeople are facts; so is the comfort of his home; so are the health, the morals, the education of his children. All these are the true realities of life to him; but the beauty which changes to deformity by small-pox, which fades under dyspepsia, grows stale by habit, and is worn threadbare by the end of twenty years, is only a skin-deep grace which he does not value. Perhaps he is right. Certainly, some of the happiest marriages amongst one's acquaintances are those where the wife has not one perceptible physical charm, and where the whole force of her magnetic value lies in what she is, not in how she looks.

      Another man wants a tender, adoring, fair-haired seraph, who will worship him as a demigod and accept him as her best revelation of strength and wisdom. The more dependent she is, the better he will love her; the less of conscious thought, of active will, of originative power she has, the greater will be his regard and tenderness. To be the one sole teacher and protector of such a gentle little creature seems to him the most delicious joy and the best condition of married life; and he holds Milton's famous lines to be expressive of the only fitting relations between men and women. The adoring seraph is his ideal; Griselda, Desdemona, Lucy Ashton, are his highest culminations of womanly grace; and the qualities which appeal the most powerfully to his generosity are the patience which will not complain, the gentleness that cannot resent, and the love which nothing can chill.

      Another man wants a cultivated intelligence in his ideal. As an author, an artist, a student, a statesman, he would like his wife to be able to help him by the contact of bright wit and ready intellect. He believes in the sex of minds, and holds no work complete which has not been created by the one and perfected by the other. He sees how women have helped on the leaders in troublous times; he knows that almost all great men have owed something of their greatness to the influence of a mother or a wife; he remembers how thoughts which had lain dumb and dormant in men's brains for more than half their lifetime have suddenly wakened up into speech and activity by the influence of a woman great enough to call them forth. The adoring seraph would be an encumbrance and nothing better than a child on his hands; and the soul which had to be awakened and directed by him would run great chance of remaining torpid and inactive all its days. He has his own life to lead and round off; and, so far from wishing to influence another's, he wants to be helped for himself.

      Another man cares only for the birth and social position of the woman to whom he gives his name and affection. To another yellow gold stands higher than blue blood, and 'my wife's father' may have been a rag-picker, so long as rag-picking had been distilled in a sufficiently rich alembic leaving a residuum admitting no kind of doubt. Venus herself without a dowry would be only a pretty seaside girl with a Newtown pippin in her hand; but Miss Kilmansegg would be something worth thinking of, if but little worth looking at.

      One man delights in a smart, vivacious little woman of the irrepressible kind. It makes no difference to him how petulant she is, how full of fire and fury; the most passionate bursts of temper simply amuse him, like the anger of a canary-bird, and he holds it fine fun to watch the small virago in her tantrums, and to set her going again when he thinks she has been a long enough time in subsidence. His ideal of woman is an amusing little plaything, with a great facility for being put up, and a dash of viciousness to give it piquancy. Another wants a sweet and holy saint whose patient humility springs from principle rather than from fear; another likes a blithe-tempered, healthy girl with no nonsense about her, full of fun and ready for everything, and he is not particular as to the strict order or economy of the housekeeping, provided only his wife is at all times willing to be his pleasant playmate and companion. Another delights in something very quiet, very silent, very home-staying. One must have first-rate music in his ideal woman; another, unimpeachable taste; a third, strict order; a fourth, liberal breadth of nature; and each has his own ideal, not only of nature but of person—to the exact shade of the hair, the colour of the eyes and the oval of the face. But all agree in the great fundamental requirements of truth and modesty and love and unselfishness; for though it is impossible to write of one womanly ideal as an absolute, it is very possible to detail the virtues which ought to belong to all alike.

      If this diversity of ideals be true of individuals, it is especially true of nations, each of which has its own ideal woman varying according to what is called the genius of the country. To the Frenchman, if we are to believe Michelet and the novelists, it is a feverish little creature, full of nervous energy but without muscular force; of frail health and feeble organization; a prey to morbid fancies which she has no strength to control nor yet to resist; now weeping away her life in the pain of finding that her husband—a man gross and material because husband—does not understand her, now sighing over her delicious sins in the arms of the lover who does; without reasoning faculties but with divine intuitions which are as good as revelations; without cool judgment but with the light of burning passions which guide her just as well; thinking by her heart and carrying the most refined metaphysics into her love; subtle; incomprehensible by the coarser brains of men and women who are only honest; a creature born to bewilder and to be misled, to love and to be adored, to madden men and to be destroyed by them.

      It does not much signify that the reality is a shrewd, calculating, unromantic woman, with a hard face and keen eyes, who for the most part makes a good practical wife to her common-sense middle-aged husband, who thinks more of her social position than of her feelings, more of her children than of her lovers, more of her purse than of her heart, and whose great object of life is a daily struggle for centimes. It pleases the French to idealize their eminently practical and worldly-wise women into this queer compound of hysterics and adultery; and if it pleases them it need not displease us. To the German his ideal is of two kinds—one, his Martha, the domestic broad-faced Hausmutter, who cooks good dinners at small cost, and mends the family linen as religiously as if this were the Eleventh Commandment specially appointed for feminine fingers to keep, the poetic culmination of whom is Charlotte cutting bread and butter; the other, his Mary, his Bettina, full of mind and æsthetics and heart-uplifting love, yearning after the infinite with holes in her stockings and her shoes down at heel. For what are coarse material mendings to the æsthetic soul yearning after the Infinite and worshipping at the feet of the prophet?

      In Italy the ideal woman of late times was the ardent patriot, full of active energy, of physical force, of dauntless courage. In Poland it is the patriot too, but of a more refined and etherealized type, passively resenting Tartar tyranny by the subtlest feminine scorn, and living in perpetual music and mourning. In Spain it is a woman beautiful and impassioned, with the slight drawback of needing a world of looking after, of which the men are undeniably capable. In Mohammedan countries generally it is a comely smooth-skinned Dudù, patient and submissive, always in good humour with her master, economical in house-living to please the meanness, and gorgeous in occasional attire to gratify the ostentation, of the genuine Oriental; but by no means Dudù ever asleep and unoccupied. For, if not allowed to take part in active outside life, the Eastern's wife or wives have their home duties and their maternal cares like all other women, and find to their cost that, if they unduly neglect them, they will have a bad time of it with Ali Ben Hassan when the question comes of piastres and sequins, and the dogs of Jews who demand payment, and the pigs of Christians who follow suit.

      The American ideal is of two kinds, like the German—the one, the clever

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