The Girl of the Period, and Other Social Essays (Vol. 1&2). E. Lynn Linton

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The Girl of the Period, and Other Social Essays (Vol. 1&2) - E. Lynn Linton

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with the endeavour, on the one side, to approximate their pursuits.

      A great demand is being made now for more work for woman and wider fields for her labour. We confess we should feel a deeper interest in the question if we saw more energy and conscience put into the work lying to her hand at home; and we hold that she ought to perfectly perform the duties which we may call instinctive to her sex before claiming those hitherto held remote from her natural condition. Much of this demand springs from restlessness and dissatisfaction; little, if any, from higher aspirations or nobler energies unused. Indeed, the nobler the woman the more thoroughly she will do her own proper work, in the spirit of old George Herbert's well-worn line; and the less she will feel herself above that work. It is only the weak who cannot raise their circumstances to the level of their thoughts; only the poor in spirit who cannot enrich their deeds by their motives.

      That very much of this demand for more power of work comes from necessity and the absolute need of bread, we know; and that the demand will grow louder as marriage becomes scarcer, and there are more women adrift in the world without the protection and help of men, we also know. But this belongs to another part of the subject. What we want to insist on now is the pitiable ignorance and shiftless indolence of most middle-class housekeepers; and what we would urge on woman is the value of a better system of life at home before laying claim to the discharge of extra-domestic duties abroad.

      LITTLE WOMEN.

       Table of Contents

      The conventional idea of a brave, energetic, or a supremely criminal, woman has always been that of a tall, dark-haired, large-armed virago who might pass as the younger brother of her husband, and about whom nature seemed to have hesitated before determining whether to make her a man or a woman:—a kind of debateable land, in fact, between the two sexes, and almost as much the one as the other. Helen Macgregor, Lady Macbeth, Catharine de Medici, Mrs. Manning, and the old-fashioned murderesses in novels, were all of the muscular, black-brigand type, with more or less of regal grace super-added according to circumstances; and it would have been thought nothing but a puerile fancy to have supposed the contrary of those whose personal description was not already known. Crime, indeed, in art and fiction, was generally painted in very nice proportion to the number of cubic inches embodied and the depth of colour employed; though we are bound to add that the public favour ran towards muscular heroines almost as much as towards muscular murderesses, which to a certain extent redressed the overweighted balance. Our later novelists, however, have altered the whole setting of the palette. Instead of five foot ten of black and brown, they have gone in for four foot nothing of pink and yellow. Instead of tumbled masses of raven hair, they have shining coils of purest gold. Instead of hollow caverns whence flash unfathomable eyes eloquent of every damnable passion, they have limpid lakes of heavenly blue; and their worst sinners are in all respects fashioned as much after the outward semblance of the ideal saint as they have skill to design.

      The original notion was a very good one, and the revolution did not come before it was wanted; but it has been a little overdone of late, and we are threatened with as great a surfeit of small-limbed yellow-headed criminals as we have had of the black-haired virago. One gets weary of the most perfect model in time, if too constantly repeated; as now, when we have all begun to feel that the resources of the angel's face and demon's soul have been more heavily drawn on than is quite fair, and that, given 'heavy braids of golden hair,' 'bewildering blue eyes,' 'a small lithe frame,' and special delicacy of feet and hands, we are booked for the companionship, through three volumes, of a young person to whom Messalina or Lucrezia Borgia was a mere novice.

      And yet there is a physiological truth in this association of energy with smallness—perhaps, also, with a certain tint of yellow hair, which, with a dash of red through it, is decidedly suggestive of nervous force. Suggestiveness, indeed, does not go very far in an argument; but the frequent connexion of energy and smallness in women is a thing which all may verify in their own circles. In daily life, who is the really formidable woman to encounter?—the black-browed, broad-shouldered giantess, with arms almost as big in the girth as a man's? or the pert, smart, trim little female, with no more biceps than a ladybird, and of just about equal strength with a sparrow? Nine times out of ten, the giantess with the heavy shoulders and broad black eyebrows is a timid, feeble-minded, good-tempered person, incapable of anything harsher than a mild remonstrance with her maid, or a gentle chastisement of her children. Nine times out of ten her husband has her in hand in the most perfect working order, so that she would swear the moon shone at midday if it were his pleasure that she should make a fool of herself by her submissiveness. One of the most obedient and indolent of earth's daughters, she gives no trouble to any one, save the trouble of rousing, exciting and setting going; while, as for the conception or execution of any naughty piece of self-assertion, she is as utterly incapable of either as if she were a child unborn, and demands nothing better than to feel the pressure of the leading-strings, and to know exactly by their strain where she is desired to go and what to do.

      But the little woman is irrepressible. Too fragile to come into the fighting section of humanity—a puny creature whom one blow from a man's huge fist could annihilate—absolutely fearless, and insolent with the insolence which only those dare show who know that retribution cannot follow—what can be done with her? She is afraid of nothing and to be controlled by no one. Sheltered behind her weakness as behind a triple shield of brass, the angriest man dare not touch her, while she provokes him to a combat in which his hands are tied. She gets her own way in everything and everywhere. At home and abroad she is equally dominant and irrepressible, equally free from obedience and from fear. Who breaks all the public order in sights and shows, and, in spite of King, Kaiser, or Policeman X, goes where it is expressly forbidden that she shall go? Not the large-boned, muscular woman, whatever her temperament; unless, indeed, of the exceptionally haughty type in distinctly inferior surroundings—and then she can queen it royally enough and set everything at most lordly defiance.

      But in general the large-boned woman obeys the orders given, because, while near enough to man to be somewhat on a par with him, she is still undeniably his inferior. She is too strong to shelter herself behind her weakness, yet too weak to assert her strength and defy her master on equal grounds. She is like a flying fish—not one thing wholly; and while capable of the inconveniences of two lives is incapable of the privileges of either. It is not she, for all her well-developed frame and formidable looks, but the little woman, who breaks the whole code of laws and defies all their defenders—the pert, smart, pretty little woman, who laughs in your face and goes straight ahead if you try to turn her to the right hand or to the left, receiving your remonstrances with the most sublime indifference, as if you were talking a foreign language she could not understand. She carries everything before her, wherever she is. You may see her stepping over barriers, slipping under ropes, penetrating to the green benches with a red ticket, taking the best places on the platform over the heads of their rightful owners, settling herself among the reserved seats without an inch of pasteboard to float her. You cannot turn her out by main force. British chivalry objects to the public laying on of hands in the case of a woman, even when most recalcitrant and disobedient; more particularly if she be a small and fragile-looking woman. So that, if it be only a usurpation of places specially masculine, she is allowed to retain what she has got, amid the grave looks of the elders—not really displeased at the flutter of her ribbons among them—and the titters and nudges of the young fellows.

      If the battle is between her and another woman, they are left to fight it out as they best can, with the odds laid heavily on the little one. All this time there is nothing of the tumult of contest about her. Fiery and combative as she generally is, when breaking the law in public places she is the very soul of serene daring. She shows no heat, no passion, no turbulence; she leaves these as extra weapons of defence to women who are assailable. For herself she requires no such aids. She knows her capabilities and the line of attack that best suits her, and she knows, too, that the fewer points of contest she exposes the more likely she is to slip into

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