said Lamb, ‘neither. I have seen so much of Shakspeare on the stage and on bookstalls, in frontispieces and on mantel-pieces, that I am quite tired of the everlasting repetition: and as to Milton’s face, the impressions that have come down to us of it I do not like; it is too starched and puritanical; and I should be afraid of losing some of the manna of his poetry in the leaven of his countenance and the precisian’s band and gown.’—‘I shall guess no more,’ said Ayrton. ‘Who is it, then, you would like to see “in his habit as he lived,” if you had your choice of the whole range of English literature?’ Lamb then named Sir Thomas Browne and Fulke Greville, the friend of Sir Philip Sidney, as the two worthies whom he should feel the greatest pleasure to encounter on the floor of his apartment in their nightgown and slippers, and to exchange friendly greeting with them. At this Ayrton laughed outright, and conceived Lamb was jesting with him; but as no one followed his example, he thought there might be something in it, and waited for an explanation in a state of whimsical suspense. Lamb then (as well as I can remember a conversation that passed twenty years ago—how time slips!) went on as follows. ‘The reason why I pitch upon these two authors is, that their writings are riddles, and they themselves the most mysterious of personages. They resemble the soothsayers of old, who dealt in dark hints and doubtful oracles; and I should like to ask them the meaning of what no mortal but themselves, I should suppose, can fathom. There is Dr. Johnson: I have no curiosity, no strange uncertainty about him; he and Boswell together have pretty well let me into the secret of what passed through his mind. He and other writers like him are sufficiently explicit: my friends whose repose I should be tempted to disturb (were it in my power), are implicit, inextricable, inscrutable.
‘When I look at that obscure but gorgeous prose composition the Urn-burial, I seem to myself to look into a deep abyss, at the bottom of which are hid pearls and rich treasure; or it is like a stately labyrinth of doubt and withering speculation, and I would invoke the spirit of the author to lead me through it. Besides, who would not be curious to see the lineaments of a man who, having himself been twice married, wished that mankind were propagated like trees! As to Fulke Greville, he is like nothing but one of his own “Prologues spoken by the ghost of an old king of Ormus,” a truly formidable and inviting personage: his style is apocalyptical, cabalistical, a knot worthy of such an apparition to untie; and for the unravelling a passage or two, I would stand the brunt of an encounter with so portentous a commentator!’—‘I am afraid, in that case,’ said Ayrton, ‘that if the mystery were once cleared up, the merit might be lost’; and turning to me, whispered a friendly apprehension, that while Lamb continued to admire these old crabbed authors, he would never become a popular writer. Dr. Donne was mentioned as a writer of the same period, with a very interesting countenance, whose history was singular, and whose meaning was often quite as uncomeatable, without a personal citation from the dead, as that of any of his contemporaries. The volume was produced; and while some one was expatiating on the exquisite simplicity and beauty of the portrait prefixed to the old edition, Ayrton got hold of the poetry, and exclaiming ‘What have we here?’ read the following:
‘Here lies a She-Sun and a He-Moon there—
She gives the best light to his sphear,
Or each is both, and all, and so
They unto one another nothing owe.’
There was no resisting this, till Lamb, seizing the volume, turned to the beautiful Lines to his Mistress, dissuading her from accompanying him abroad, and read them with suffused features and a faltering tongue:
‘By our first strange and fatal interview,
By all desires which thereof did ensue,
By our long starving hopes, by that remorse
Which my words’ masculine perswasive force
Begot in thee, and by the memory
Of hurts, which spies and rivals threatned me,
I calmely beg. But by thy father’s wrath,
By all paines which want and divorcement hath,
I conjure thee; and all the oathes which I
And thou have sworne to seale joynt constancy
Here I unsweare, and overswear them thus—
Thou shalt not love by wayes so dangerous.
Temper, O fair love! love’s impetuous rage,
Be my true mistris still, not my faign’d Page;
I’ll goe, and, by thy kinde leave, leave behinde
Thee! onely worthy to nurse in my minde.
Thirst to come backe; O, if thou die before,
My soule, from other lands to thee shall soare.
Thy (else almighty) beauty cannot move
Rage from the seas, nor thy love teach them love.
Nor tame wild Boreas’ harshnesse; thou hast reade
How roughly hee in pieces shivered
Fair Orithea, whom he swore he lov’d.
Fall ill or good, ’tis madnesse to have prov’d
Dangers unurg’d: Feed on this flattery,
That absent lovers one in th’ other be.
Dissemble nothing, not a boy; nor change
Thy bodie’s habite, nor minde; be not strange
To thyeselfe onely. All will spie in thy face
A blushing, womanly, discovering grace.
Richly-cloath’d apes are call’d apes, and as soone
Eclips’d as bright, we call the moone the moon.
Men of France, changeable camelions,
Spittles of diseases, shops of fashions,
Love’s fuellers, and the rightest company
Of players, which upon the world’s stage be,
Will quickly know thee …
O stay here! for for thee
England is onely a worthy gallerie,
To walke in expectation; till from thence
Our greatest King call thee to his presence.
When I am gone, dreame me some happinesse,
Nor let thy lookes our long-hid love confesse,
Nor praise, nor dispraise me; nor blesse, nor curse
Openly love’s force, nor in bed fright thy nurse
With midnight’s startings, crying out, Oh, oh,
Nurse, oh, my love is slaine, I saw him goe
O’er the white Alpes alone; I saw him, I,
Assail’d, fight, taken, stabb’d, bleed, fall, and die.
Augure me better chance,
