one then inquired of Lamb if we could not see from the window the Temple walk in which Chaucer used to take his exercise; and on his name being put to the vote, I was pleased to find that there was a general sensation in his favour in all but Ayrton, who said something about the ruggedness of the metre, and even objected to the quaintness of the orthography. I was vexed at this superficial gloss, pertinaciously reducing everything to its own trite level, and asked ‘if he did not think it would be worth while to scan the eye that had first greeted the Muse in that dim twilight and early dawn of English literature; to see the head round which the visions of fancy must have played like gleams of inspiration or a sudden glory; to watch those lips that “lisped in numbers, for the numbers came”—as by a miracle, or as if the dumb should speak? Nor was it alone that he had been the first to tune his native tongue (however imperfectly to modern ears); but he was himself a noble, manly character, standing before his age and striving to advance it; a pleasant humourist withal, who has not only handed down to us the living manners of his time, but had, no doubt, store of curious and quaint devices, and would make as hearty a companion as mine Host of the Tabard. His interview with Petrarch is fraught with interest. Yet I would rather have seen Chaucer in company with the author of the Decameron, and have heard them exchange their best stories together—the Squire’s Tale against the Story of the Falcon, the Wife of Bath’s Prologue against the Adventures of Friar Albert. How fine to see the high mysterious brow which learning then wore, relieved by the gay, familiar tone of men of the world, and by the courtesies of genius! Surely, the thoughts and feelings which passed through the minds of these great revivers of learning, these Cadmuses who sowed the teeth of letters, must have stamped an expression on their features as different from the moderns as their books, and well worth the perusal. Dante,’ I continued, ‘is as interesting a person as his own Ugolino, one whose lineaments curiosity would as eagerly devour in order to penetrate his spirit, and the only one of the Italian poets I should care much to see. There is a fine portrait of Ariosto by no less a hand than Titian’s; light, Moorish, spirited, but not answering our idea. The same artist’s large colossal profile of Peter Aretine is the only likeness of the kind that has the effect of conversing with “the mighty dead”; and this is truly spectral, ghastly, necromantic.’ Lamb put it to me if I should like to see Spenser as well as Chaucer; and I answered, without hesitation, ‘No; for that his beauties were ideal, visionary, not palpable or personal, and therefore connected with less curiosity about the man. His poetry was the essence of romance, a very halo round the bright orb of fancy; and the bringing in the individual might dissolve the charm. No tones of voice could come up to the mellifluous cadence of his verse; no form but of a winged angel could vie with the airy shapes he has described. He was (to my apprehension) rather a “creature of the element, that lived in the rainbow and played in the plighted clouds,” than an ordinary mortal. Or if he did appear, I should wish it to be as a mere vision, like one of his own pageants, and that he should pass by unquestioned like a dream or sound—
——“That was Arion crown’d: So went he playing on the wat’ry plain.” ’
Captain Burney muttered something about Columbus, and Martin Burney hinted at the Wandering Jew; but the last was set aside as spurious, and the first made over to the New World.
‘I should like,’ said Mrs. Reynolds, ‘to have seen Pope talk with Patty Blount; and I have seen Goldsmith.’ Every one turned round to look at Mrs. Reynolds, as if by so doing they could get a sight at Goldsmith.
‘Where,’ asked a harsh, croaking voice, ‘was Dr. Johnson in the years 1745–6? He did not write anything that we know of, nor is there any account of him in Boswell during those two years. Was he in Scotland with the Pretender? He seems to have passed through the scenes in the Highlands in company with Boswell, many years after, “with lack-lustre eye,” yet as if they were familiar to him, or associated in his mind with interests that he durst not explain. If so, it would be an additional reason for my liking him; and I would give something to have seen him seated in the tent with the youthful Majesty of Britain, and penning the Proclamation to all true subjects and adherents of the legitimate Government.’
‘I thought,’ said Ayrton, turning short round upon Lamb, ‘that you of the Lake School did not like Pope?’—‘Not like Pope! My dear sir, you must be under a mistake—I can read him over and over for ever!’—‘Why, certainly, the Essay on Man must be allowed to be a masterpiece.’—‘It may be so, but I seldom look into it.’—‘Oh! then it’s his Satires you admire?’—‘No, not his Satires, but his friendly Epistles and his compliments.’—‘Compliments! I did not know he ever made any.’—‘The finest,’ said Lamb, ‘that were ever paid by the wit of man. Each of them is worth an estate for life—nay, is an immortality. There is that superb one to Lord Cornbury:
“Despise low joys, low gains;
Disdain whatever Cornbury disdains;
Be virtuous, and be happy for your pains.”
Was there ever more artful insinuation of idolatrous praise? And then that noble apotheosis of his friend Lord Mansfield (however little deserved), when, speaking of the House of Lords, he adds:
“Conspicuous scene! another yet is nigh,
(More silent far) where kings and poets lie;
Where Murray (long enough his country’s pride)
Shall be no more than Tully or than Hyde.”
And with what a fine turn of indignant flattery he addresses Lord Bolingbroke:
“Why rail they then, if but one wreath of mine,
Oh! all accomplish’d St. John, deck thy shrine?”
Or turn,’ continued Lamb, with a slight hectic on his cheek and his eye glistening, ‘to his list of early friends:
“But why then publish? Granville the polite,
And knowing Walsh, would tell me I could write;
Well-natured Garth inflamed with early praise,
And Congreve loved, and Swift endured my lays;
The courtly Talbot, Somers, Sheffield read,
Ev’n mitred Rochester would nod the head;
And St. John’s self (great Dryden’s friend before)
Received with open arms one poet more.
Happy my studies, if by these approved!
Happier their author, if by these beloved!
From these the world will judge of men and books,
Not from the Burnets, Oldmixons, and Cooks.” ’
Here his voice totally failed him, and throwing down the book, he said, ‘Do you think I would not wish to have been friends with such a man as this?’
‘What say you to Dryden?’—‘He rather made a show of himself, and courted popularity in that lowest temple of fame, a coffee-shop, so as in some measure to vulgarise one’s idea of him. Pope, on the contrary, reached the very beau ideal of what a poet’s life should be; and his fame while living seemed to be an emanation from that which was to circle his name after death. He was so far enviable (and one would feel proud to have witnessed the rare spectacle in him) that he was almost the only poet and man of genius who met with his reward on this side of the tomb, who realised in friends, fortune, the esteem of the world, the most sanguine hopes of a youthful ambition, and who found
