of their guide, who, being an old soldier of the empire, and a martinet, had judged fit thus to alternate obedience and command between the orphans.
Greuze would have been inspired by the sight of those sweet faces, coifed in close caps of black velvet, from beneath which strayed a profusion of thick ringlets of a light chestnut color, floating down their necks and shoulders, and setting, as in a frame, their round, firm, rosy, satin like cheeks. A carnation, bathed in dew, is of no richer softness than their blooming lips; the wood violet's tender blue would appear dark beside the limpid azure of their large eyes, in which are depicted the sweetness of their characters, and the innocence of their age; a pure and white forehead, small nose, dimpled chin, complete these graceful countenances, which present a delightful blending of candor and gentleness.
You should have seen them too, when, on the threatening of rain or storm, the old soldier carefully wrapped them both in a large pelisse of reindeer fur, and pulled over their heads the ample hood of this impervious garment; then nothing could be more lovely than those fresh and smiling little faces, sheltered beneath the dark-colored cowl.
But now the evening was fine and calm; the heavy cloak hung in folds about the knees of the sisters, and the hood rested on the back of their saddle.
Rose, still encircling with her right arm the waist of her sleeping sister, contemplated her with an expression of ineffable tenderness, akin to maternal; for Rose was the eldest for the day, and an elder sister is almost a mother.
Not only, did the orphans idolize each other; but, by a psychological phenomenon, frequent with twins, they were almost always simultaneously affected; the emotion of one was reflected instantly in the countenance of the other; the same cause would make both of them start or blush, so closely did their young hearts beat in unison; all ingenuous joys, all bitter griefs were mutually felt, and shared in a moment between them.
In their infancy, simultaneously attacked by a severe illness, like two flowers on the same steam, they had drooped, grown pale, and languished together; but together also had they again found the pure, fresh hues of health.
Need it be said, that those mysterious, indissoluble links which united the twins, could not have been broken without striking a mortal blow at the existence of the poor children?
Thus the sweet birds called love-birds, only living in pairs, as if endowed with a common life, pine, despond, and die, when parted by a barbarous hand.
The guide of the orphans, a man of about fifty-five, distinguished by his military air and gait, preserved the immortal type of the warriors of the republic and the empire—some heroic of the people, who became, in one campaign, the first soldiers in the world—to prove what the people can do, have done, and will renew, when the rulers of their choice place in them confidence, strength, and their hope.
This soldier, guide of the sisters, and formerly a horse-grenadier of the Imperial Guard, had been nicknamed Dagobert. His grave, stern countenance was strongly marked; his long, gray, and thick moustache completely concealed his upper lip, and united with a large imperial, which almost covered his chin; his meagre cheeks, brick-colored, and tanned as parchment, were carefully shaven; thick eyebrows, still black, overhung and shaded his light blue eyes; gold ear-rings reached down to his white-edged military stock; his topcoat, of coarse gray cloth, was confined at the waist by a leathern belt; and a blue foraging cap, with a red tuft falling on his left shoulder, covered his bald head.
Once endowed with the strength of Hercules, and having still the heart of a lion—kind and patient, because he was courageous and strong—Dagobert, notwithstanding his rough exterior, evinced for his orphan charges an exquisite solicitude, a watchful kindness, and a tenderness almost maternal. Yes, motherly; for the heroism of affection dwells alike in the mother's heart and the soldiers.
Stoically calm, and repressing all emotion, the unchangeable coolness of Dagobert never failed him; and, though few were less given to drollery, he was now and then highly comic, by reason of the imperturbable gravity with which he did everything.
From time to time, as they journeyed on, Dagobert would turn to bestow a caress or friendly word on the good white home upon which the orphans were mounted. Its furrowed sides and long teeth betrayed a venerable age. Two deep scars, one on the flank and the other on the chest, proved that his horse had been present in hot battles; nor was it without an act of pride that he sometimes shook his old military bridle, the brass stud of which was still adorned with an embossed eagle. His pace was regular, careful, and steady; his coat sleek, and his bulk moderate; the abundant foam, which covered his bit, bore witness to that health which horses acquire by the constant, but not excessive, labor of a long journey, performed by short stages. Although he had been more than six months on the road, this excellent animal carried the orphans, with a tolerably heavy portmanteau fastened to the saddle, as freely as on the day they started.
If we have spoken of the excessive length of the horse's teeth—the unquestionable evidence of great age—it is chiefly because he often displayed them, for the sole purpose of acting up to his name (he was called Jovial), by playing a mischievous trick, of which the dog was the victim.
This latter, who, doubtless for the sake of contrast, was called Spoil-sport (Rabat-joie), being always at his master's heels, found himself within the reach of Jovial, who from time to time nipped him delicately by the nape of the neck, lifted him from the ground, and carried him thus for a moment. The dog, protected by his thick coat, and no doubt long accustomed to the practical jokes of his companion, submitted to all this with stoical complacency; save that, when he thought the jest had lasted long enough, he would turn his head and growl. Jovial understood him at the first hint, and hastened to set him down again. At other times, just to avoid monotony, Jovial would gently bite the knapsack of the soldier, who seemed, as well as the dog, to be perfectly accustomed to his pleasantries.
These details will give a notion of the excellent understanding that existed between the twin sisters, the old soldier, the horse, and the dog.
The little caravan proceeded on its ways anxious to reach, before night, the village of Mockern, which was now visible on the summit of a hill. Ever and anon, Dagobert looked around him, and seemed to be gathering up old recollections; by degrees, his countenance became clouded, and when he was at a little distance from the mill, the noise of which had arrested his attention, he stopped, and drew his long moustache several times between his finger and thumb, the only sign which revealed in him any strong and concentrated feeling.
Jovial, having stopped short behind his master, Blanche, awakened suddenly by the shock, raised her head; her first look sought her sister, on whom she smiled sweetly; then both exchanged glances of surprise, on seeing Dagobert motionless, with his hands clasped and resting on his long staff, apparently affected by some painful and deep emotion.
The orphans just chanced to be at the foot of a little mound, the summit of which was buried in the thick foliage of a huge oak, planted half way down the slope. Perceiving that Dagobert continued motionless and absorbed in thought, Rose leaned over her saddle, and, placing her little white hand on the shoulder of their guide, whose back was turned towards her, said to him, in a soft voice, "Whatever is the matter with you, Dagobert?"
The veteran turned; to the great astonishment of the sisters, they perceived a large tear, which traced its humid furrow down his tanned cheek, and lost itself in his thick moustache.
"You weeping—you!" cried Rose and Blanche together, deeply moved. "Tell us, we beseech, what is the matter?"
After a moments hesitation, the soldier brushed his horny hand across his eyes, and said to the orphans in a faltering voice, whilst he pointed to the old oak beside them: "I shall make you sad, my poor children: and yet what I'm going to tell you has something sacred in it. Well, eighteen years ago, on the
