The Wandering Jew. Эжен Сю
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"Under the cloak of asking where the little humpbacked workwoman lives—the sister of that gay girl, the Queen of the Bacchanals."
"Yes—and you must try and find out her address also—from her humpbacked sister, if possible—for it is very important. Women of her feather change their nests like birds, and we have lost track of her."
"Make yourself easy; I will do my best with Hump, to learn where her sister hangs out."
"And, to give you steam, I'll wait for you at the tavern opposite the
Cloister, and we'll have a go of hot wine on your return."
"I'll not refuse, for the night is deucedly cold."
"Don't mention it! This morning the water friz on my sprinkling-brush, and I turned as stiff as a mummy in my chair at the church-door. Ah, my boy! a distributor of holy water is not always upon roses!"
"Luckily, you have the pickings—"
"Well, well—good luck to you! Don't forget the Fiver, the little passage next to the dyer's shop."
"Yes, yes—all right!" and the two men separated.
One proceeded to the Cloister Square; the other towards the further end of the street, where it led into the Rue Saint-Merry. This latter soon found the number of the house he sought—a tall, narrow building, having, like all the other houses in the street, a poor and wretched appearance. When he saw he was right, the man commenced walking backwards and forwards in front of the door of No. 5.
If the exterior of these buildings was uninviting, the gloom and squalor of the interior cannot be described. The house No. 5 was, in a special degree, dirty and dilapidated. The water, which oozed from the wall, trickled down the dark and filthy staircase. On the second floor, a wisp of straw had been laid on the narrow landing-place, for wiping the feet on; but this straw, being now quite rotten, only served to augment the sickening odor, which arose from want of air, from damp, and from the putrid exhalations of the drains. The few openings, cut at rare intervals in the walls of the staircase, could hardly admit more than some faint rays of glimmering light.
In this quarter, one of the most populous in Paris, such houses as these, poor, cheerless, and unhealthy, are generally inhabited by the working classes. The house in question was of the number. A dyer occupied the ground floor; the deleterious vapors arising from his vats added to the stench of the whole building. On the upper stories, several artisans lodged with their families, or carried on their different trades. Up four flights of stairs was the lodging of Frances Baudoin, wife of Dagobert. It consisted of one room, with a closet adjoining, and was now lighted by a single candle. Agricola occupied a garret in the roof.
Old grayish paper, broken here and there by the cracks covered the crazy wall, against which rested the bed; scanty curtains, running upon an iron rod, concealed the windows; the brick floor, not polished, but often washed, had preserved its natural color. At one end of this room was a round iron stove, with a large pot for culinary purposes. On the wooden table, painted yellow, marbled with brown, stood a miniature house made of iron—a masterpiece of patience and skill, the work of Agricola Baudoin, Dagobert's son.
A plaster crucifix hung up against the wall, surrounded by several branches of consecrated box-tree, and various images of saints, very coarsely colored, bore witness to the habits of the soldier's wife. Between the windows stood one of those old walnut-wood presses, curiously fashioned, and almost black with time; an old arm-chair, covered with green cotton velvet (Agricola's first present to his mother), a few rush bottomed chairs, and a worktable on which lay several bags of coarse, brown cloth, completed the furniture of this room, badly secured by a worm-eaten door. The adjoining closet contained a few kitchen and household utensils.
Mean and poor as this interior may perhaps appear, it would not seem so to the greater number of artisans; for the bed was supplied with two mattresses, clean sheets, and a warm counterpane; the old-fashioned press contained linen; and, moreover, Dagobert's wife occupied all to herself a room as large as those in which numerous families, belonging to honest and laborious workmen, often live and sleep huddled together—only too happy if the boys and girls can have separate beds, or if the sheets and blankets are not pledged at the pawnbroker's.
Frances Baudoin, seated beside the small stove, which, in the cold and damp weather, yielded but little warmth, was busied in preparing her son Agricola's evening meal.
Dagobert's wife was about fifty years of age; she wore a close jacket of blue cotton, with white flowers on it, and a stuff petticoat; a white handkerchief was tied round her head, and fastened under the chin. Her countenance was pale and meagre, the features regular, and expressive of resignation and great kindness. It would have been difficult to find a better, a more courageous mother. With no resource but her labor, she had succeeded, by unwearied energy, in bringing up not only her own son Agricola, but also Gabriel, the poor deserted child, of whom, with admirable devotion, she had ventured to take charge.
In her youth, she had, as it were, anticipated the strength of later life, by twelve years of incessant toil, rendered lucrative by the most violent exertions, and accompanied by such privations as made it almost suicidal. Then (for it was a time of splendid wages, compared to the present), by sleepless nights and constant labor, she contrived to earn about two shillings (fifty sous) a day, and with this she managed to educate her son and her adopted child.
At the end of these twelve years, her health was ruined, and her strength nearly exhausted; but, at all events, her boys had wanted for nothing, and had received such an education as children of the people can obtain. About this time, M. Francois Hardy took Agricola as an apprentice, and Gabriel prepared to enter the priest's seminary, under the active patronage of M. Rodin, whose communications with the confessor of Frances Baudoin had become very frequent about the year 1820.
This woman (whose piety had always been excessive) was one of those simple natures, endowed with extreme goodness, whose self-denial approaches to heroism, and who devote themselves in obscurity to a life of martyrdom—pure and heavenly minds, in whom the instincts of the heart supply the place of the intellect!
The only defect, or rather the necessary consequence of this extreme simplicity of character, was the invincible determination she displayed in yielding to the commands of her confessor, to whose influence she had now for many years been accustomed to submit. She regarded this influence as most venerable and sacred; no mortal power, no human consideration, could have prevented her from obeying it. Did any dispute arise on the subject, nothing could move her on this point; she opposed to every argument a resistance entirely free from passion—mild as her disposition, calm as her conscience—but, like the latter, not to be shaken. In a word, Frances Baudoin was one of those pure, but uninstructed and credulous beings, who may sometimes, in skillful and dangerous hands, become, without knowing it, the instruments of much evil.
For some time past, the bad state of her health, and particularly the increasing weakness of her sight, had condemned her to a forced repose; unable to work more than two or three hours a day, she consumed the rest of her time at church.
Frances rose from her seat, pushed the coarse bags at which she had been working to the further end of the table, and proceeded to lay the cloth for her son's supper, with maternal care and solicitude. She took from the press a small leathern bag, containing an old silver cup, very much battered, and a fork and spoon, so worn and thin, that the latter cut like a knife. These, her only plate (the wedding present of Dagobert) she rubbed and polished as well as she was able, and laid by the side of her son's plate. They were the most precious of her possessions, not so much for what little intrinsic value might attach