The Handbook of Peer Production. Группа авторов

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DIY genetics, DIY medicine, DIY science, and so on. These movements have attracted a growing number of enthusiasts, from young students to professional scientists, from artists to aspiring entrepreneurs, from people with no technological background to computer hackers. This chapter reviews and discusses the key literature on the topic. It first provides an overview of the history, and the various practices of DIY biology. Thereafter it offers a few examples of DIY medicine. The chapter then discusses and analyzes some of the key issues of DIY biology: the openness of the movement; what the “yourself” in do‐it‐yourself stands for; and concerns with ethics and governance. The penultimate section of the chapter looks at the economic aspects and the valuations of DIY biology. The conclusion will argue that further academic work could look into the geographies and fragilities/instabilities of DIY biology, as well as its relationship with the public.

      17 Makers

       Yana Boeva & Peter Troxler

      Makers have engaged with different practices of peer production for the last two decades. Given access to electronic prototyping tools, digital fabrication tools, biohacking equipment, as well as different craft techniques and materials, makers exchange their knowledge on‐ and offline signaling bottom‐up processes of design, production, and education. The so‐called “maker movement” would bring about the democratization of technology and user emancipation by its prospect of personal fabrication and peer collaboration. Given the multiplicity of maker identities and what making has achieved, in this chapter, we tentatively define makers as individuals creating idiosyncratic artifacts in the form of most often hard‐ and software fixes to actual problems and challenges. The chapter provides a critical overview of the different cultures of making, their motivations as well as the socio‐technical infrastructures that encourage these forms of peer production. We outline a succinct and incomplete history of making in peer production. The chapter then explores the ways maker rhetoric and its diverse proponents have shaped making’s development and perception across the world. It discusses how the prospects of transforming users into makers and producers as well as the idea of makers representing a global social movement have unfolded since the year zero of making.

      18 Blockchain, or, Peer Production Without Guarantees

       Pablo Velasco González & Nathaniel Tkacz

      19 Community Wireless Networks

       Gwen Shaffer

      This chapter explores the history of community wireless networks (CWNs) through diverse case studies in Europe, Africa and the United States. Mesh networks are a prime example of a peer‐production practice. Anyone willing to place a router on his or her rooftop or window can play a role in helping a mesh network thrive. CWNs emerge for a variety of reasons. For some, a grassroots network is the sole option for Internet connectivity. For individuals concerned about the erosion of online privacy, security and anonymity, peer networks enable confidential online communications. Compared to vulnerabilities inherent in a centralized Internet design, mesh networks are disaster proof – whether the disaster is caused by a totalitarian government cutting off Internet access, or by a hurricane. Ideology also drives the current resurgence in mesh networks. Many CWN participants value the possibilities associated with sharing resources and deciding for themselves how – and where – to deploy Internet infrastructure. Rather than rely on Internet service providers, peer networks represent a bottom‐up scheme of governance open to anyone with a desire to contribute. This chapter also examines how these projects serve as a testbed for related technologies, such as FreedomBox’s secure software. The case studies highlighted in this chapter suggest that developing open source applications, infrastructure, and platforms – on which competitive providers may offer content and services – is as important to community wireless projects as connectivity itself.

      20 Commoning the Urban

       Nicholas Anastasopoulos

      This chapter seeks to illuminate facets of the urbanized world that most of humanity now lives in, as an introduction to the alternatives that may have existed for the longest time or are being created as we speak. The urban commons are examined as a distinct domain, a category of their own, taking into account cultural traditions and commoning activities in an urban context. Their production, political nature and cultural identity, the dilemmas involving their governance, as well as current trends regarding the impact of creative practices, architecture and of digital worlds are also examined, and a variety of case studies serves as a reference to these topics.

      21 Peer Production and Social Change

       Mathieu O’Neil & Sébastien Broca

      22 Peer Production and Collective Action

       Stefania Milan

      Over the last three decades, social movements around the world have embraced peer‐production principles such as collaboration, co‐production, and self‐organization. From Anonymous to the Spanish

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