Mesoamerican Archaeology. Группа авторов

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Lower Papaloapan Basin.

       The Social Landscape: Settlement and Polity

      Figure 2.5 LiDAR imagery of Tres Zapotes in high (dark gray) and low (light gray) resolution. Gray line indicates extent of Tres Zapotes Archaeological Survey (Spanish acronym RATZ).

      High-resolution imagery by NCALM; low-resolution by INEGI.

      Figure 2.6 Middle Formative settlement patterns in three regions of Olman.

      Middle Coatzacoalcos basin and Western Tabasco Plain adapted and redrawn from Symonds et al. (2002: Figure 4.12) and Rust and Leyden (1994: Figure 12.1), respectively. Heavy line indicates area of pedestrian and LIDAR survey in the Eastern Lower Papaloapan Basin.

       The Symbolic Landscape

      Contemporary understandings of landscapes emphasize that they are constituted by the relationships between the material world and humans’ perceptions and experience of it (e.g., Hirsch 1995; Tuan 1974). Through these interactions humans both derive meaning from landscapes and impose meanings upon places within them. Those meanings are communicated and preserved in oral and written form, but frequently they also are materialized within the landscape with constructions, monuments, carvings, or offerings, frequently evoking sacred beliefs and historical events (often themselves entwined in myth) (e.g., Thomas 2012; Tilley 1994; Townsend 1992). Engaging with these material symbols helps to forge shared social memories, which in turn reinforce social norms and often support claims to political authority and power (Smith 2003; Van Dyke and Alcock 2008; Wertsch 2002).

      All cultures create meaningful landscapes, but the Olmecs are notable for the variety, sophistication, and costliness of techniques they employed to materialize those meanings in natural and built settings. Places that had particularly meaningful associations for the Olmecs included hills, caves, springs, and other bodies of water. The marking of these places with offerings and monuments anticipates cosmological themes in later Mesoamerican belief, including that of a multilayered cosmos consisting of a watery underworld, a quadripartite terrestrial realm often represented as the back of a crocodile, and a celestial realm inhabited by birds, butterflies, celestial bodies, and the deities and forces associated with them (Miller and Taube 1993: 28–29; Tate 1999). Connecting these realms at the center was the axis mundi represented by a world tree or mountain of creation and sometimes personified as a shaman or ruler – humans thought to be able to move between the realms (Reilly 1995). Places that provided access between the cosmic layers, such as caves, springs, or mountaintops where clouds accumulated, were especially powerful places in the sacred landscapes of Mesoamerica and themselves were seen as living entities (see, e.g., Schele 1995; Townsend 1992). Similarly, animals – both real and imagined composites – who moved between air, earth, and water were venerated and held a prominent place in Olmec iconography (Taube 1995). Finally, water in both its surface and atmospheric manifestations, was associated with agricultural fertility and natural abundance as well as with risk from storm and flood (Cyphers et al. 2013: 90–94).

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