to allow myself to hate him," returned Hester, "I should hate him too much to kill him. I should let him live on in his ugliness, and hold back my hate lest it should wither him in the cool water. To let him live would be my revenge, the worst I should know. I must not look at him, for it makes me feel as wicked as he looks."
She glanced at Vavasor. His eyes were fixed on her. She turned away uncomfortable: could it be that he was like the dog-fish?
"I declare." said Cornelius, coming between them, "there's no knowing you girls! Would you believe it, Mr. Vavasor—that young woman was crying her eyes out last night over the meanest humbug of a Chadband I ever set mine on! There ain't one of those fishes comes within sight of him for ugliness. And she would have it he was to be pitied—sorrowed over—loved, I suppose!"
The last words of his speech he whined out in a lackadaisical tone.
Hester flushed, but said nothing. She was not going to defend herself before a stranger. She would rather remain misrepresented—even be misunderstood. But Vavasor had no such opinion of the brother as to take any notion of the sister from his mirror. When she turned from Cornelius next, in which movement lay all the expression she chose to give to her indignation, he passed behind him to the other side of Hester, and there stood apparently absorbed in the contemplation of a huge crustacean. Had Cornelius been sensitive, he must have felt he was omitted.
"Why, can it be?" she said—to herself, but audibly—after a moment of silence, during which she also had been apparently absorbed in the contemplation of some inhabitant of the watery cage. But she had in truth been thinking of nothing immediately before her eyes, though they had rested first upon a huge crayfish, balancing himself on stilts innumerable, then turned to one descending a rocky incline—just as a Swiss horse descends a stair in a mountain-path.
"Yes, the fellow bristles with whys," said Vavasor, whose gaze was still fixed on one of them. "Every leg seems to ask 'Why am I a leg?'"
"I should have thought it was asking rather, 'What am I? Am I a leg or a failure?'" rejoined Hester. "But I was not thinking of the crayfish. He is odd, but there is no harm in him. He looks, indeed, highly respectable. See with what a dignity he fans himself!"
"And for the same reason," remarked her father, who had come up and stood behind them, "as the finest lady at the ball: he wants more air. I wonder whether the poor fellow knows he is in a cage?"
"I think he does," said Saffy, "else he would run away from us."
"Are you thinking of the dog-fish still?" asked Vavasor.
The strangeness, as it seemed to him, of the handsome girl's absorption, for such it veritably appeared, in questions of no interest in themselves—so he judged them—attracted him even more than her beauty, for he did not like to feel himself unpossessed of the entrée to such a house. Also he was a writer of society verses—not so good as they might have been, but in their way not altogether despicable—and had already begun to turn it over in his mind whether something might not be made of—what shall I call it?—the situation?
"I was thinking of him," Hester answered, "but only as a type of the great difficulty—why there should be evil or ugliness in the world. There must be an answer to it! Is it possible it should be one we would not like?"
"I don't believe there is any answer," said Vavasor. "The ugly things are ugly just because they are ugly. It is a child's answer, but not therefore unphilosophical. We must take things as we find them. We are ourselves just what we are, and cannot help it. We do this or that because it is in us. We are made so."
"You do not believe in free will, then, Mr. Vavasor?" said Hester coldly.
"I see no ground for believing in it. We are but forces—bottled up forces—charged Leyden jars. Every one does just what is in him—acts as he is capable."
He was not given to metaphysics, and, indeed, had few or no opinions in that department of inquiry; but the odd girl interested him, and he was ready to meet her on any ground. He had uttered his own practical unbelief, however, with considerable accuracy. Hester's eyes flashed angrily.
"I say no. Every one is capable of acting better than he does," she replied; and her face flushed.
"Why does he not then?" asked Vavasor.
"Ah, why?" she responded.
"How can he be made for it if he does not do it?" insisted Vavasor.
"How indeed? That is the puzzle," she answered. "If he were not capable there would be none."
"I should do better, I am sure, if I could," said Vavasor. Had he known himself, he ought to have added, "without trouble."
"Then you think we are all just like the dog-fish—except that destiny has made none of us quite so ugly," rejoined Hester.
"Or so selfish," implemented Vavasor.
"That I can't see," returned Hester. "If we are merely borne helpless hither and thither on the tide of impulse, we can be neither more nor less selfish than the dog-fish. We are, in fact, neither selfish nor unselfish. We are pure nothings, concerning which speculation is not worth the trouble. But the very word selfish implies a contrary judgment on the part of humanity itself."
"Then you believe we can make ourselves different from what we are made?"
"Yes; we are made with the power to change. We are meant to take a share in our own making. We are made so and so, it is true, but not made so and so only; we are made with a power in ourselves beside—a power that can lay hold on the original power that made us. We are not made to remain as we are. We are bound to grow."
She spoke rapidly, with glowing eyes, the fire of her utterance consuming every shadow of the didactic.
"You are too much of a philosopher for me, Miss Raymount," said Vavasor with a smile. "But just answer me one question. What if a man is too weak to change?"
"He must change," said Hester.
Then first Vavasor began to feel the conversation getting quite too serious.
"Ah, well!" he said. "But don't you think this is rather—ah—rather—don't you know?—for an aquarium?"
Hester did not reply. Nothing was too serious for her in any place. She was indeed a peculiar girl—the more the pity for the many that made her so!
"Let us go and see the octopus," said Vavasor.
They went, and Mr. Raymount slowly followed them. He had not heard the last turn of their conversation.
"You two have set me thinking," he said, when he joined them; "and brought to my mind an observation I had made—how seldom you find art succeed in representing the hatefully ugly! The painter can accumulate ugliness, but I do not remember a demon worth the name. The picture I can best recall with demons in it is one of Raphael's—a St. Michael slaying the dragon—from the Purgatorio, I think, but I am not sure; not one of the demons in that picture is half so ugly as your dog-fish.—What if it be necessary that we should have lessons in ugliness?"
"But why?" said Hester. "Is not the ugly better let alone? You have always taught that ugliness is the natural embodiment of evil!"
"Because we have chosen
