am afraid, if I were in your place, I should do nothing so well as you, Amy," said Hester. "But come, tell me what is the matter. What puts you in such a misery?"
"Oh, it's not one thing nor two things nor twenty things!" answered Amy, looking sullen with the feeling of heaped-up wrong. "What would my mother say to see me served so! She used to trust me everywhere and always! I don't understand how those two prying suspicious old maids can be my mother's sisters!"
She spoke slowly and sadly, without raising her eyes.
"Don't they behave well to you, my poor child?" said Hester.
"It's not," returned Amy, "that they watch every bit I put in my mouth—I don't complain of that, for they're poor—at least they're always saying so, and of course they want to make the most of me; but not to be trusted one moment out of their sight except they know exactly where I am—to be always suspected, and followed and watched, and me working my hardest—that's what drives me wild, Miss Raymount. I'm afraid they'll make me hate them out and out—and them my own flesh and blood, too, which can't but be wicked! I bore it very well for a while, for at first it only amused me. I said to myself, 'They'll soon know me better!' But when I found they only got worse, I got tired of it altogether; and when I got tired of it I got cross, and grew more and more cross, till now I can't bear it. I'm not used to be cross, and my own crossness is much harder to bear than theirs. If I could have kept the good temper people used to praise me for to my mother, I shouldn't mind; but it is hard to lose it this way! I don't know how to get on without it! If there don't come a change somehow soon, I shall run away—I shall indeed, Miss Raymount. There are many would be glad enough to have me for the work I can get through."
She jumped to her feet, gave a little laugh, merry-sad, and before Hester could answer her, said—
"You're going away so soon, miss! Let me do your hair to-night. I want to brush it every night till you go."
"But you are tired, my poor child!" said Hester compassionately.
"Not too tired for that: it will rest me, and bring back my good temper, It will come to me again through your hair, miss."
"No, no, Amy," said Hester, a little conscience-stricken, "you can't have any of mine. I have none to spare. You will rather brush some into me, Amy. But do what you like with my hair."
As Amy lovingly combed and brushed the long, wavy overflow of Hester's beauty, Hester tried to make her understand that she must not think of good-temper and crossness merely as things that could be put into her and taken out of her. She tried to make her see that nothing really our own can ever be taken from us by any will or behavior of another; that Amy had had a large supply of good-temper laid ready to her hand, but that it was not hers until she had made it her own by choosing and willing to be good-tempered when she was disinclined—holding it fast with the hand of determination when the hand of wrong would snatch it from her.
"Because I have a book on my shelves," she said, "it is not therefore mine; when I have read and understood it, then it is a little mine; when I love it and do what it tells me, then it is altogether mine: it is like that with a good temper: if you have it sometimes, and other times not, then it is not yours; it lies in you like that book on my table—a thing priceless were it your own, but as it is, a thing you can't keep even against your poor weak old aunts."
As she said all this, Hester felt like a hypocrite, remembering her own sins. Amy Amber listened quietly, brushing steadily all the time, but scarcely a shadow of Hester's meaning crossed her mind. If she was in a good temper, she was in a good temper; if she was in a bad temper, why there she was, she and her temper! She had not a notion of the possibility of having a hand in the making of her own temper—not a notion that she was in any manner or measure accountable in regard to the temper she might find herself in. Could she have been persuaded to attempt to overcome it, the moment she failed, as of course every one will many times, Amy would have concluded the thing required an impossibility. Yet the effort she made, and with success, to restrain the show of her anger, was far from slight. But for this, there would, long ere now, have been rain and wind, thunder and lightning between her and her aunts. She was alive without the law, not knowing what mental conflict was; the moment she recognized that she was bound to conquer herself, she would die in conscious helplessness, until strength and hope were given her from the well of the one pure will.
Hester kissed her, and though she had not understood, she went to bed a little comforted. When the Raymounts departed, two or three days after, they left her at the top of the cliff-stair, weeping bitterly.
CHAPTER XI.
AT HOME.
When the Raymounts reached London, hardly taking time to unpack her box, Hester went to see her music-mistress, and make arrangement for re-commencing study with her.
Miss Dasomma was one of God's angels; for if he makes his angels winds, and his ministers a flaming fire, much more are those live fountains which carry his gifts to their thirsting fellows his angels. Meeting not very rarely with vulgar behavior in such as regarded her from the heights of rank or money, she was the more devoted to a pupil who looked up to her as she deserved, recognizing in her a power of creation. Of Italian descent, of English birth, and of German training, she had lived in intimacy with some of the greatest composers of her day, but the enthusiasm for her art which possessed her was mainly the outcome of her own genius. Hence it was natural that she should exercise a forming influence on every pupil at all worthy of her, and without her Hester could never have become what she was. For not merely had she opened her eyes to a vision of Music in something of her essential glory, but, herself capable of the hardest and truest work, had taught her the absolute necessity of labor to one who would genuinely enjoy, not to say cause others to enjoy, what the masters in the art had brought out of the infinite. Hester had doubtless heard and accepted the commonplaces so common concerning the dignity and duty of labor—as if labor mere were anything irrespective of its character, its object and end! but without Miss Dasomma she would not have learned that Labor is grand officer in the palace of Art; that at the root of all ease lies slow, and, for long, profitless-seeming labor, as at the root of all grace lies strength; that ease is the lovely result of forgotten toil, sunk into the spirit, and making it strong and ready; that never worthy improvisation flowed from brain of poet or musician unused to perfect his work with honest labor; that the very disappearance of toil is by the immolating hand of toil itself. He only who bears his own burden can bear the burden of another; he only who has labored shall dwell at ease, or help others from the mire to the rock.
Miss Dasomma was ready to begin at once, and Hester gradually increased her hours of practice, till her mother interfered lest she should injure her health. But there was in truth little danger, for Hester was forcing nothing—only indulging to the full her inclination, eager to perfect her own delight, and the more eager that she was preparing delight for others.
They had not been home more than a week, when one Sunday morning, that is at four o'clock in the afternoon, Mr. Vavasor called—which was not quite agreeable to Mrs. Raymount, who liked their Sundays kept quiet. He was shown to Mr. Raymount's study.
"I am sorry," he said, "to call on a Sunday, but I am not so enviably situated as you, Mr. Raymount; I have not my time at my command. When other people make their calls. I am a prisoner."
He
