it with his hands in his pockets, dropped on the piano-stool as if he had taken a fancy to it for a seat, and began to let his hands run over the keys as if to give the idea he could play if he would. Amy Amber was taking away the tea-things and the rest were here and there about the room, Mr. Raymount and Vavasor talking on the hearth-rug—for a moment ere the former withdrew to his study.
"What a rose-diamond you have to wait on you, Mr. Raymount!" said Vavasor. "If I were a painter I would have her sit to me."
"And ruin the poor thing for any life-sitting!" remarked Mr. Raymount rather gruffly, for he found that the easier way of speaking the truth. He had thus gained a character for uncompromising severity, whereas it was but that a certain sort of cowardice made him creep into spiky armor. He was a good man, who saw some truths clearly, and used them blunderingly.
"I don't see why that should follow," said Vavasor, in a softly drawling tone, the very reverse of his host's. Its calmness gave the impression of a wisdom behind it that had no existence. "If the girl is handsome, why shouldn't she derive some advantage from it—and the rest of the world as well?"
"Because, I say, she at least would derive only ruin. She would immediately assume to herself the credit of what was offered only to her beauty. It takes a lifetime, Mr. Vavasor, to learn where to pay our taxes. If the penny with the image and superscription of Caesar has to be paid to Caesar, where has a face and figure like that of Amy Amber to be paid?"
Vavasor did not reply: Mr. Raymount's utterance may perhaps seem obscure to a better thinker. He concluded merely that his host was talking for talk's sake, so talking rubbish. The girl came in again, and the conversation dropped. Mr. Raymount went to his writing, Vavasor toward the piano. Willing to please Cornelius, whom he almost regarded with a little respect now that he had turned out brother to such a sister.
"Sing the song you gave us the other night at our house," he said carelessly.
Hester could hardly credit her hearing. Still more astonished was she when Cornelius actually struck a few chords and began to sing. The song was one of those common drawing-room ones more like the remnants of a trifle the day after a party than any other dish for human use. But there was one mercy in it: the words and the music went together in a perfect concord of weak worthlessness; and Hester had not to listen, with the miserable feeling that rude hands were pulling at the modest garments of her soul, to a true poem set to the music of a scrannel pipe of wretched straw, whose every tone and phrase choked the divine bird caged in the verse.
Cornelius sang like a would-be singer, a song written by a would-be poet, and set by a would-be musician. Verve was there none in the whole ephemeral embodiment. When it died a natural death, if that be possible where never had been any life, Vavasor said, "Thank you, Raymount." But Hester, who had been standing with her teeth clenched under the fiery rain of discords, wrong notes, and dislocated rhythm, rushed to the piano with glowing cheeks and tear-filled eyes, and pushed Cornelius off the stool. The poor weak fellow thought she was acting the sentimental over the sudden outburst of his unsuspected talent, and recovering himself stood smiling at her with affected protest.
"Corney!" she cried—and the faces of the two were a contrast worth seeing—"you disgrace yourself! any one who can sing at all should be ashamed to sing no better than that!"
Then feeling that she ought not to be thus carried away, or quench with such a fierce lack of sympathy the smoking flax of any endowment, she threw her arms round his neck and kissed him. He received her embrace like the bear he was; the sole recognition he showed was a comically appealing look to Vavasor intended to say, "You see how the women use me! They trouble me, but I submit!"
"You naughty boy!" Hester went on, much excited, and speaking with great rapidity, "you never let me suspect you could sing any more than a frog—toad, I mean, for a frog does sing after his own rather monotonous fashion, and you don't sing much better! Listen to me, and I will show you how the song ought to have been sung. It's not worth a straw, and it's a shame to sing it, but if it be sung at all, it might as well be sung as well as it might!"
So saying she seated herself at the piano.
This convulsion was in Hester's being a phenomenon altogether new, for never before had she been beside herself in the presence of another.
She gazed for a moment at the song on the rest before her, then summoned as with a command the chords which Corney had seemed to pick up from among his feet, and began. The affect of her singing upon the song was as if the few poor shivering plants in the garden of March had every one blossomed at once. The words and music both were in truth as worthless as she had said; but they were words, and it was music, and words have always some meaning, and tones have always some sweetness; all the meaning and all the sweetness in the song Hester laid hold of, drew out, made the best of; while all the feeble element of the dramatic in it she forced, giving it an expression far beyond what could have been in the mind of the writer capable of such inadequate utterance—with the result that it was a different song altogether from that which Cornelius had sung. She gave the song such a second birth, indeed, that a tolerable judge might have taken it, so hearing it for the first time, for what it was not—a song with some existence of its own, some distinction from a thousand other wax flowers dipped in sugar-water for the humming-birds of society. The moment she ended, she rose ashamed, and going to the window looked out over the darkening sea.
Vavasor had not heard her sing before. He did not even know she cared for music; for Hester, who did not regard her faculty as an accomplishment but as a gift, treated it as a treasure to be hidden for the day of the Lord rather than a flag to be flaunted in a civic procession—was jealously shy over it, as a thing it would be profanation to show to any but loving eyes. To utter herself in song to any but the right persons, except indeed it was for some further and higher end justifying the sacrifice, appeared to her a kind of immodesty, a taking of her heart from its case, and holding it out at arm's length. He was astonished and yet more delighted. He was in the presence of a power! But all he knew of power was in society-relations. It was not a spirit of might he recognized, for the opening of minds and the strengthening of hearts, but an influence of pleasing for self-aggrandizement. Feeling it upon himself, he thought of it in its operation upon others, and was filled with a respect rising almost to the height of what reverence he was capable of. He followed her swiftly to the window, and through the gathering shadows of the evening she saw his eyes shine as he addressed her.
"I hardly know what I am about, Miss Raymount," he said, "except that I hear my own voice daring to address the finest non-professional singer I have ever yet heard."
Hester, to her own disgust and annoyance, felt her head give itself a toss she had never intended; but it was a true toss nevertheless, for she neither liked having attracted his admiration by such a song, nor the stress he laid on the word non-professional: did it not imply that she was not songstress enough for the profession of song?
"Excuse me, Mr. Vavasor, but how do you know I am not a professional singer?" she said with some haughtiness.
"Had you been," answered Vavasor with concealed caution, "I should have learned the fact from your brother."
"Have you learned from him that I could sing at all?"
"To confess the strange truth, he never told me you were musical."
"Very well?"
"I beg your pardon."
"I mean, how then do you know I am not a professional singer?"
"All London would have known it."
This second reply, better conceived, soothed Hester's vanity—of
