The Complete Works: Fantasy & Sci-Fi Novels, Religious Studies, Poetry & Autobiography. C. S. Lewis
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“Eh? Blotcher bulldoo?” muttered Jules. But Wither, laying his hand on the little man’s shoulder, quietly but with all his weight, forced him down into a sitting position. Then Wither cleared his throat. He knew how to do that so that every eye in the room turned immediately to look at him. The woman stopped screaming. People who had been sitting dead still in strained positions moved and relaxed. Wither looked down the room for a second or two in silence, feeling his grip on the audience. He saw that he already had them in hand. There would be no more hysterics. Then he began to speak.
They ought to have all looked more and more comfortable as he proceeded; and there ought soon to have been murmurs of grave regret for the tragedy which they had just witnessed. That was what Wither expected. What he actually saw bewildered him. The same too attentive silence which had prevailed during Jules’s speech had returned. Bright unblinking eyes and open mouths greeted him in every direction. The woman began to laugh again—or no, this time it was two women. Cosser, after one frightened glance, jumped up, overturning his chair, and bolted from the room.
The Deputy Director could not understand this, for to him his own voice seemed to be uttering the speech he had resolved to make. But the audience heard him saying, “Tidies and fugleman—I sheel foor that we all—er—most steeply rebut the defensible, though, I trust, lavatory, Aspasia which gleams to have selected our redeemed inspector this deceiving. It would—ah—be shark, very shark, from anyone’s debenture . . .”
The woman who had laughed rose hastily from her chair. The man seated next to her heard her murmur in his ear, “Vood wooloo.” He took in the meaningless syllables and her unnatural expression at one moment. Both for some reason infuriated him. He rose to help her to move back her chair with one of those gestures of savage politeness which often, in modern society, serve instead of blows. He wrenched the chair, in fact, out of her hand. She screamed, tripped on a ruck in the carpet and fell. The man on the other side of her saw her fall and saw the first man’s expression of fury. “Bot are you blammit?” he roared, leaning towards him with a threatening movement. Four or five people in that part of the room were now up. They were shouting. At the same time there was movement elsewhere. Several of the younger men were making for the door. “Bundlemen, bundlemen,” said Wither sternly, in a much louder voice. He had often before, merely by raising his voice and speaking one authoritative word, reduced troublesome meetings to order.
But this time he was not even heard. At least twenty people present were at that very moment attempting to do the same thing. To each of them it seemed plain that things were just at that stage when a word or so of plain sense, spoken in a new voice, would restore the whole room to sanity. One thought of a sharp word, one of a joke, one of something very quiet and telling. As a result fresh gibberish in a great variety of tones rang out from several places at once. Frost was the only one of the leaders who attempted to say nothing. Instead, he had pencilled a few words on a slip of paper, beckoned to a servant, and made him understand by signs that it was to be given to Miss Hardcastle.
By the time the message was put into her hands the clamour was universal. To Mark it sounded like the noise of a crowded restaurant in a foreign country. Miss Hardcastle smoothed out the paper and stooped her head to read. The message ran: Blunt frippers intantly to pointed bdeluroid. Purgent. Cost. She crumpled it up in her hand.
Miss Hardcastle had known before she got the message that she was three parts drunk. She had expected and intended to be so: she knew that later on in the evening she would go down to the cells and do things. There was a new prisoner there—a little fluffy girl of the kind the Fairy enjoyed—with whom she could pass an agreeable hour. The tumult of gibberish did not alarm her: she found it exciting. Apparently Frost wanted her to take some action. She decided that she would. She rose and walked the whole length of the room to the door, locked it, put the key in her pocket, and then turned to survey the company. She noticed for the first time that neither the supposed Merlin nor the Basque priest were anywhere to be seen. Wither and Jules, both on their feet, were struggling with each other. She set out towards them.
So many people had now risen that it took her a long time to reach them. All semblance of a dinner-party had disappeared: it was more like the scene at a London terminus on a bank holiday. Everyone was trying to restore order, but everyone was unintelligible, and everyone, in the effort to be understood, was talking louder and louder. She shouted several times herself. She even fought a good deal before she reached her goal.
There came an ear-splitting noise and after that, at last, a few seconds of dead silence. Mark noticed first that Jules had been killed: only secondly that Miss Hardcastle had shot him. After that it was difficult to be sure what happened. The stampede and the shouting may have concealed a dozen reasonable plans for disarming the murderess, but it was impossible to concert them. Nothing came of them but kicking, struggling, leaping on tables and under tables, pressing on and pulling back, screams, breaking of glass. She fired again and again. It was the smell more than anything else which recalled the scene to Mark in later life: the smell of the shooting mixed with the sticky compound smell of blood and port and Madeira.
Suddenly the confusion of cries ran all together into one thin long-drawn noise of terror. Everyone had become more frightened. Something had darted very quickly across the floor between the two long tables and disappeared under one of them. Perhaps half the people present had not seen what it was—had only caught a gleam of black and tawny. Those who had seen it clearly could not tell the others: they could only point and scream meaningless syllables. But Mark had recognised it. It was a tiger.
For the first time that evening everybody realised how many hiding-places the room contained. The tiger might be under any of the tables. It might be in any of the deep bay windows, behind the curtains. There was a screen across one corner of the room, too.
It is not to be supposed that even now none of the company kept their heads. With loud appeals to the whole room or with urgent whispers to their immediate neighbours they tried to stem the panic, to arrange an orderly retreat from the room, to indicate how the brute could be lured or scared into the open and shot. But the doom of gibberish frustrated all their efforts. They could not arrest the two movements which were going on. The majority had not seen Miss Hardcastle lock the door: they were pressing towards it, to get out at all costs: they would fight, they would kill if they could, rather than not reach the door. A large majority, on the other hand, knew that the door was locked. There must be another door, the one used by the servants, the one whereby the tiger had got in. They were pressing to the opposite end of the room to find it. The whole centre of the room was occupied by the meeting of these two waves—a huge football scrum, at first noisy with frantic efforts at explanation, but soon, as the struggle thickened, almost silent except for the sound of labouring breath, kicking or trampling feet, and meaningless muttering.
Four or five of these combatants lurched heavily against a table, pulling off the cloth in their fall and with it all the fruit-dishes, decanters, glasses, plates. Out of that confusion with a howl of terror broke the tiger. It happened so quickly that Mark hardly took it in. He saw the hideous head, the cat’s snarl of the mouth, the flaming eyes. He heard a shot—the last. Then the tiger had disappeared again. Something fat and white and bloodied was down among the feet of the scrummers. Mark could not recognise it at first, for the face,