The Complete Works: Fantasy & Sci-Fi Novels, Religious Studies, Poetry & Autobiography. C. S. Lewis
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IV
Wither was not among those killed in the dining-room. He naturally knew all the possible ways out of the room, and even before the coming of the tiger he had slipped away. He understood what was happening, if not perfectly, yet better than anyone else. He saw that the Basque interpreter had done the whole thing. And, by that, he knew also that powers more than human had come down to destroy Belbury; only one in the saddle of whose soul rode Mercury himself could thus have unmade language. And this again told him something worse. It meant that his own dark Masters had been completely out in their calculations. They had talked of a barrier which made it impossible that powers from Deep Heaven should reach the surface of the Earth: had assured him that nothing from outside could pass the Moon’s orbit. All their polity was based on the belief that Tellus was blockaded, beyond the reach of such assistance and left (as far as that went) to their mercy and his. Therefore he knew that everything was lost.
It is incredible how little this knowledge moved him. It could not, because he had long ceased to believe in knowledge itself. What had been in his far-off youth a merely aesthetic repugnance to realities that were crude or vulgar, had deepened and darkened, year after year, into a fixed refusal of everything that was in any degree other than himself. He had passed from Hegel into Hume, thence through Pragmatism, and thence through Logical Positivism, and out at last into the complete void. The indicative mood now corresponded to no thought that his mind could entertain. He had willed with his whole heart that there should be no reality and no truth, and now even the imminence of his own ruin could not wake him. The last scene of Dr. Faustus where the man raves and implores on the edge of Hell is, perhaps, stage fire. The last moments before damnation are not often so dramatic. Often the man knows with perfect clarity that some still possible action of his own will could yet save him. But he cannot make this knowledge real to himself. Some tiny habitual sensuality, some resentment too trivial to waste on a blue-bottle, the indulgence of some fatal lethargy, seems to him at that moment more important than the choice between total joy and total destruction. With eyes wide open, seeing that the endless terror is just about to begin and yet (for the moment) unable to feel terrified, he watches passively, not moving a finger for his own rescue, while the last links with joy and reason are severed, and drowsily sees the trap close upon his soul. So full of sleep are they at the time when they leave the right way.
Straik and Filostrato were also still alive. They met in one of the cold, lighted passages, so far away from the dining-room that the noise of the carnage was but a faint murmur. Filostrato was hurt, his right arm badly mauled. They did not speak—both knew that the attempt would be useless—but walked on side by side. Filostrato was intending to get round to the garage by a back way: he thought that he might still be able to drive, in a fashion, at least as far as Sterk.
As they rounded a corner they both saw what they had often seen before but had expected never to see again—the Deputy Director, stooped, creaking, pacing, humming his tune. Filostrato did not want to go with him, but Wither, as if noticing his wounded condition, offered him an arm. Filostrato tried to decline it: nonsense syllables came from his mouth. Wither took his left arm firmly; Straik seized the other, the mauled arm. Squealing and shivering with pain, Filostrato accompanied them perforce. But worse awaited him. He was not an initiate, he knew nothing of the Dark Eldils. He believed that his skill had really kept Alcasan’s brain alive. Hence, even in his pain, he cried out with horror when he found the other two drawing him through the ante-room of the Head and into the Head’s presence without pausing for any of those antiseptic preparations which he had always imposed on his colleagues. He tried vainly to tell them that one moment of such carelessness might undo all his work. But this time it was in the room itself that his conductors began undressing. And this time they took off all their clothes.
They plucked off his, too. When the right sleeve, stiff with blood, would not move, Wither got a knife from the ante-room and ripped it. In the end, the three men stood naked before the Head—gaunt, big-boned Straik, Filostrato a wobbling mountain of fat, Wither an obscene senility. Then the high ridge of terror from which Filostrato was never again to descend, was reached; for what he thought impossible began to happen. No one had read the dials, adjusted the pressures, or turned on the air and the artificial saliva. Yet words came out of the dry gaping mouth of the dead man’s head. “Adore!” it said.
Filostrato felt his companions forcing his body forwards, then up again, then forwards and downwards a second time. He was compelled to bob up and down in rhythmic obeisance, the others meanwhile doing the same. Almost the last thing he saw on earth was the skinny folds on Wither’s neck shaking like the wattles of a turkey-cock. Almost the last thing he heard was Wither beginning to chant. Then Straik joined in. Then, horribly, he found he was singing himself—
“Ouroborindra!
Ouroborindra!
Ouroborindra ba-ba-hee!”
But not for long. “Another,” said the voice, “give me another head.” Filostrato knew at once why they were forcing him to a certain place in the wall. He had devised it all himself. In the wall that separated the Head’s room from the ante-chamber there was a little shutter. When drawn back it revealed a window in the wall, and a sash to that window which could fall quickly and heavily. But the sash was a knife. The little guillotine had not been meant to be used like this! They were going to murder him uselessly, unscientifically! If he were doing it to one of them, all would have been different; everything would have been prepared weeks beforehand—the temperature of both rooms exactly right, the blade sterilised, the attachments all ready to be made almost before the head was severed. He had even calculated what changes the terror of the victim would probably make in his blood-pressure: the artificial blood-stream would be arranged accordingly, so as to take over its work with the least possible breach of continuity. His last thought was that he had underestimated the terror.
The two initiates, red from top to toe, gazed at each other, breathing heavily. Almost before the fat dead legs and buttocks of the Italian had ceased quivering, they were driven to begin the ritual again—
“Ouroborindra!
Ouroborindra!
Ouroborindra ba-ba-hee!”
The same thought struck both of them at one moment—“It will ask for another.” And Straik remembered that Wither had that knife. He wrenched himself free from the rhythm with a frightful effort: claws seemed to be tearing his chest from inside. Wither saw what he meant to do. As Straik bolted, Wither was already after him. Straik reached the ante-room, slipped in Filostrato’s blood. Wither slashed repeatedly with his knife. He had not strength to cut through the neck, but he had killed the man. He stood up, pains gnawing at his old man’s heart. Then he saw the Italian’s head lying on the floor. It seemed to him good to pick it up and carry it into the inner room: show it to the original Head. He did so. Then he realised that something was moving in the ante-room. Could it be that they had not shut the outer door? He could not remember. They had come in, forcing Filostrato along between them: it was possible . . . everything had been so abnormal. He put down his burden—carefully, almost courteously, even now—and stepped towards the door between the two rooms. Next moment he drew back. A great bear, rising to its hind legs as he came in sight of it, had met him in the doorway—its mouth open, its eyes flaming, its forepaws spread out as if for an embrace. Was this what Straik had become? He knew (though even now he could not