The Double Garden. Maurice Maeterlinck
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It is allowable in certain countries, in England, for instance. There the science of boxing forms part of the elementary education and its general practice tends in a curious way to remove natural inequalities; moreover, a whole organism of clubs, paternal juries and tribunals easy of access confirms or forestalls its exploits. But in France it would be a pity to return to it. The sword, which has there replaced it since immemorial days, is an incomparably more sensitive, serious, graceful and delicate instrument of justice. It is reproached with being neither equitable nor probative. But it proves first of all the quality of our attitude in the face of danger; and that already is a proof which is not without its value. For our attitude in the face of danger is exactly our attitude in the face of the reproaches or encouragements of the various consciences that lie hidden within us, of those which are both below and above our intelligible conscience and which mingle with the essential and, so to speak, universal elements of our being. Next, it depends only upon ourselves that it should become as equitable as any human instrument, ever subject to chance, error and weakness, can be. Its art is certainly accessible to every healthy man. It demands neither abnormal muscular strength nor exceptional agility. The least gifted of us need devote to it no more than two or three hours of every week. He will acquire a suppleness and a precision sufficient soon to discover what the astronomers call his "personal equation," to attain his individual average, which is at the same time a general average that only a few fire-eaters, a few idlers succeed in surpassing, at the cost of long, painful and very ungrateful efforts.
VI
Having attained this average, we can entrust our lives to the point of the frail but formidable sword. It is the magician that at once establishes new relations between two forces which none would have dreamt of comparing. It allows the pigmy who is in the right to confront the colossus who is in the wrong. It gracefully leads enormous violence, horned like the bull, to lighter and brighter summits; and behold, the primitive animal is obliged to stand still before a power that has nothing left in common with the mean, shapeless, tyrannical virtues of earth: I mean weight, mass, quantity, the stupid cohesion of matter. Between the sword and the fist lie the breadth of a universe, an ocean of centuries and almost as great a distance as separates beast from man. The sword is iron and wit, steel and intelligence. It makes the muscles subservient to thought and compels thought to respect the muscles that serve it. It is ideal and practical, chimerical and full of good sense. It is dazzling and clear as lightning, insinuating, elusive and multiform as a ray of the sun or moon. It is faithful and capricious, nobly guileful, loyally false. It decks rancour and hatred with a smile. It transfigures brutality. Thanks to the sword, reason, courage, rightful assurance, patience, contempt of danger, man's sacrifice to love, to an idea, a whole moral world, in short, as by a fairy bridge swung over the abyss of darkness, enters as the master into the original chaos, reduces and organizes it. The sword is man's pre-eminent weapon, that weapon which, were all the others tried and itself unknown, would have to be invented, because it best serves his most various, his most purely human faculties and because it is the most direct, the most tractable and the most loyal instrument of his defensive intelligence, strength and justice.
VII
But what is most admirable is that its decisions are not mechanical nor mathematically pre-established. In this it resembles those pastimes in which chance and knowledge are marvellously mingled in order to question our fortune: pastimes almost mystical and always enthralling, in which man delights to sound his luck on the confines of his existence.
Bring face to face two adversaries of manifestly unequal powers: it is not inevitable, it is not even certain that the more vigorous and the more skilful will gain the day over the other. Once that we have conquered our personal mastership, our sword becomes ourself, with our qualities and our defects. It is our firmness, our devotion, our will, our daring, our conviction, our justice, our hesitation, our impatience, our fear. We have cultivated it with care. We have risen to the height of the possibilities which it was able to offer us. We have given it all that we were able to dispose of; it restores to us integrally all that we entrusted to it. We have nothing wherewith to reproach ourselves; we are in accord with the instinct and duty of self-preservation. But the sword represents something more, and exactly that part of us which we are compelled to risk at the graver moments of existence. It personifies an unknown portion of our being and personifies it in the most favourable and solemn conjuncture that man can imagine wherein to call upon his destiny, that is to say, in circumstances in which the mysterious entity that lives within him is directly seconded by all the faculties subjected to his consciousness.
It thus brings face to face not only two forces, two intelligences and two liberties, but also two chances, two fortunes, two mysteries, two destinies, which, over and above the rest, like the gods of Homer, preside over the combat, run, flash, dart and meet upon its blade. When it seems to be striking before us in space, it is really knocking at the doors of our fate; and, while death hovers around it, he who handles it feels that it is escaping from its previous bondage and suddenly obeying other laws than those which used to guide it in the fencing-school. It fulfils a secret mission; before pronouncing sentence, it judges us; or rather, by the mere fact that we are wielding it distractedly in the presence of the great and formidable enigma, it forces our destiny to judge ourselves.
DEATH AND THE CROWN
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