Bulfinch's Mythology. Bulfinch Thomas

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Bulfinch's Mythology - Bulfinch Thomas

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      Thetis, the daughter of Nereus and Doris, was so beautiful that Jupiter himself sought her in marriage; but having learned from Prometheus the Titan that Thetis should bear a son who should grow greater than his father, Jupiter desisted from his suit and decreed that Thetis should be the wife of a mortal. By the aid of Chiron the Centaur, Peleus succeeded in winning the goddess for his bride and their son was the renowned Achilles. In our chapter on the Trojan war it will appear that Thetis was a faithful mother to him, aiding him in all difficulties, and watching over his interests from the first to the last.

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      Ino, the daughter of Cadmus and wife of Athamas, flying from her frantic husband with her little son Melicertes in her arms, sprang from a cliff into the sea. The gods, out of compassion, made her a goddess of the sea, under the name of Leucothea, and him a god, under that of Palæmon. Both were held powerful to save from shipwreck and were invoked by sailors. Palæmon was usually represented riding on a dolphin. The Isthmian games were celebrated in his honor. He was called Portunus by the Romans, and believed to have jurisdiction of the ports and shores.

      Milton alludes to all these deities in the song at the conclusion of “Comus”:

      “… Sabrina fair,

      Listen and appear to us,

      In name of great Oceanus;

      By the earth-shaking Neptune’s mace,

      And Tethys’ grave, majestic pace,

      By hoary Nereus’ wrinkled look,

      And the Carpathian wizard’s hook,[20]

      By scaly Triton’s winding shell,

      And old soothsaying Glaucus’ spell,

      By Leucothea’s lovely hands,

      And her son who rules the strands.

      By Thetis’ tinsel-slippered feet,

      And the songs of Sirens sweet;” etc.

      Armstrong, the poet of the “Art of preserving Health,” under the inspiration of Hygeia, the goddess of health, thus celebrates the Naiads. Pæon is a name both of Apollo and Æsculapius.

      

      “Come, ye Naiads! to the fountains lead!

      Propitious maids! the task remains to sing

      Your gifts (so Pæon, so the powers of Health

      Command), to praise your crystal element.

      O comfortable streams! with eager lips

      And trembling hands the languid thirsty quaff

      New life in you; fresh vigor fills their veins.

      No warmer cups the rural ages knew,

      None warmer sought the sires of humankind;

      Happy in temperate peace their equal days

      Felt not the alternate fits of feverish mirth

      And sick dejection; still serene and pleased,

      Blessed with divine immunity from ills,

      Long centuries they lived; their only fate

      Was ripe old age, and rather sleep than death.”

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      By this name the Latins designated the Muses, but included under it also some other deities, principally nymphs of fountains. Egeria was one of them, whose fountain and grotto are still shown. It was said that Numa, the second king of Rome, was favored by this nymph with secret interviews, in which she taught him those lessons of wisdom and of law which he imbodied in the institutions of his rising nation. After the death of Numa the nymph pined away and was changed into a fountain.

      Byron, in “Childe Harold,” Canto IV., thus alludes to Egeria and her grotto:

      “Here didst thou dwell, in this enchanted cover,

      Egeria! all thy heavenly bosom beating

      For the far footsteps of thy mortal lover;

      The purple midnight veiled that mystic meeting

      With her most starry canopy;” etc.

      Tennyson, also, in his “Palace of Art,” gives us a glimpse of the royal lover expecting the interview:

      “Holding one hand against his ear,

      To list a footfall ere he saw

      The wood-nymph, stayed the Tuscan king to hear

      Of wisdom and of law.”

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      When so many less active agencies were personified, it is not to be supposed that the winds failed to be so. They were Boreas or Aquilo, the north wind; Zephyrus or Favonius, the west; Notus or Auster, the south; and Eurus, the east. The first two have been chiefly celebrated by the poets, the former as the type of rudeness, the latter of gentleness. Boreas loved the nymph Orithyia, and tried to play the lover’s part, but met with poor success. It was hard for him to breathe gently, and sighing was out of the question. Weary at last of fruitless endeavors, he acted out his true character, seized the maiden and carried her off. Their children were Zetes and Calais, winged warriors, who accompanied the Argonautic expedition, and did good service in an encounter with those monstrous birds the Harpies.

      Zephyrus was the lover of Flora. Milton alludes to them in “Paradise Lost,” where he describes Adam waking and contemplating Eve still asleep.

      “… He on his side

      Leaning half raised, with looks of cordial love,

      Hung over her enamored, and beheld

      Beauty which, whether waking or asleep,

      Shot forth peculiar graces; then with voice,

      Mild as when Zephyrus on Flora breathes,

      Her hand soft touching, whispered thus: ‘Awake!

      My

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