spoke: “You receive the merited reward of your deeds, by which Eurydice met her death, for in flying from you she trod upon a serpent, of whose bite she died. To avenge her death, the nymphs, her companions, have sent this destruction to your bees. You have to appease their anger, and thus it must be done: Select four bulls, of perfect form and size, and four cows of equal beauty, build four altars to the nymphs, and sacrifice the animals, leaving their carcasses in the leafy grove. To Orpheus and Eurydice you shall pay such funeral honors as may allay their resentment. Returning after nine days, you will examine the bodies of the cattle slain and see what will befall.” Aristæus faithfully obeyed these directions. He sacrificed the cattle, he left their bodies in the grove, he offered funeral honors to the shades of Orpheus and Eurydice; then returning on the ninth day he examined the bodies of the animals, and, wonderful to relate! a swarm of bees had taken possession of one of the carcasses and were pursuing their labors there as in a hive.
In “The Task,” Cowper alludes to the story of Aristæus, when speaking of the ice-palace built by the Empress Anne of Russia. He has been describing the fantastic forms which ice assumes in connection with waterfalls, etc.:
“Less worthy of applause though more admired
Because a novelty, the work of man,
Imperial mistress of the fur-clad Russ,
Thy most magnificent and mighty freak,
The wonder of the north. No forest fell
When thou wouldst build, no quarry sent its stores
T’ enrich thy walls; but thou didst hew the floods
And make thy marble of the glassy wave.
In such a palace Aristæus found
Cyrene, when he bore the plaintive tale
Of his lost bees to her maternal ear.”
Milton also appears to have had Cyrene and her domestic scene in his mind when he describes to us Sabrina, the nymph of the river Severn, in the Guardian-spirit’s Song in “Comus”:
“Sabrina fair!
Listen where thou art sitting
Under the glassy, cool, translucent wave
In twisted braids of lilies knitting
The loose train of thy amber-dropping hair;
Listen for dear honor’s sake,
Goddess of the silver lake!
Listen and save.”
The following are other celebrated mythical poets and musicians, some of whom were hardly inferior to Orpheus himself:
AMPHION
Amphion was the son of Jupiter and Antiope, queen of Thebes. With his twin brother Zethus he was exposed at birth on Mount Cithæron, where they grew up among the shepherds, not knowing their parentage. Mercury gave Amphion a lyre and taught him to play upon it, and his brother occupied himself in hunting and tending the flocks. Meanwhile Antiope, their mother, who had been treated with great cruelty by Lycus, the usurping king of Thebes, and by Dirce, his wife, found means to inform her children of their rights and to summon them to her assistance. With a band of their fellow-herdsmen they attacked and slew Lycus, and tying Dirce by the hair of her head to a bull, let him drag her till she was dead. Amphion, having become king of Thebes, fortified the city with a wall. It is said that when he played on his lyre the stones moved of their own accord and took their places in the wall.
See Tennyson’s poem of “Amphion” for an amusing use made of this story.
LINUS
Linus was the instructor of Hercules in music, but having one day reproved his pupil rather harshly, he roused the anger of Hercules, who struck him with his lyre and killed him.
THAMYRIS
An ancient Thracian bard, who in his presumption challenged the Muses to a trial of skill, and being overcome in the contest, was deprived by them of his sight. Milton alludes to him with other blind bards, when speaking of his own blindness, “Paradise Lost,” Book III., 35.
MARSYAS
Minerva invented the flute, and played upon it to the delight of all the celestial auditors; but the mischievous urchin Cupid having dared to laugh at the queer face which the goddess made while playing, Minerva threw the instrument indignantly away, and it fell down to earth, and was found by Marsyas. He blew upon it, and drew from it such ravishing sounds that he was tempted to challenge Apollo himself to a musical contest. The god of course triumphed, and punished Marsyas by flaying him alive.
MELAMPUS
Melampus was the first mortal endowed with prophetic powers. Before his house there stood an oak tree containing a serpent’s nest. The old serpents were killed by the servants, but Melampus took care of the young ones and fed them carefully. One day when he was asleep under the oak the serpents licked his ears with their tongues. On awaking he was astonished to find that he now understood the language of birds and creeping things. This knowledge enabled him to foretell future events, and he became a renowned soothsayer. At one time his enemies took him captive and kept him strictly imprisoned. Melampus in the silence of the night heard the woodworms in the timbers talking together, and found out by what they said that the timbers were nearly eaten through and the roof would soon fall in. He told his captors and demanded to be let out, warning them also. They took his warning, and thus escaped destruction, and rewarded Melampus and held him in high honor.
MUSÆUS
A semi-mythological personage who was represented by one tradition to be the son of Orpheus. He is said to have written sacred poems and oracles. Milton couples his name with that of Orpheus in his “Il Penseroso”:
“But O, sad virgin, that thy power
Might raise Musæus from his bower,
Or bid the soul of Orpheus sing
Such notes as warbled to the string,
Drew
