of this character were observed in course of construction at the extreme end of the Bredgade. There is no very poor or squalid district in the town, and one looks in vain for such wretched hovels as disfigure so many European cities.
The Palace of Rosenborg with its superb gardens, noble avenues of chestnut trees, and graceful shrubbery is situated near the present centre of the city. It was once a royal residence, having been built by Christian IV. as a dwelling-place, whither he might retire at will from the noise and interruptions of the capital. At the time of its erection in 1604 it was outside the walls, a radius which the modern city has long since outgrown. The room in which the King died in 1648 is shown to visitors, and recalled to us the small apartment in which Philip II. died at the Escurial, near Madrid. Among the few paintings upon the walls of this apartment is one representing the King upon his death-bed, as he lay in his last long sleep. The palace is now devoted to a chronological collection of the belongings of the Danish kings, spacious apartments being devoted to souvenirs of each, decorated in the style of the period and containing a portion of the original furniture from the several royal residences, as well as the family portraits, gala-costumes, jewelry, plate, and weapons. Altogether it is a collection of priceless value and of remarkable historic interest, covering a period of about four hundred and fifty years. One is forcibly reminded of the Green Vaults of Dresden while passing through the many sections of Rosenborg Castle. The extraordinary and valuable collection within its walls has, it is believed, no superior in point of interest in all Europe. The founder of this museum was Frederick III., the son and successor of Christian IV. Some of the cabinets and other articles of furniture in the various halls and rooms are marvellous works of art, inlaid with ivory and mother-of-pearl, representing birds, flowers, landscapes, and domestic scenes with all the finished effect of oil paintings by a master-hand. In the cabinets and tables secret drawers are exposed to view by the touching of hidden springs. While some tables are formed of solid silver, as are also other articles of domestic use, still others are composed of both gold and silver. Many of the royal regalias are profusely inlaid with diamonds, sapphires, emeralds, rubies, and other precious stones—forming an aggregated value too large for us to venture an estimate. The toilet sets were numerous, and had belonged to the several queens, each embracing eight or ten finely wrought pieces made of solid gold, superbly inlaid with precious stones. Among these costly sets was observed the jewelled casket of Queen Sophia Amalie, wife of Frederick III., a relic of great interest, inlaid with scores of large diamonds. The costly and very beautiful bridal dresses of several royal personages are here exhibited, all being carefully and chronologically arranged, so that the intelligent visitor clearly reads veritable history amid this array of domestic treasures.
It is difficult to designate the order of architecture to which the Rosenborg Palace belongs, though it is clearly enough in the showy renaissance of the seventeenth century. It is attributed to the famous architect Inigo Jones. In the spacious grounds is a fine monument erected to the memory of Hans Christian Andersen, the Danish poet and author, whose popular tales are the delight not only of all Scandinavian children, but of those of larger growth, being full of acute observation and profound views under a simple and familiar guise. At the foot of this statue, as we passed by, there stood a group of young children, to whom one evidently their teacher was explaining its purport. A school of gardening is also established here, with extensive conservatories and hot-houses. These grounds are called the Kindergarten of the city, being so universally the resort of infancy and childhood during the long summer days, but are officially known as Kongen's Have (King's Garden).
Close to the Rosenborg Palace is the Astronomical Observatory, in the grounds of which is a monument to the astronomer Tycho Brahe, who died in 1610. This monument was unveiled on the 8th day of August, 1876, just three hundred years after the founding of Brahe's famous observatory on the Island of Hveen, where he discovered on the 1st of November, 1572, the Cassiopeia, which is best known as Tycho Brahe's star. "Only Venus at her brightest surpasses this new star," wrote the enthusiastic astronomer. Science, however, has since shown that it was no new star, but one that shines with great lustre for a few months once in a period of three hundred years. One sunny afternoon the author took a trip up the Sound to Hveen, familiarly known as Tycho Brahe's Island, and which was presented to Tycho by the King of Denmark. The foundation in ruins is all that remains of the famous castle which the somewhat vain astronomer built here, and to which he gave the name of Uraniborg ("Castle of the Heavens."). This man was a strange compound of science and superstition; he was a poet of no ordinary power, and was courted by many of the eminent men of his day. James VI. of Scotland was at times his guest at Hveen. He was well connected, but mortally offended his relatives by marrying an humble peasant girl of Amager.
The most interesting Christian temple in the capital is that of Our Lady's Church, being also the oldest and best endowed. It was founded early in the twelfth century, and is in the Greco-Roman style; but its greatest attraction is the possession of some of Thorwaldsen's finest sculpture. The sad-fated Caroline Matilda was married with great ceremony in this church, in 1766, to her cousin Christian VII. Outside of the church are two statues in bronze—one of David by Jerichau, and one of Moses by Bissen. The King's Square already spoken of is situated very near the actual centre of the city, whence radiates a dozen more or less of the principal streets, of which the Bredgade (Broad Street) is one. In the middle of this area there is a statue of Christian V. surrounded by grotesque, allegorical figures. The material of the statue is lead, the whole forming a colossal caricature upon art, entirely unworthy of its present situation. There is a friendly collection of tall shrubbery clustered about the leaden statue, forming a partial screen. The spacious square, or circus as it would be called in London, or piazza in Rome, is bordered by several public buildings, mingled with tall narrow dwellings, characterized by fantastic gables and long sloping roofs full of little dormer windows. The Royal Theatre, the Academy of Arts, Count Moltke's picture gallery, and some hotels centre here.
The Round Tower of Copenhagen has been pronounced one of the most remarkable buildings in the world. It is certainly very peculiar, designed as a sort of annex to the Church of the Holy Trinity. Formerly it served as an astronomical observatory; and it is an observatory still, since it affords one of the best and most comprehensive views that can be had of the low-lying capital. The tower consists of two hollow cylinders, and between them a spiral, gradually-inclined foot-way leads from base to summit, somewhat similar to the grand Campanile in the piazza of St. Mark, Venice. It is quite safe for a horse and vehicle to ascend; indeed, this performance is said to have been achieved by the Empress Catherine, and it is also recorded that Peter the Great accomplished the same feat on horseback in 1707. From the top of the Round Tower the red-tiled roofs of the city lie spread out beneath the eye of the visitor, mingled with green parks, open squares, tall slim steeples, broad canals, public buildings, long boulevards, palaces, and gardens. To this aspect is added the multitude of shipping lying along the piers and grouped in the harbor, backed by a view of the open sea. The Swedish coast across the Baltic is represented by a low range of coast-line losing itself upon the distant horizon. Turning the eyes inland, there are seen thick groves of dark woods and richly cultivated fields, sprinkled here and there by the half-awkward but picturesque and wide-armed wind-mills in lazy motion. The bird's-eye view obtained of Copenhagen and surroundings from this eyrie is one to be long and vividly remembered.
The environs within eight or ten miles of the city are rather sparsely inhabited, though there are many delightful villas to be seen here and there. Everything is scrupulously neat; human and animal life appears at its best. The whole of the island, from one end to the other, is interspersed with thrifty farms, and no dwellings, barns, or other farm buildings are so humble but that the walls are kept of snowy brightness with whitewash, while all are surrounded by well-kept shrubbery, birches, and flower-plats. The peasant girls seen at work in large numbers in the field are smiling, ruddy, and stout; the men are of low stature, but hale and hearty. We were informed that the nominal increase of the population is so small as to be hardly recognizable, being but about one per cent per annum, and—singular fact—that suicide is more prevalent in Denmark than in any other portion of Europe. Emigration from this country is far less in proportion than from Norway and Sweden, but yet amounts to a respectable aggregate annually. Some of the birch and linden woods not far from the city form beautiful and picturesque
