The Freelands. John Galsworthy
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“You don't remember me, I'm afraid!” The boy shook his head. Wonderful eyes he had! But the girl put out her hand.
“Of course, Derek; it's Uncle Felix.”
They both smiled now, the girl friendly, the boy rather drawn back into himself. And feeling strangely small and ill at ease, Felix murmured:
“I'm going to see your father. Can I give you a lift home?”
The answer came as he expected:
“No, thanks.” Then, as if to tone it down, the girl added:
“We've got something to do first. You'll find him in the orchard.”
She had a ringing voice, full of warmth. Lifting his hat, Felix passed on. They WERE a couple! Strange, attractive, almost frightening. Kirsteen had brought his brother a formidable little brood.
Arriving at the cottage, he went up its mossy stones and through the wicket gate. There was little change, indeed, since the days of Clara's visit, save that the beehives had been moved farther out. Nor did any one answer his knock; and mindful of the girl's words, “You'll find him in the orchard,” he made his way out among the trees. The grass was long and starred with petals. Felix wandered over it among bees busy with the apple-blossom. At the very end he came on his brother, cutting down a pear-tree. Tod was in shirt-sleeves, his brown arms bare almost to the shoulders. How tremendous the fellow was! What resounding and terrific blows he was dealing! Down came the tree, and Tod drew his arm across his brow. This great, burnt, curly-headed fellow was more splendid to look upon than even Felix had remembered, and so well built that not a movement of his limbs was heavy. His cheek-bones were very broad and high; his brows thick and rather darker than his bright hair, so that his deep-set, very blue eyes seemed to look out of a thicket; his level white teeth gleamed from under his tawny moustache, and his brown, unshaven cheeks and jaw seemed covered with gold powder. Catching sight of Felix, he came forward.
“Fancy,” he said, “old Gladstone spending his leisure cutting down trees—of all melancholy jobs!”
Felix did not quite know what to answer, so he put his arm within his brother's. Tod drew him toward the tree.
“Sit down!” he said. Then, looking sorrowfully at the pear-tree, he murmured:
“Seventy years—and down in seven minutes. Now we shall burn it. Well, it had to go. This is the third year it's had no blossom.”
His speech was slow, like that of a man accustomed to think aloud. Felix admired him askance. “I might live next door,” he thought, “for all the notice he's taken of my turning up!”
“I came over in Stanley's car,” he said. “Met your two coming along—fine couple they are!”
“Ah!” said Tod. And there was something in the way he said it that was more than a mere declaration of pride or of affection. Then he looked at Felix.
“What have you come for, old man?”
Felix smiled. Quaint way to put it!
“For a talk.”
“Ah!” said Tod, and he whistled.
A largish, well-made dog with a sleek black coat, white underneath, and a black tail white-tipped, came running up, and stood before Tod, with its head rather to one side and its yellow-brown eyes saying: 'I simply must get at what you're thinking, you know.'
“Go and tell your mistress to come—Mistress!”
The dog moved his tail, lowered it, and went off.
“A gypsy gave him to me,” said Tod; “best dog that ever lived.”
“Every one thinks that of his own dog, old man.”
“Yes,” said Tod; “but this IS.”
“He looks intelligent.”
“He's got a soul,” said Tod. “The gypsy said he didn't steal him, but he did.”
“Do you always know when people aren't speaking the truth, then?”
“Yes.”
At such a monstrous remark from any other man, Felix would have smiled; but seeing it was Tod, he only asked: “How?”
“People who aren't speaking the truth look you in the face and never move their eyes.”
“Some people do that when they are speaking the truth.”
“Yes; but when they aren't, you can see them struggling to keep their eyes straight. A dog avoids your eye when he's something to conceal; a man stares at you. Listen!”
Felix listened and heard nothing.
“A wren;” and, screwing up his lips, Tod emitted a sound: “Look!”
Felix saw on the branch of an apple-tree a tiny brown bird with a little beak sticking out and a little tail sticking up. And he thought: 'Tod's hopeless!'
“That fellow,” said Tod softly, “has got his nest there just behind us.” Again he emitted the sound. Felix saw the little bird move its head with a sort of infinite curiosity, and hop twice on the branch.
“I can't get the hen to do that,” Tod murmured.
Felix put his hand on his brother's arm—what an arm!
“Yes,” he said; “but look here, old man—I really want to talk to you.”
Tod shook his head. “Wait for her,” he said.
Felix waited. Tod was getting awfully eccentric, living this queer, out-of-the-way life with a cranky woman year after year; never reading anything, never seeing any one but tramps and animals and villagers. And yet, sitting there beside his eccentric brother on that fallen tree, he had an extraordinary sense of rest. It was, perhaps, but the beauty and sweetness of the day with its dappling sunlight brightening the apple-blossoms, the wind-flowers, the wood-sorrel, and in the blue sky above the fields those clouds so unimaginably white. All the tiny noises of the orchard, too, struck on his ear with a peculiar meaning, a strange fulness, as if he had never heard such sounds before. Tod, who was looking at the sky, said suddenly:
“Are you hungry?”
And Felix remembered that they never had any proper meals, but, when hungry, went to the kitchen, where a wood-fire was always burning, and either heated up coffee, and porridge that was already made, with boiled eggs and baked potatoes and apples, or devoured bread, cheese, jam, honey, cream, tomatoes, butter, nuts, and fruit, that were always set out there on a wooden table, under a muslin awning; he remembered, too, that they washed up their own bowls and spoons and plates, and, having finished, went outside and drew themselves a draught of water. Queer life, and deuced uncomfortable—almost Chinese in its reversal of everything that every one else was doing.
“No,”