He spoke in a low, almost reverential tone; for the spell of moonlight was on him, and the clear, soft voice of the singer, the novelty of her peculiar beauty, and the surpassing gracefulness of her motions, as she swayed gently to the music of the tones she produced, inspired him with a feeling of poetic deference. Through the partially open window came the lulling sound of a little trickling fountain in the garden, and the air was redolent of jasmine and orange-blossoms. On the pier-table was a little sleeping Cupid, from whose torch rose the fragrant incense of a nearly extinguished pastille. The pervasive spirit of beauty in the room, manifested in forms, colors, tones, and motions, affected the soul as perfume did the senses. The visitors felt they had stayed too long, and yet they lingered. Alfred examined the reclining Cupid, and praised the gracefulness of its outline.
"Cupid could never sleep here, nor would the flame of his torch ever go out," said Mr. Fitzgerald; "but it is time we were going out."
The young gentlemen exchanged parting salutations with their host and his daughters, and moved toward the door. But Mr. Fitzgerald paused on the threshold to say, "Please play us out with Mozart's 'Good Night.'"
"As organists play worshippers out of the church," added Mr. King.
Rosabella bowed compliance, and, as they crossed the outer threshold, they heard the most musical of voices singing Mozart's beautiful little melody, "Buona Notte, amato bene." The young men lingered near the piazza till the last sounds floated away, and then they walked forth in the moonlight—Fitzgerald repeating the air in a subdued whistle.
His first exclamation was, "Isn't that girl a Rose Royal?"
"She is, indeed," replied Mr. King; "and the younger sister is also extremely fascinating."
"Yes, I thought you seemed to think so," rejoined his companion.
"Which do you prefer?"
Shy of revealing his thoughts to a stranger, Mr. King replied that each of the sisters was so perfect in her way, the other would be wronged by preference.
"Yes, they are both rare gems of beauty," rejoined Fitzgerald. "If I were the Grand Bashaw, I would have them both in my harem."
The levity of the remark jarred on the feelings of his companion, who answered, in a grave, and somewhat cold tone, "I saw nothing in the manners of the young ladies to suggest such a disposition of them."
"Excuse me," said Fitzgerald, laughing. "I forgot you were from the land of Puritans. I meant no indignity to the young ladies, I assure you. But when one amuses himself with imagining the impossible, it is not worth while to be scrupulous about details. I am not the Grand Bashaw; and when I pronounced them fit for his harem, I merely meant a compliment to their superlative beauty. That Floracita is a mischievous little sprite. Did you ever see anything more roguish than her expression while she was singing 'Petit blanc, mon bon frčre'?"
"That mercurial little song excited my curiosity," replied Alfred.
"Pray what is its origin?"
"I think it likely it came from the French West Indies," said Fitzgerald. "It seems to be the love-song of a young negress, addressed to a white lover. Floracita may have learned it from her mother, who was half French, half Spanish. You doubtless observed the foreign sprinkling in their talk. They told me they never spoke English with their mother. Those who have seen her describe her as a wonderful creature, who danced like Taglioni and sang like Malibran, and was more beautiful than her daughter Rosabella. But the last part of the story is incredible. If she were half as handsome, no wonder Mr. Royal idolized her, as they say he did."
"Did he marry her in the French Islands?" inquired Alfred.
"They were not married," answered Fitzgerald. "Of course not, for she was a quadroon. But here are my lodgings, and I must bid you good night."
These careless parting words produced great disturbance in the spirit of Alfred King. He had heard of those quadroon connections, as one hears of foreign customs, without any realizing sense of their consequences. That his father's friend should be a partner in such an alliance, and that these two graceful and accomplished girls should by that circumstance be excluded from the society they would so greatly ornament, surprised and bewildered him. He recalled that tinge in Rosa's complexion, not golden, but like a faint, luminous reflection of gold, and that slight waviness in the glossy hair, which seemed to him so becoming. He could not make these peculiarities seem less beautiful to his imagination, now that he knew them as signs of her connection with a proscribed race. And that bewitching little Floracita, emerging into womanhood, with the auroral light of childhood still floating round her, she seemed like a beautiful Italian child, whose proper place was among fountains and statues and pictured forms of art. The skill of no Parisian coiffeur could produce a result so pleasing as the profusion of raven hair, that would roll itself into ringlets. Octoroons! He repeated the word to himself, but it did not disenchant him. It was merely something foreign and new to his experience, like Spanish or Italian beauty. Yet he felt painfully the false position in which they were placed by the unreasoning prejudice of society.
Though he had had a fatiguing day, when he entered his chamber he felt no inclination to sleep. As he slowly paced up and down the room, he thought to himself, "My good mother shares the prejudice. How could I introduce them to her?" Then, as if impatient with himself, he murmured, in a vexed tone, "Why should I think of introducing them to my mother? A few hours ago I didn't know of their existence."
He threw himself on the bed and tried to sleep; but memory was too busy with the scene of enchantment he had recently left. A catalpa-tree threw its shadow on the moon-lighted curtain. He began to count the wavering leaves, in hopes the monotonous occupation would induce slumber. After a while he forgot to count; and as his spirit hovered between the inner and the outer world, Floracita seemed to be dancing on the leaf shadows in manifold graceful evolutions. Then he was watching a little trickling fountain, and the falling drops were tones of "The Light of other Days." Anon he was wandering among flowers in the moonlight, and from afar some one was heard singing "Casta Diva." The memory of that voice,
"While slept the limbs and senses all,
Made everything seem musical."
Again and again the panorama of the preceding evening revolved through the halls of memory with every variety of fantastic change. A light laugh broke in upon the scenes of enchantment, with the words, "Of course not, for she was a quadroon." Then the plaintive melody of "Toll the bell" resounded in his ears; not afar off, but loud and clear, as if the singer were in the room. He woke with a start, and heard the vibrations of a cathedral bell subsiding into silence. It had struck but twice, but in his spiritual ear the sounds had been modulated through many tones. "Even thus strangely," thought he, "has that rich, sonorous voice struck into the dream of my life,"
Again he saw those large, lustrous eyes lowering their long-fringed veils under the ardent gaze of Gerald Fitzgerald. Again he thought of his mother, and sighed. At last a dreamless sleep stole over him, and both pleasure and pain were buried in deep oblivion.
CHAPTER II.
The sun was up before he woke. He rose hastily and ordered breakfast and a horse; for he had resolved the day before upon an early ride. A restless, undefined feeling led him in the same direction he had taken the preceding evening. He passed the house that would forevermore be a prominent feature in the landscape of his life. Vines were gently waving in the morning air between
