Suphis. Hence we can have no hesitation in identifying the Cheops and Chephren of Herodotus, the Chemmis and Kephren of Diodorus, with the first and second Saophis and Sufis of the lists, the Chufu and Chafra of the inscriptions; and the Mycerinus of Herodotus and Diodorus is beyond doubt the same as the Moscheres of Eratosthenes, the Mencheres of Manetho, and the Menkera of the sarcophagus in the third pyramid. In the national tradition of the Egyptians, as received by the Greeks, Cheops and Chephren were called brothers, and this is no doubt mainly due to the fact that the monuments of these two kings surpassed all the other pyramids, and were of nearly the same height and size. It is impossible that Cheops should have reigned fifty years, and his brother Chephren who succeeded him, fifty-six years, as Herodotus and Diodorus tell us—the inscription quoted above makes the same woman the favourite of the predecessor of Chufu, of Chufu, and Chafra also; even more impossible is it that the first Suphis should have reigned sixty-three years, and the second sixty-six, as given in the list of Manetho, if they were brothers; or that Mycerinus, whom Herodotus as well as Diodorus calls the son of Cheops, should have succeeded Chephren with a reign of sixty-three years, as Manetho tells us. Like their brotherhood, the wickedness of Cheops and Chephren is due to the popular legends of later times. The sight of the enormous structures forced on later generations the reflection what labour, what stupendous efforts must have been necessary for their erection. This reflection united with certain dim memories, and gathered round the rule of the strangers, the shepherd-tribes, which for a long time afflicted Egypt, as is clear enough from a trait in the narrative of Herodotus. He assures us that the Egyptians could scarcely be induced to mention the names of the kings who built the great pyramids: they spoke of them as the works of the shepherd Philitis.[149] In the eyes of the Egyptians of the olden time, tombs would never have appeared to be works of impiety and wickedness, realising as they did in such an extraordinary degree the object most eagerly desired, a secure and indestructible resting-place for the dead: with them they would rather pass as works of singular piety. Without doubt it is the older tradition, that of the priests, which meets us in the observation appended in the list of Manetho and the excerpt of Africanus to the first Suphis, and in the excerpt of Eusebius, both in the Greek text and Armenian translation, to the second Suphis, in which we are told that this king had composed a sacred book, and the Egyptians regarded it as a very great treasure.
According to the inscription, Chufu had erected a temple to Isis by the side of the temple of the Sphinx, and therefore the latter temple must have been already in existence. And as a fact the ruins still found beside the great Sphinx give evidence of very ancient workmanship. There was a court, the ante-court of the temple, which surrounded a portico supported on twelve square pillars; next came a hall supported on monoliths, the temple itself, and finally the Holy of Holies, surrounded by small chambers. The material used in building was limestone and granite. The symbolic form of the deity, to whom the temple belonged, was the enormous Sphinx, 190 feet in length, hewn out of the rock, with the body of a lion and the head of a man. From the memorial stone before it we learn that it symbolized the god Harmachu (Armachis of the Greeks), i.e. Horus in Splendour (har-em-chu).[150] From the inscription on this stone, which dates from the time of Tuthmosis IV., it seems to follow that it was Chafra, who caused this shape to be hewn out of the rock and consecrated it to the god. Other inscriptions inform us that the pyramids were regarded as sepulchral temples, and that there were priests for the service of the princes who were buried there, and had attained to a divine nature, and these services were still in existence at the time of the Ptolemies. One of the tombs at Gizeh belongs to a priest, a relation of Chafra, whose duty it was to "honour the pyramid Uer (the Great) of king Chafra;" another is found at Sakkarah belonging to "a priest of Chufu, and Chafra."[151] On a monumental stone of the time of the Ptolemies (found in the Serapeum, and now in the Louvre) mention is made of the temple of Harmachu on the south of the house of Isis, and of a certain Psamtik, the prophet of Isis, of Osarhapi (p. 67), of Harmachu, of Chufu and Chafra.[152]
The temples of Osiris and Isis, near the three great pyramids, and the inscription on the sarcophagus of king Menkera are evidence that the cultus of Osiris, the belief in his rule in the next world, in the return of the soul to her divine origin, and her deification after death, was already in existence at the time when these monuments were erected. The use not of hieroglyphics only, but also of the hieratic alphabet, in red and black colours, in the pyramid of Chufu, and the graves around it, in the sculptures of which writing materials and rolls of papyrus are frequently engraved, the forms of domestic and household life, of agriculture and the cultivation of the vine, of hunting and fishing, preserved on the tombs of Gizeh, are evidence of the long existence and manifold development of civilisation, no less than those great monuments, or even the graves themselves with their artistic mode of construction, their severe and simple style of execution, and the pleasing forms of their ornaments. Of the seven statues of Chafra, discovered in the temple of the Sphinx, one, chiselled out of hard green and yellow basalt, has been preserved uninjured. The king is represented sitting, and naked, with the exception of a covering on the head and a girdle round the loins. The lower arms rest on the thighs, the left hand is outstretched, the right holds a fillet. The sides of the cube, on which Chafra is seated, are formed by lions, between the feet of which are stems of papyrus. On the high back of the chair, behind the head of the king, sits the hawk of Horus, whose wings are spread forwards in an attitude of protection. The execution of the statue of the king is a proof of long practice in sculpture. The natural form is truly and accurately rendered, and though even here Egyptian art displays its characteristic inclination to severity, and correctness in the proportions of the body, to repose and dignity, yet in the head there is an unmistakable attempt to individualize an outline already fixed—an attempt not without success. Still more distinctly individual are two statues found near the pyramids of Meidum, from the reign of the predecessor of Chufu, a wooden statue, and certain pictures in relief from the tombs near the great pyramids. The architecture, no less than the sculpture, of these most ancient monuments, displays a high degree of experience and a knowledge of the principles of art, a conscious purpose and effort existing together with a fixed obedience to rule.
We learnt from Diodorus that the great pyramids were erected 1,000, or, according to some, 3,400 years before his time. According to the list of Manetho, Cheops, Chephren, and Mycerinus belonged to the fourth dynasty. If we accept the incredible reigns of sixty-three, sixty-six, and again, sixty-three years, which Manetho allows to those three kings, they reigned over Egypt, according to Lepsius' dates, from the year 3095 B.C., to 2903 B.C.
At a period subsequent to these kings the list of Manetho speaks in the sixth dynasty of a king Phiops, who came to the throne as a child in his sixth year, and lived to be 100 years old. The list of Erastosthenes mentions a king Apappus, who reigned for 100 years. The monuments show us a king Pepi, in whom we recognise Phiops and Apappus, and in consequence a reign of ninety-five years is assigned to him (2654–2559 B.C.). Yet hitherto the sixteenth year is the highest found on the monuments for the reign of Pepi; and in the inscription on a tomb at Abydus, now in the museum at Cairo, a man of the name of Una declares that he had filled the highest offices in the kingdom under Teta, the predecessor of Pepi, under Pepi, and again under his successor, Merenra. If one person could be the minister of three successive rulers, it is clear that the second of these reigns could not have lasted 95 or 100 years. Under the reign of Pepi, as well as his immediate predecessors and successors, i.e., in the sixth dynasty of Manetho, the development of Egypt must have undergone a certain change. The kings, previous to this family, are represented on the monuments with a cap falling to one side, or with a tall head-dress; Pepi is represented on one relief with this head-dress, but on another with one of a lower shape. The tall white cap is the crown of Upper Egypt, the lower red one is the crown of Lower Egypt. It is no longer on the plateau of Memphis, and among the tombs there, but in Middle Egypt, near El Kab, and in the valley of Hamamat, which leads from Coptus to the Red Sea, that we find the monuments of Pepi and his race, and the tombs of their priests and magistrates are at Abydus. Under this dynasty, therefore, the central
