whence no traveller can ever hope to return, and still with gladness in her heart. But, as she went onward, “cold thoughts and dreadful fears” came to her.
“Better were it for me to hasten my journey to the shades,” she thought.
And when she came to an old grey tower, that seemed like an old man that Death has forgotten, she resolved to throw herself down from it, and thus swiftly to find herself at her journey’s end. But as she stood on the top of the tower, her arms outstretched, like a white butterfly that poises its wings for flight, a voice spoke in her ear.
“Oh, foolish one,” it said, “why dost thou strive to stay the hope that is not dead?” And while she held her breath, her great eyes wide open, the voice spoke on, and told her by what means she might speedily reach Hades and there find means to face with courage the King of Darkness himself and his fair wife, Proserpine.
All that she was bidden to do, Psyche did, and so at last did she come before the throne of Proserpine, and all that Psyche endured, all that she saw, all that through which she came with bleeding heart and yet with unscathed soul, cannot here be written.
To her Proserpine gave the box of precious ointment that Aphrodite described, and gladly she hastened homeward. Good, indeed, it was to her when again she reached the fair light of day. Yet, when she had won there, there came to Psyche a winged thought, that beat against the stern barriers of her mind like a little moth against a window.
“This ointment that I carry with me,” said Psyche to herself, “is an ointment that will bring back to those all faded by time, or worn by suffering, a beauty greater than any beauty that has joyed the Immortals!” And then she thought:
“For my beauty, Eros—Love—loved me; and now my beauty is worn and wasted and well-nigh gone. Were I to open this box and make use of the ointment of Proserpine, then indeed I should be fair enough to be the bride of him who, even now, believes that he loves me—of Eros whose love is my life!”
So it came to pass that she opened the fateful box. And out of it there came not Beauty, but Sleep, that put his gyves upon her limbs, and on her eyelids laid heavy fingers. And Psyche sank down by the wayside, the prisoner of Sleep.
But Eros, who had loved her ever, with a love that knew the ebb and flow of no tides, rose from his bed and went in search of her who had braved even the horrors of Hades for his dear sake. And by the wayside he found her, fettered by sleep. Her little oval face was white as a snowdrop. Like violets were her heavy eyelids, and underneath her sleeping eyes a violet shadow lay. Once had her mouth been as the bow of Eros, painted in carmine. Now either end of the bow was turned downwards, and its colour was that of a faded rose-leaf.
And as Eros looked at her that he loved, pity stirred his heart, as the wind sweeps through the sighing, grey leaves of the willow, or sings through the bowing reeds.
“My Belovèd!” he said, and he knew that Psyche was indeed his beloved. It was her fair soul that he loved, nor did it matter to him whether her body was like a rose in June or as a wind-scourged tree in December. And as his lips met hers, Psyche awoke, and heard his soft whisper:
“Dear, unclose thine eyes.
Thou mayst look on me now. I go no more,
But am thine own forever.”
Lewis Morris.
Then did there spring from the fair white shoulders of Psyche, wings of silver and of gold, and, hand in hand with Eros, she winged her way to Olympus.
And there all the deathless gods were assembled, and Aphrodite no longer looked upon her who had once been her slave with darkened brows, but smiled upon her as the sun smiles upon a new-born flower. And when into the hand of Psyche there was placed a cup of gold, the voice of the great Father and King of Olympus rang out loud and clear:
“Drink now, O beautiful, and have no fear!
For with this draught shalt thou be born again,
And live for ever free from care and pain.”
William Morris.
In this wise did Psyche, a human soul, attain by bitter suffering to the perfect happiness of purified love.
And still do we watch the butterfly, which is her emblem, bursting from its ugly tomb in the dark soil, and spreading joyous white and gold-powdered wings in the caressing sunshine, amidst the radiance and the fragrance of the summer flowers. Still, too, do we sadly watch her sister, the white moth, heedlessly rushing into pangs unutterable, thoughtlessly seeking the anguish that brings her a cruel death.
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