The Giant's Robe. F. Anstey

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The Giant's Robe - F. Anstey

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in them. Perhaps he was thinking that life might have been more cheerful for him if his wife Mary had lived, and he had had her and boys like that young Langton to meet him when his wearisome day was over, instead of being childless and a widower, and returning to the lonely, dingy house which he occupied as the incumbent of a musty church hard by.

      Whatever he thought of, he was too engaged to notice Mark, who followed him with his eyes as he slowly worked his way up the flight of stone steps which led to the street level. 'Shall I ever come to that?' he thought. 'If I stay here all my life, I may. Ah, there's Gilbertson—he can tell me about this Speech-day business.'

      Gilbertson was a fellow-master, and one of the committee for arranging the Speech-day entertainment. For the rest he was a nervously fussy little man, and met Mark with evident embarrassment.

      'Well, Gilbertson,' said Mark, as unconcernedly as he could, 'settled your programme yet?'

      'Er—oh yes, quite settled—quite, that is, not definitely as yet.'

      'And—my little production?'

      'Oh, ah, to be sure, yes, your little production. We all liked it very much—oh, exceedingly so—the Doctor especially—charmed with it, my dear Ashburn, charmed!'

      'Very glad to hear it,' said Mark, with a sudden thrill; 'and—and have you decided to take it, then?'

      'Well,' said Mr. Gilbertson, looking at the pavement all round him, 'you see, the fact is, the Doctor thought, and some of us thought so too, that a piece to be acted by boys should have a leetle more—eh? and not quite so much—so much of what yours has, and a few of those little natural touches, you know—but you see what I mean, don't you?'

      'It would be a capital piece with half that in it,' said Mark, trying to preserve his temper, 'but I could easily alter it, you know, Gilbertson.'

      'No, no,' said Gilbertson, eagerly, 'you mustn't think of it; you'd spoil it; we couldn't hear of it, and—and it won't be necessary to trouble you. Because, you see, the Doctor thought it was a little long, and not quite light enough; and not exactly the sort of thing we want, but we all admired it.'

      'But it won't do? Is that what you mean?'

      'Why—er—nothing definite at present. We are going to write you a letter about it. Good-bye, good-bye! Got a train to catch at Ludgate Hill.'

      And he bustled away, glad to escape, for he had not counted upon having to announce a rejection in person.

      Mark stood looking after him, with a slightly dazed feeling. That was over, then. He had written works which he felt persuaded had only to become known to bring him fame; but for all that it seemed that he was not considered worthy to entertain a Speech-night audience at a London public school.

      Hitherto Mark's life had contained more of failure than success. From St. Peter's he had gone to a crammer's to be prepared for the Indian Civil Service, and an easy pass had been anticipated for him even at the first trial. Unfortunately, however, his name came out low down on the list—a disaster which he felt must be wiped out at all hazards, and, happening to hear of an open scholarship that was to be competed for at a Cambridge college, he tried for it, and this time was successful. A well-to-do uncle, who had undertaken the expenses hitherto, was now induced to consent to the abandonment of the Civil Service in favour of a University career, and Mark entered upon it accordingly with fair prospects of distinction, if he read with even ordinary steadiness.

      This he had done during his first year, though he managed to get a fair share of enjoyment out of his life, but then something happened to change the whole current of his ambitions—he composed a college skit which brought him considerable local renown, and from that moment was sought as a contributor to sundry of those ephemeral undergraduate periodicals which, in their short life, are so universally reviled and so eagerly read.

      Mark's productions, imitative and crude as they necessarily were, had admirers who strengthened his own conviction that literature was his destiny; the tripos faded into the background, replaced by the more splendid vision of seeing an accepted article from his pen in a real London magazine; he gave frantic chase to the will o' the wisp of literary fame, which so many pursue all their lives in vain, fortunate if it comes at last to flicker for awhile over their graves.

      With Mark the results were what might have been expected: his papers in his second year examinations were so bad that he received a solemn warning that his scholarship was in some danger, though he was not actually deprived of it, and finally, instead of the good class his tutor had once expected, he took a low third, and left Cambridge in almost as bad a plight as Arthur Pendennis.

      Now he had found himself forced to accept a third-form mastership in his old school, where it seemed that, if he was no longer a disciple, he was scarcely a prophet.

      But all this had only fanned his ambition. He would show the world there was something in him still; and he began to send up articles to various London magazines, and to keep them going like a juggler's oranges, until his productions obtained a fair circulation, in manuscript.

      Now and then a paper of his did gain the honours of publication, so that his disease did not die out, as happens with some. He went on, writing whatever came into his head, and putting his ideas out in every variety of literary mould—from a blank-verse tragedy to a sonnet, and a three-volume novel to a society paragraph—with equal ardour and facility, and very little success.

      For he believed in himself implicitly. At present he was still before the outwork of prejudice which must be stormed by every conscript in the army of literature: that he would carry it eventually he did not doubt. But this disappointment about the committee hit him hard for a moment; it seemed like a forecast of a greater disaster. Mark, however, was of a sanguine temperament, and it did not take him long to remount his own pedestal. 'After all,' he thought, 'what does it matter? If my "Sweet Bells Jangled" is only taken, I shan't care about anything else. And there is some of my best work in that, too. I'll go round to Holroyd, and forget this business.'

       Table of Contents

      A LAST WALK.

      MARK turned in from Chancery Lane under the old gateway, and went to one of the staircase doorways with the old curly eighteenth-century numerals cut on the centre stone of the arch and painted black. The days of these picturesque old dark-red buildings, with their small-paned dusty windows, their turrets and angles, and other little architectural surprises and inconveniences, are already numbered. Soon the sharp outline of their old gables and chimneys will cut the sky no longer; but some unpractical persons will be found who, although (or it may be because) they did not occupy them, will see them fall with a pang, and remember them with a kindly regret.

      A gas jet was glimmering here and there behind the slits of dusty glass in the turret staircase as Mark came in, although it was scarcely dusk in the outer world; for Old Square is generally a little in advance in this respect. He passed the door laden with names and shining black plates announcing removals, till he came to an entrance on the second floor, where one of the names on a dingy ledge above the door was 'Mr. Vincent Holroyd.'

      If Mark had been hitherto a failure, Vincent Holroyd could not be pronounced a success. He had been, certainly, more distinguished at college; but after taking his degree, reading for the Bar, and being called, three years had passed in forced inactivity—not,

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