open-handed and just and generous. Ingratitude and meanness in his beneficiaries did not wear out his compassion; he bore the insult, and the next day his basket for the beggar, his horse and chaise for the cripple, were at their door." How like Goldsmith's good Dr. Primrose! I do not know any writing of Mr. Emerson which brings out more fully his sense of humor—of the picturesque in character—and as a piece of composition, continuous, fluid, transparent, with a playful ripple here and there, it is admirable and delightful.
Another of his early companionships must have exercised a still more powerful influence on his character—that of his aunt, Mary Moody Emerson. He gave an account of her in a paper read before the Woman's Club several years ago, and published in the "Atlantic Monthly" for December, 1883. Far more of Mr. Emerson is to be found in this aunt of his than in any other of his relations in the ascending series, with whose history we are acquainted. Her story is an interesting one, but for that I must refer the reader to the article mentioned. Her character and intellectual traits are what we are most concerned with. "Her early reading was Milton, Young, Akenside, Samuel Clarke, Jonathan Edwards, and always the Bible. Later, Plato, Plotinus, Marcus Antoninus, Stewart, Coleridge, Herder, Locke, Madam De Staël, Channing, Mackintosh, Byron. Nobody can read in her manuscript, or recall the conversation of old-school people, without seeing that Milton and Young had a religious authority in their minds, and nowise the slight merely entertaining quality of modern bards. And Plato, Aristotle, Plotinus—how venerable and organic as Nature they are in her mind!"
There are many sentences cited by Mr. Emerson which remind us very strongly of his own writings. Such a passage as the following might have come from his Essay, "Nature," but it was written when her nephew was only four years old.
"Malden, 1807, September.—The rapture of feeling I would part from for days devoted to higher discipline. But when Nature beams with such excess of beauty, when the heart thrills with hope in its Author—feels it is related to Him more than by any ties of creation—it exults, too fondly, perhaps, for a state of trial. But in dead of night, nearer morning, when the eastern stars glow, or appear to glow, with more indescribable lustre, a lustre which penetrates the spirits with wonder and curiosity—then, however awed, who can fear?"—"A few pulsations of created beings, a few successions of acts, a few lamps held out in the firmament, enable us to talk of Time, make epochs, write histories—to do more—to date the revelations of God to man. But these lamps are held to measure out some of the moments of eternity, to divide the history of God's operations in the birth and death of nations, of worlds. It is a goodly name for our notions of breathing, suffering, enjoying, acting. We personify it. We call it by every name of fleeting, dreaming, vaporing imagery. Yet it is nothing. We exist in eternity. Dissolve the body and the night is gone; the stars are extinguished, and we measure duration by the number of our thoughts, by the activity of reason, the discovery of truths, the acquirement of virtue, the approval of God."
Miss Mary Emerson showed something of the same feeling towards natural science which may be noted in her nephews Waldo and Charles. After speaking of "the poor old earth's chaotic state, brought so near in its long and gloomy transmutings by the geologist," she says:—
"Yet its youthful charms, as decked by the hand of Moses' Cosmogony, will linger about the heart, while Poetry succumbs to science."—"And the bare bones of this poor embryo earth may give the idea of the Infinite, far, far better than when dignified with arts and industry; its oceans, when beating the symbols of countless ages, than when covered with cargoes of war and oppression. How grand its preparation for souls, souls who were to feel the Divinity, before Science had dissected the emotions and applied its steely analysis to that state of being which recognizes neither psychology nor element."—"Usefulness, if it requires action, seems less like existence than the desire of being absorbed in God, retaining consciousness. … Scorn trifles, lift your aims; do what you are afraid to do. Sublimity of character must come from sublimity of motive."
So far as hereditary and family influences can account for the character and intellect of Ralph Waldo Emerson, we could hardly ask for a better inborn inheritance, or better counsels and examples.
* * * * *
Having traced some of the distinguishing traits which belong by descent to Mr. Emerson to those who were before him, it is interesting to note how far they showed themselves in those of his own generation, his brothers. Of these I will mention two, one of whom I knew personally.
Edward Bliss Emerson, who graduated at Harvard College in 1824, three years after Ralph Waldo, held the first place in his class. He began the study of the law with Daniel Webster, but overworked himself and suffered a temporary disturbance of his reason. After this he made another attempt, but found his health unequal to the task and exiled himself to Porto Rico, where, in 1834, he died. Two poems preserve his memory, one that of Ralph Waldo, in which he addresses his memory—
"Ah, brother of the brief but blazing star,"
the other his own "Last Farewell," written in 1832, whilst sailing out of Boston Harbor. The lines are unaffected and very touching, full of that deep affection which united the brothers in the closest intimacy, and of the tenderest love for the mother whom he was leaving to see no more.
I had in my early youth a key furnished me to some of the leading traits which were in due time to develop themselves in Emerson's character and intelligence. As on the wall of some great artist's studio one may find unfinished sketches which he recognizes as the first growing conceptions of pictures painted in after years, so we see that Nature often sketches, as it were, a living portrait, which she leaves in its rudimentary condition, perhaps for the reason that earth has no colors which can worthily fill in an outline too perfect for humanity. The sketch is left in its consummate incompleteness because this mortal life is not rich enough to carry out the Divine idea.
Such an unfinished but unmatched outline is that which I find in the long portrait-gallery of memory, recalled by the name of Charles Chauncy Emerson. Save for a few brief glimpses of another, almost lost among my life's early shadows, this youth was the most angelic adolescent my eyes ever beheld. Remembering what well-filtered blood it was that ran in the veins of the race from which he was descended, those who knew him in life might well say with Dryden—
"If by traduction came thy mind
Our wonder is the less to find
A soul so charming from a stock so good."
His image is with me in its immortal youth as when, almost fifty years ago, I spoke of him in these lines, which I may venture to quote from myself, since others have quoted them before me.
Thou calm, chaste scholar! I can see thee now,
The first young laurels on thy pallid brow,
O'er thy slight figure floating lightly down
In graceful folds the academic gown,
On thy curled lip the classic lines that taught
How nice the mind that sculptured them with thought,
And triumph glistening in the clear blue eye,
Too bright to live—but O, too fair to die.
Being about seven years younger than Waldo, he must have received much of his intellectual and moral guidance at his elder brother's hands. I told the story at a meeting of our Historical Society of Charles Emerson's coming into my study—this was probably in 1826 or 1827—taking up Hazlitt's "British Poets" and turning at once to a poem of Marvell's, which he read with his entrancing voice and manner. The influence of this poet is plain to every reader in some of Emerson's poems, and Charles' liking for him was very probably caught from Waldo. When Charles was nearly through college,
