Ralph Waldo Emerson. Oliver Wendell Holmes
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"Men and mind are my studies. I need no observatory high in air to aid my perceptions or enlarge my prospect. I do not want a costly apparatus to give pomp to my pursuit or to disguise its inutility. I do not desire to travel and see foreign lands and learn all knowledge and speak with all tongues, before I am prepared for my employment. I have merely to go out of my door; nay, I may stay at home at my chambers, and I shall have enough to do and enjoy."
The feeling of this sentence shows itself constantly in Emerson's poems. He finds his inspiration in the objects about him, the forest in which he walks; the sheet of water which the hermit of a couple of seasons made famous; the lazy Musketaquid; the titmouse that mocked his weakness in the bitter cold winter's day; the mountain that rose in the horizon; the lofty pines; the lowly flowers. All talked with him as brothers and sisters, and he with them as of his own household.
The same lofty idea of friendship which we find in the man in his maturity, we recognize in one of the Essays of the youth.
"All men of gifted intellect and fine genius," says Charles Emerson, "must entertain a noble idea of friendship. Our reverence we are constrained to yield where it is due—to rank, merit, talents. But our affections we give not thus easily.
'The hand of Douglas is his own.'"
—"I am willing to lose an hour in gossip with persons whom good men hold cheap. All this I will do out of regard to the decent conventions of polite life. But my friends I must know, and, knowing, I must love. There must be a daily beauty in their life that shall secure my constant attachment. I cannot stand upon the footing of ordinary acquaintance. Friendship is aristocratical—the affections which are prostituted to every suitor I will not accept."
Here are glimpses of what the youth was to be, of what the man who long outlived him became. Here is the dignity which commands reverence—a dignity which, with all Ralph Waldo Emerson's sweetness of manner and expression, rose almost to majesty in his serene presence. There was something about Charles Emerson which lifted those he was with into a lofty and pure region of thought and feeling. A vulgar soul stood abashed in his presence. I could never think of him in the presence of such, listening to a paltry sentiment or witnessing a mean action without recalling Milton's line,
"Back stepped those two fair angels half amazed,"
and thinking how he might well have been taken for a celestial messenger.
No doubt there is something of idealization in all these reminiscences, and of that exaggeration which belongs to the laudator temporis acti. But Charles Emerson was idolized in his own time by many in college and out of college. George Stillman Hillard was his rival. Neck and neck they ran the race for the enviable position of first scholar in the class of 1828, and when Hillard was announced as having the first part assigned to him, the excitement within the college walls, and to some extent outside of them, was like that when the telegraph proclaims the result of a Presidential election—or the Winner of the Derby. But Hillard honestly admired his brilliant rival. "Who has a part with **** at this next exhibition?" I asked him one day, as I met him in the college yard. "***** the Post," answered Hillard. "Why call him the Post?" said I. "He is a wooden creature," said Hillard. "Hear him and Charles Emerson translating from the Latin Domus tota inflammata erat. The Post will render the words, 'The whole house was on fire.' Charles Emerson will translate the sentence 'The entire edifice was wrapped in flames.'" It was natural enough that a young admirer should prefer the Bernini drapery of Charles Emerson's version to the simple nudity of "the Post's" rendering.
* * * * *
The nest is made ready long beforehand for the bird which is to be bred in it and to fly from it. The intellectual atmosphere into which a scholar is born, and from which he draws the breath of his early mental life, must be studied if we would hope to understand him thoroughly.
When the present century began, the elements, thrown into confusion by the long struggle for Independence, had not had time to arrange themselves in new combinations. The active intellects of the country had found enough to keep them busy in creating and organizing a new order of political and social life. Whatever purely literary talent existed was as yet in the nebular condition, a diffused luminous spot here and there, waiting to form centres of condensation.
Such a nebular spot had been brightening in and about Boston for a number of years, when, in the year 1804, a small cluster of names became visible as representing a modest constellation of literary luminaries: John Thornton Kirkland, afterwards President of Harvard University; Joseph Stevens Buckminster; John Sylvester John Gardiner; William Tudor; Samuel Cooper Thacher; William Emerson. These were the chief stars of the new cluster, and their light reached the world, or a small part of it, as reflected from the pages of "The Monthly Anthology," which very soon came under the editorship of the Reverend William Emerson.
The father of Ralph Waldo Emerson may be judged of in good measure by the associates with whom he was thus connected. A brief sketch of these friends and fellow-workers of his may not be out of place, for these men made the local sphere of thought into which Ralph Waldo Emerson was born.
John Thornton Kirkland should have been seen and heard as he is remembered by old graduates of Harvard, sitting in the ancient Presidential Chair, on Commencement Day, and calling in his penetrating but musical accents: "Expectatur Oratio in Lingua Latina" or "Vernacula," if the "First Scholar" was about to deliver the English oration. It was a presence not to be forgotten. His "shining morning face" was round as a baby's, and talked as pleasantly as his voice did, with smiles for accents and dimples for punctuation. Mr. Ticknor speaks of his sermons as "full of intellectual wealth and practical wisdom, with sometimes a quaintness that bordered on humor." It was of him that the story was always told—it may be as old as the invention of printing—that he threw his sermons into a barrel, where they went to pieces and got mixed up, and that when he was going to preach he fished out what he thought would be about enough for a sermon, and patched the leaves together as he best might. The Reverend Dr. Lowell says: "He always found the right piece, and that was better than almost any of his brethren could have found in what they had written with twice the labor." Mr. Cabot, who knew all Emerson's literary habits, says he used to fish out the number of leaves he wanted for a lecture in somewhat the same way. Emerson's father, however, was very methodical, according to Dr. Lowell, and had "a place for everything, and everything in its place." Dr. Kirkland left little to be remembered by, and like many of the most interesting personalities we have met with, has become a very thin ghost to the grandchildren of his contemporaries.
Joseph Stevens Buckminster was the pulpit darling of his day, in Boston. The beauty of his person, the perfection of his oratory, the finish of his style, added to the sweetness of his character, made him one of those living idols which seem to be as necessary to Protestantism as images and pictures are to Romanism.
John Sylvester John Gardiner, once a pupil of the famous Dr. Parr, was then the leading Episcopal clergyman of Boston. Him I reconstruct from scattered hints I have met with as a scholarly, social man, with a sanguine temperament and the cheerful ways of a wholesome English parson, blest with a good constitution and a comfortable benefice. Mild Orthodoxy, ripened in Unitarian sunshine, is a very agreeable aspect of Christianity, and none was readier than Dr. Gardiner, if the voice of tradition may be trusted, to fraternize with his brothers of the liberal persuasion, and to make common cause with them in all that related to the interests of learning.
William