The Whirlpool. George Gissing
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'Let me try to catch it on the violin,' she said when, with nodding head and waving arm, he had hummed again through his composition.
She succeeded in doing so, and Dymes raised his humming to a sentimental roar, and was vastly pleased with himself.
'I like to see you in a place like this,' he said. 'Looks more business-like—as if you really meant to do something. Do you live here alone?'
'With a friend.'
Something peculiar in Dymes's glance caused her to add, 'A German girl, an art student.' Whereat the musician nodded and smiled.
'And what's your idea? Come now, let's talk about it. I wonder whether I could be of any use to you—awfully glad if I could.'
Alma was abashed, stammered her vague projects, and reddened under the man's observant eye.
'Look here,' he cried, with his charming informality, 'didn't you use to sing? Somebody told me you had a pretty good voice.'
'Oh, that was long ago.'
'I wish you'd let me hear you.'
'No, no! I don't sing at all.'
'Pity, if it's true. I want to write a serio-comic opera, a new sort of thing, and it struck me you were just cut out for that kind of singing. You have the face and the—you know—the refinement; sort of thing not easy to find. It's a poor chance, I'm afraid, coming out as a violinist.'
Half inclined to resent his impertinence, yet subdued by the practical tone and air of superior knowledge, Alma kept a grave face. Dymes, crossing his legs, went on with talk of projects he had in view, all intended to be lucrative. He had capital; nothing great, just a comfortable sum which he was bent on using to the best advantage. His songs would presently be bringing him in a few hundreds a year—so he declared—and his idea of life was to get as much enjoyment as possible without working over-hard for it. The conversation lasted for a couple of hours, Dymes growing even more genial and confidential, his eyes seldom moving from Alma's face.
'Well,' he said at length, rising, 'it's very jolly to see you again, after all this time. I shall be staying here for a few days. You'll let me call tomorrow?'
At once glad and sorry to see him go, Alma laughingly gave the desired permission. When, that evening, she looked at her unfinished letter, it seemed such a miserable whine that she tore it up in annoyance. Dymes's visit had done her good; she felt, if not a renewal of hope, at all events the courage which comes of revived spirits.
The next day she awaited his arrival with a pleasant expectation. He entered humming an air—another new composition—which again she caught from him and played on the violin.
'Good, don't you think? I'm in great vein just now—always am in the spring, and when the weather's fine. I say, you're looking much better today—decidedly more fit. What do you do here for exercise? Do you go to the Englische Garten? Come now, will you? Let's have a drive.'
With sudden coldness Alma excused herself. The musician scrutinised her rapidly, bit his lip, and looked round to the window; but in a moment he had recovered his loud good humour.
'You'll hardly believe it, but it's the plain truth, that I came all this way just to see you. I hadn't thought of coming to Germany till I met Miss Leach and heard about you. Now I'm so far, I might as well go on into Italy, and make a round of it. I wish you were coming too.'
Alma made no reply. He scrutinised her as before, and his features worked as if with some emotion. Then, abruptly, he put a blunt question.
'Do you think people who go in for music, art, and that kind of thing, ought to marry?'
'I never thought about it at all,' Alma replied, with a careless laugh, striking a finger across the strings of the violin which she held on her lap.
'We're generally told they shouldn't,' pursued Dymes, in a voice which had lost its noisy confidence, and was a little uncertain. 'But it all depends, you know. If people mean by marriage the ordinary kind of thing—of course, that's the deuce. But it needn't be. Lots of people marry nowadays and live in a rational way—no house, or bother of that kind; just going about as they like, and having a pleasant, reasonable life. It's easy enough with a little money. Sometimes they're a good deal of help to each other; I know people who manage to be.'
'Oh, I dare say,' said Alma when he paused. 'It all depends, as you say. You're going on to Italy at once?'
Her half-veiled eyes seemed to conceal amusement, and there was good-humoured disdain in the setting of her lips. With audacity so incredible that it all but made her laugh, Dymes, not heeding her inquiry, jerked out the personal application of his abstract remarks. Yes, it was a proposal of marriage—marriage on the new plan, without cares or encumbrance; a suggestion rather than a petition; off-hand, unsentimental, yet perfectly serious, as look and tone proclaimed.
'There's much to be said for your views,' Alma replied, with humorous gravity, 'but I haven't the least intention of marrying.'
'Well, I've mentioned it.' He waved his hand as if to overcome an unwonted embarrassment. 'You don't mind?'
'Not a bit.'
'I hope we shall meet again before long, and—some day, you know—you may see the thing in another light. You mustn't think I'm joking.'
'But it is rather a joke.'
'No; I never was more in earnest about anything, believe me. And I'm convinced it's a good idea. However, you know one thing—if I can be of use to you, I shall. I'll think it over—your chances and so on; something may suggest itself. You're not cut out for everyday things.'
'I try to hope not.'
'Ah, but you can take my word for it.'
With this comforting assurance, Felix Dymes departed. No melodrama; a hand-grip, a significant nod, a loud humming as he went downstairs.
Alma presently began a new letter to Sibyl Carnaby. It was written in a cheery humour, though touched by the shadow of distressful circumstance. She told the story of Mr. Dymes's visit, and made merry over it. 'I am sure this is the very newest thing in "proposals". Though I live in such a dull, lonely way, it has made me feel that I am still in touch with civilisation. And really, if the worst come to the worst—but it's dangerous to joke about such things.' She touched lightly on the facts of her position. 'I'm afraid I have not been doing very much. Perhaps this is a fallow time with me; I may be gaining strength for great achievements. Unfortunately, I have a lazy companion. Miss Steinfeld (you know her from my last letter, if you got it) only pretends to work. I like her for her thorough goodness and her intelligence; but she is just a little melancholisch, and so not exactly the companion I need. Her idea just now is that we both need "change" and she wants me to go with her to Bregenz, on the Bodensee. Perhaps I shall when the weather gets hot.'
It had surprised her to be told by Felix Dymes that he obtained her address at Munich from Miss Leach, for the only person in England to whom she had yet made known her departure from Leipzig was her step-mother. Speak of her how they might, her acquaintances in London still took trouble to inform