movements. Perhaps the very completeness of the catastrophe in which she was involved told in her favour; possibly she excited much more interest than could ever have attached to her whilst her name was respected. There was new life in the thought. She wrote briefly to Dora Leach, giving an account of herself, which, though essentially misleading, was not composed in a spirit of conscious falsehood. For all her vanity, Alma had never aimed at effect by practice of deliberate insincerities. Miss Leach was informed that her friend could not find much time for correspondence. 'I am living in the atmosphere of art, and striving patiently. Some day you shall hear of me.' And when the letter was posted, Alma mused long on the effect it would produce.
With the distinguished violinist; the friend of Herr Wilenski, spoken of to Mrs. Frothingham, she had as yet held no communication, and through the days of early summer she continued to neglect her music. Indolence grew upon her; sometimes she spent the whole day in a dressing-gown, seated or reclining, with a book in her hand, or totally unoccupied. Sometimes the military bands in the public gardens tempted her to walk a little, or she strolled with Miss Steinfeld through the picture galleries; occasionally they made short excursions into the country. The art student had acquaintances in Munich, but did not see much of them, and they were not the kind of people with whom Alma cared to associate.
In July it was decided that they should go for a few weeks to Bregenz; their health called for the change, which, as Miss Steinfeld knew of a homely pension, could be had at small expense. Before their departure the art student was away for a few days, and, to relieve the dreariness of an existence which was becoming burdensome, Alma went out alone one afternoon, purposing a trip by steam-tram to the gardens at Nymphenburg. She walked to the Stiglmeyerplatz, where the tram starts, and there stood waiting. A carriage drove past, with a sound of English voices, which drew her attention. She saw three children, a lady, and a gentleman. The last-mentioned looked at her, and she recognised Cyrus Redgrave. Whether he knew her face seemed uncertain. Hoping to escape unobserved, she turned quickly, and walked a few yards. Before she faced round again, a quick footstep approached her, and the next moment Mr. Redgrave stood, hat in hand, courteously claiming her acquaintance.
'I thought I could not possibly be mistaken!'
The carriage, having stopped for him to alight, was driving away.
'That is my sister and her children,' said Redgrave, when he had warmly shaken hands and expressed his pleasure at the meeting. 'You never met her. Her husband is in India, and you see me in full domesticity. This morning I posted a note to you; of course, you haven't received it yet.'
Alma did her best to behave with dignity. In any case it would have been trying to encounter such a man as Redgrave—wealthy, elegant, a figure in society, who must necessarily regard her as banished from polite circles; and in her careless costume she felt more than abashed. For the first time a sense of degradation, of social inferiority, threatened to overwhelm her self-respect.
'How did you know my address?' she asked, with an involuntary imitation of hauteur, made pathetic by the flush on her face and the lingering half-smile.
'Mrs. Frothingham kindly gave it me.—You were walking this way, I think?—My sister is living at Stuttgart, and I happened to come over just in time to act as her courier on a journey to Salzburg. We got here yesterday, and go on tomorrow, or the day after. I dropped you a note, asking if I might call.'
'Where have you seen Mamma lately?' asked Alma, barely attentive to the explanations he was giving her.
'In London, quite by chance. In fact, it was at Waterloo Station. Mrs. Frothingham was starting for the country, and I happened to be going to Wimbledon. I told her I might possibly see you on my way through Munich.'
Alma began to recover herself. That Cyrus Redgrave should still take an interest in her was decidedly more gratifying than the eccentric compliment of Felix Dymes. She strove to forget the humiliation of having been found standing in a public place, waiting for a tram-car. In Redgrave's manner no change was perceptible, unless, indeed, he spoke with more cordiality, which must be prompted by kind feeling. Their acquaintance covered only a year or two, and had scarcely amounted to what passes for friendship, but Redgrave seemed oblivious of late unpleasant events.
'I'm glad you didn't call unexpectedly,' she said, trying to strike a light note. 'I'm a student now—no longer an amateur—and live as a student must.'
'So much the better. I'm a natural bohemian myself, and like nothing so well as to disregard ceremony. And, by-the-bye, that's the very reason why I ran away from my sister to speak to you; I knew you would dislike formalities. I'm afraid I was rather glad than otherwise to escape. We have been taking the children for a drive—charming little rascals, but for the moment my domestic instincts are satisfied. Mrs. Frothingham mentioned that you were living with a friend—an art student.'
'We go away for a holiday in a day or two,' said Alma, more at her ease. 'To Bregenz—do you know it?'
'By name only. You go in a day or two? I wish you would let me know your address there,' he added, with frank friendliness. 'I go on with my sister to Salzburg, and then turn off on my own account; I might be able to pass your way, and I should so much like to have a talk with you—a real talk, about music and all sorts of things. Did I ever tell you of my little place at Riva, head of Lake Garda? Cosy little nook, but I'm not there very often; I half thought of going for a week or two's quietness. Quite cool there by the lake. But I really must try to see you at Bregenz—do let me.'
He begged it as a favour, a privilege, and Alma without hesitation told him where she would be living.
'For a few weeks? Oh, then, I shall make a point of coming that way. You're not working too hard, I hope? I know you don't do things by halves. When I first heard you were going in seriously for music, I said to myself, "Tant mieux, another great violinist!"'
The listener reddened with delight; her step became elastic; she carried her head gallantly, and feared not the glances Redgrave cast at her.
'I have learnt not to talk about myself,' she said, bestowing a smile upon him. 'That's the first bad habit to be overcome by the amateur converted.'
'Capital! An axiom worth putting into print, for the benefit of all and sundry. Now I must say goodbye; that fellow yonder will take me back to the domesticities.' He hailed an empty carriage. 'We shall meet again among the mountains. Auf Wiedersehen!'
Alma continued to walk along the Nymphenburg road, unconscious of external things. The tram for which she had been waiting passed by; she no longer cared to go out into the country. It was enough to keep moving in the bright sunshine, and to think her thoughts.
No; people had by no means forgotten her. Whilst she was allowing herself to fall into gloom and indolence, her acquaintances, it was evident, made her a constant subject of talk, of speculation; just what she had desired, but had lost courage to believe. They expected great things of her; her personal popularity and her talents had prevailed against the most prejudicial circumstance; people did not think of her as the daughter of Bennet Frothingham—unless to contrast the hopefulness of her future with the black calamity that lay behind.
She waxed philosophical. How everything in this world tends to good! At her father's death she had mourned bitterly; it had struck her to the heart; his imprudence (she could never use, even in thought, a harsher word) pained more than it shamed her, and not a day passed but she sorrowed over the dishonour that darkened his memory. Yet were not these woes and disasters the beginning of a new life for her! In prosperity, what would she ever have become? Nothing less than being thrown out into the world could have given her the impulse needed to realise a high ambition. 'Tant mieux, another great violinist!' How sincerely,
